"Quasi Jig" is a piece for middle- to high-school string players. It features light-hearted accompaniments, Celtic-style fiddle themes, and syncopations. The piece is technically challenging and engaging for players with various skill levels, with melody, harmony, obligato, and accompanying roles shared among the players. Graded 3 lasts 4 minutes and 30 seconds, and it is in the key of G major/C major.

Keith Sharp is a highly experienced string educator from Brisbane, Australia. He has produced award-winning string programs and composed imaginative works famous in Australia, the US, the UK, and Germany. He remains active as a guest conductor, clinician, and lecturer.

Fun and original music for primary and junior high students. East meets West in a sing-along style. All parts are in the first position, except bass. It's a blast to play!

Keith Sharp is a renowned string educator from Brisbane, Australia. He has won numerous awards for his exceptional string programs, compositions, and imaginative works. In addition to teaching, Keith is also an active clinician, guest conductor, and lecturer.

Haydn’s Lost Chorale is a revised version of The Abbey, inspired by Haydn’s St. Anthony’s Chorale. It’s scored for string orchestra with optional piano, including violin 3 (treble viola) and violin parts. It features a dotted rhythm, quasi-classical textures and singing themes.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

Fernando’s Tango is a rhythmic piece featuring a dotted rhythm throughout. The cello, Double bass, and Violin 3/violin treble parts offer beat stability, while the first Violins have an easy-to-play tango descant. The ensemble pack includes Unison Melody parts for Violin, Viola, and Cello and can be tailored to suit different playing standards.

Keith Sharp is a string music teacher in Brisbane, Australia. He earned his Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. He creates award-winning string programs and compositions popular in Australia, the United States, Great Britain, and Germany. Keith is also an active clinician, guest conductor, and guest lecturer.

"Mota Moas for String Orchestra" by Keith Sharp is a playful musical composition inspired by the extinct Giant Moas of New Zealand. It is aimed at students in late primary to early high school levels and emphasizes detache and staccato strokes. The piece is composed in D major and includes a ragtime break towards the end. It's a delightful piece that everyone can enjoy!

Keith Sharp is a string educator in Brisbane, Australia. He earned a Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith creates award-winning string programs, composes beautiful works, and is a popular clinician, guest conductor, and lecturer in Australia and abroad.

Fiddler's Farewell is a beautiful Gaelic-style music piece for middle and high school string players. It allows expressive playing with emphasis on phrasing and dynamics. Keith Sharp's arrangement involves all players with melody, harmony, and accompaniment roles. The music has technical challenges and lyrical possibilities to keep all ensemble members engaged. An optional piano part is available, but it is not essential. Graded at level 2.5, it's 3 minutes and 15 seconds long in E Aeolian Mode and related keys.

This lively fiddle-style tune with a fun melody and bright harmonies will surely please any crowd. Advanced violin players can try the optional octave extension included in the piece. As the toe-tapping tune develops, the melody is traded around the ensemble, making it memorable and fun!

Keith Sharp is a renowned string educator who completed his Bachelor of Music degree in 1984. He has been teaching in Brisbane since then and holds a postgraduate diploma in education. Keith is also a composer and produces award-winning string programs and ensembles. Additionally, he serves as a clinician, guest conductor, and lecturer.

This piece has an Irish essence and features lively fiddle-style themes contrasting with lyrical countermelodies. As you play, pass the melodic interest between the sections and experiment with different articulations, dynamics, and timbres inherent in the music. The 1st Violins get to show off with a fun yet playable fiddle break. The piece ends with an energetic, “all-in-together” finish that will leave the audience feeling roused. Fiddle O’Finnigan is popular with students, teachers, and audiences alike! The folio includes parts for the String Orchestra (8-8-4-4-6-2), the Conductor’s score, and an optional Piano accompaniment.