"Emu Rag" by Keith Sharp is a fun and lively music piece for a grade 3 string orchestra. Its catchy rhythms and melodies make it an excellent choice for young musicians looking for upbeat and joyful music. It's popular among music educators and offers an opportunity to learn about different playing techniques and musical styles. Overall, it's a fantastic addition to any string orchestra's playlist.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

Celtic Lullaby is a 2-minute musical piece by Keith Sharp for a string orchestra in D major. The folio cover on the publisher's website has string parts, a conductor's score, and piano accompaniment. Natalie Sharp designed, edited and engraved the Music.

Keith Sharp, a string educator and composer from Brisbane, Australia, has won awards for his string programs, ensembles and compositions. He is also a popular clinician, conductor and lecturer.

This piece has an Irish essence and features lively fiddle-style themes contrasting with lyrical countermelodies. As you play, pass the melodic interest between the sections and experiment with different articulations, dynamics, and timbres inherent in the music. The 1st Violins get to show off with a fun yet playable fiddle break. The piece ends with an energetic, “all-in-together” finish that will leave the audience feeling roused. Fiddle O’Finnigan is popular with students, teachers, and audiences alike! The folio includes parts for the String Orchestra (8-8-4-4-6-2), the Conductor’s score, and an optional Piano accompaniment.

Keith Sharp's contemporary piece in D major is enjoyable to play and suitable for beginners. It features echo effects and melodious accompanying lines and is graded as a B for primary school and a C for high school.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

"Mota Moas for String Orchestra" by Keith Sharp is a playful musical composition inspired by the extinct Giant Moas of New Zealand. It is aimed at students in late primary to early high school levels and emphasizes detache and staccato strokes. The piece is composed in D major and includes a ragtime break towards the end. It's a delightful piece that everyone can enjoy!

Keith Sharp is a string educator in Brisbane, Australia. He earned a Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith creates award-winning string programs, composes beautiful works, and is a popular clinician, guest conductor, and lecturer in Australia and abroad.

Chromatic glissandi, walking bass, and piano accompany a slow blues melody played by violins. The tune encourages vibrato and sounds excellent in the third or first position. The third violin/viola part is simple, while cellists can enjoy their chromatic pizzicato. The piano line is crucial. It's an original "concert novelty" that generates interest.

Keith Sharp is a renowned composer and string educator based in Brisbane, Australia. He has produced award-winning string programs and ensembles while pursuing his passion for composition. Unfortunately, his work "Bilge Rat Blues for String Orchestra" is currently out of print and unavailable.

Fun and original music for primary and junior high students. East meets West in a sing-along style. All parts are in the first position, except bass. It's a blast to play!

Keith Sharp is a renowned string educator from Brisbane, Australia. He has won numerous awards for his exceptional string programs, compositions, and imaginative works. In addition to teaching, Keith is also an active clinician, guest conductor, and lecturer.

'Sailing Home' is an upbeat sea shanty played in 6/8 time. The violin parts, played in the first position, are challenging and exciting. The middle section changes to D major, adding contrast to the piece. Overall, it's a lively and enjoyable composition.