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    Sharp, The Tattered Kilt (Grade 3-3.5) For String Orchestra

    Sharp, The Tattered Kilt (Grade 3-3.5) For String Orchestra

    $125.00

    "Quasi Jig" is a piece for middle- to high-school string players. It features light-hearted accompaniments, Celtic-style fiddle themes, and syncopations. The piece is technically challenging and engaging for players with various skill levels, with melody, harmony, obligato, and accompanying roles shared among the players. Graded 3 lasts 4 minutes and 30 seconds, and it is in the key of G major/C major.

    Keith Sharp is a highly experienced string educator from Brisbane, Australia. He has produced award-winning string programs and composed imaginative works famous in Australia, the US, the UK, and Germany. He remains active as a guest conductor, clinician, and lecturer.

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    The Tattered Kilt (Grade 3-3.5) for string orchestra

    This piece of music, called "quasi jig," is designed for middle to high school string players. It is an enjoyable play for all, featuring light-hearted "limping" accompaniments, syncopations, and Celtic-style fiddle themes. The piece is technically exciting and challenging, making it engaging for players with various skill levels. The composer, Keith, has created this piece to encourage and involve all players. The music includes melody, harmony, obligato, and accompanying roles, all shared among the players. The piece is graded 3, the high school A grade level, and lasts 4 minutes and 30 seconds. It is in the key of G major/C major.

    Keith Sharp received a Bachelor of Music degree in 1984 and has taught as a string educator in the Gap region of Brisbane, Australia, ever since. In 1995, he completed a postgraduate diploma in education. Throughout his teaching career, Keith has produced award-winning string programs and ensembles and has pursued his passion for composition. His beautifully crafted and imaginative works are highly popular throughout Australia and have recently gained popularity amongst teachers in the United States, Great Britain, and Germany. Keith stays active with his schedule as a clinician, guest conductor, and guest lecturer.

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    Sharp, Bamboo Cowboy (Grade 2) For String Orchestra

    Fun and original music for primary and junior high students. East meets West in a sing-along style. All parts are in the first position, except bass. It's a blast to play!

    Keith Sharp is a renowned string educator from Brisbane, Australia. He has won numerous awards for his exceptional string programs, compositions, and imaginative works. In addition to teaching, Keith is also an active clinician, guest conductor, and lecturer.

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    Sharp, Fiddle Fever For String Orchestra

    Fiddle Fever by Keith Sharp is a lively country-style music piece for string orchestra. It has memorable intertwining lines passed among the sections, supported by a bass line and an optional piano accompaniment. Perfect for all ages, this piece will make you tap your toes and enjoy some real toe-tappin' fiddlin' with your partner!

    Keith Sharp is a celebrated music teacher in Brisbane, Australia. He has a Bachelor of Music degree and a postgraduate diploma in education. Keith is known for his exceptional string programs, ensembles and compositions. His music is popular in Australia and internationally. Keith is often invited to work as a clinician, guest conductor, and lecturer.

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    Sharp, Click Go The Shears (Grade 2) For String Orchestra

    Click Go the Shears is a delightful adaptation of a traditional Australian folk song for beginner players. It features an optional and exquisitely crafted piano accompaniment. Simple violin lines can be played singly with the piano.

    Keith Sharp is a string educator in Brisbane, Australia. He received his degree in 1984 and a post-graduate diploma in 1995. Keith produces award-winning string programs and compositions popular in Australia and internationally. He is also active as a guest conductor, clinician, and lecturer.

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    Sharp, One Voice (Grade 1.5) For String Orchestra

    One Voice is a Grade 1.5 piece for string orchestra composed by Keith Sharp. It features a hauntingly beautiful melody and rich harmonies. Despite its simplicity, the piece is profoundly moving and engaging. Keith Sharp's use of dynamics and phrasing creates a sense of tension and release that leaves a lasting impression on the listener.

    Keith Sharp is a string educator in Brisbane, Australia. He completed his Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith has produced award-winning string programs and compositions popular in Australia and internationally throughout his career. He also remains active as a clinician, guest conductor, and lecturer.

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    Sharp, March Triumphant (Grade 2) For String Orchestra

    "March Triumphant" in G major is a majestic piece suitable for special occasions. Its stirring rhythmic motifs provide satisfying melodies for all instrumentalists. Rehearse ensemble tone, dynamic contrasts, and rhythmic precision for uniformity. Confirm G major finger patterns within the ensemble.

    Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

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    Sharp, Chicken In The Kitchen (Grade 1.5) For String Orchestra

    Want a unique addition to your concert? This piece uses vocal "boks" to create the sound of a frantic chicken in a kitchen. It has separate parts for cellos and basses, and optional lyrics for your choir are included.

    Keith Sharp is a renowned string educator and composer from Brisbane. He has produced award-winning string programs and ensembles, and his works are highly popular worldwide. Keith is also an active clinician, guest conductor, and lecturer.

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    Sharp, Worse Than a Curse for String Orchestra

    This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"

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