"Emu Rag" by Keith Sharp is a fun and lively music piece for a grade 3 string orchestra. Its catchy rhythms and melodies make it an excellent choice for young musicians looking for upbeat and joyful music. It's popular among music educators and offers an opportunity to learn about different playing techniques and musical styles. Overall, it's a fantastic addition to any string orchestra's playlist.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
Emu Rag (Grade 3) for String Orchestra by Keith Sharp
"Emu Rag" is a fun and lively music composed by Keith Sharp specifically for a grade 3 string orchestra. The piece features catchy rhythms and melodies to get the audience tapping their feet. It's an excellent choice for young musicians looking to add upbeat and joyful music to their repertoire. Since its release, "Emu Rag" has become a popular choice among music educators in Australia and beyond, as it offers an excellent opportunity for students to learn about different playing techniques and musical styles. Overall, "Emu Rag" is a fantastic addition to any string orchestra's playlist and will surely bring a smile to all who hear it."
Keith Sharp earned his Bachelor of Music degree in 1984 and later started working as a string educator in the Gap region of Brisbane, Australia, where he still teaches. He went on to complete a postgraduate diploma in education in 1995. Throughout his teaching career, Keith has created award-winning string programs and ensembles while pursuing his passion for composition. His beautifully crafted and imaginative works are very popular in Australia and have recently gained popularity among teachers in the United States, Great Britain, and Germany. Keith is an active clinician, guest conductor, and lecturer.
This piece is upbeat and features two contrasting themes - a rhythmic fiddling-style section and a warm Celtic air. It's engaging and encourages cohesive energy in the ensemble with clever bow techniques and fun challenges like rapid string crossings and syncopation.
Keith Sharp is a string educator in Brisbane, Australia, where he teaches and has produced award-winning string programs and ensembles. He is also a composer whose works are famous in Australia and internationally. Keith is an active clinician, guest conductor, and lecturer.
Two contrasting dances are linked, creating a classic ternary form. The first dance has a driving rhythm and repeated accents. A four-bar solo bridge leads to the succeeding dance with a graceful, modal theme. The Two Courtly Dances are easy to play yet catchy and appealing to various ages. The piece has four string lines and an optional piano. The viola doubles either the first or second violins throughout.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
Fernando’s Tango is a rhythmic piece featuring a dotted rhythm throughout. The cello, Double bass, and Violin 3/violin treble parts offer beat stability, while the first Violins have an easy-to-play tango descant. The ensemble pack includes Unison Melody parts for Violin, Viola, and Cello and can be tailored to suit different playing standards.
Keith Sharp is a string music teacher in Brisbane, Australia. He earned his Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. He creates award-winning string programs and compositions popular in Australia, the United States, Great Britain, and Germany. Keith is also an active clinician, guest conductor, and guest lecturer.
Angharad’s Feast," composed to celebrate the 30th anniversary of Brisbane’s Western Suburbs String Orchestra and honor founder Andrea Messenger, premiered in November 2019. The piece represents a family gathering, with each string section symbolizing different family members: first violins as energetic children, second violins as guiding parents, violas as aunties and uncles, and double basses and cellos as wise grandparents. With a warm and charming folk-style theme, the composition beautifully encapsulates the spirit of family, music, and life.
This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"
Want a unique addition to your concert? This piece uses vocal "boks" to create the sound of a frantic chicken in a kitchen. It has separate parts for cellos and basses, and optional lyrics for your choir are included.
Keith Sharp is a renowned string educator and composer from Brisbane. He has produced award-winning string programs and ensembles, and his works are highly popular worldwide. Keith is also an active clinician, guest conductor, and lecturer.
One Voice is a Grade 1.5 piece for string orchestra composed by Keith Sharp. It features a hauntingly beautiful melody and rich harmonies. Despite its simplicity, the piece is profoundly moving and engaging. Keith Sharp's use of dynamics and phrasing creates a sense of tension and release that leaves a lasting impression on the listener.
Keith Sharp is a string educator in Brisbane, Australia. He completed his Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith has produced award-winning string programs and compositions popular in Australia and internationally throughout his career. He also remains active as a clinician, guest conductor, and lecturer.
"Til the Work is Done," published in 2000, is a favorite from Music House String Publications that encourages students to express themselves through their instruments, much like a choir. This flexible string ensemble piece can be performed as a full unison melody with piano and double bass harmony, followed by a part setting featuring Violin 2 and optional parts for Viola 2 and Violoncello 2, making it suitable for younger players. The Violin 1 obligato line complements the melody, supported by the double bass, resulting in a satisfying tonal score.
