Sharp, Return To Skye (Grade 3-3.5) For String Orchestra
$125.00
"Return to Skye" is a beautiful Celtic-style folk fiddle tune for string orchestras at Grade 3-3.5 level. The piece features varying meters that challenge students, but all parts can be played in the first position, except for the first violins, which may need to use second and third positions occasionally. All sections will have a chance to play different melodies using a range of bowing styles. Keith Sharp is a string educator in Brisbane, Australia, with a Bachelor of Music degree and a post-graduate diploma in education. He produces award-winning compositions that are popular worldwide and is involved in various roles as a clinician, guest conductor, and lecturer.
"Return to Skye" is a beautiful Celtic-style folk fiddle tune that evokes a strong sense of longing for one's homeland. It is recommended for string orchestras at Grade 3-3.5 level. The piece features varying meters that challenge the students, but all parts can be played in the first position, except for the first violins, who may need to use second and third positions occasionally. Additionally, all sections will have a chance to play different melodies using a range of bowing styles.
Keith Sharp earned his Bachelor of Music degree in 1984 and later became a string educator in the Gap region of Brisbane, Australia. He has been teaching there ever since. In 1995, Keith completed a post-graduate diploma in education. During his teaching career, Keith has produced award-winning string programs and ensembles while pursuing his passion for composition. His imaginative works are highly popular throughout Australia and have recently gained popularity with teachers in the United States, Great Britain, and Germany. Keith is also actively involved as a clinician, guest conductor, and guest lecturer.
The Wild West and contemporary US composers inspired this piece. It has an idiomatic cowboy feel, with lively lines and a pleasing middle section. The outer sections have a dynamic ensemble energy, and there are opportunities for bowing techniques and position work.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
Mamba Samba is a fun and unique piece for string ensembles. It offers swing without technical difficulty, accommodates different skill levels, has optional parts for violin and viola, and includes lyrics. A MIDI backing track is also available.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
"Six Ribbons" is a beautiful instrumental piece composed by Jon English for an intermediate string orchestra. It was arranged by Keith Sharp and published in 1995 by Music House String Publications Pty Ltd, which holds the copyright.
Keith Sharp is a highly accomplished string educator, composer, and clinician. He has taught in Brisbane, Australia, since 1984 and has created several award-winning string programs and ensembles. His compositions are famous in many countries, including the United States, Great Britain, and Germany.
This flexible arrangement has a challenging violin extension, optional two-part vocals, and a groovy bass part. It is written in a jazz/swing style with the sounds of Randy Newman, Nat King Cole, and George Gershwin.
Keith Sharp is a string educator who earned his Bachelor of Music in 1984. He still teaches in the Gap region of Brisbane, Australia. Keith is also a composer whose works are famous in Australia and gaining recognition worldwide. He is actively involved as a clinician, guest conductor, and guest lecturer.
Fernando’s Tango is a rhythmic piece featuring a dotted rhythm throughout. The cello, Double bass, and Violin 3/violin treble parts offer beat stability, while the first Violins have an easy-to-play tango descant. The ensemble pack includes Unison Melody parts for Violin, Viola, and Cello and can be tailored to suit different playing standards.
Keith Sharp is a string music teacher in Brisbane, Australia. He earned his Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. He creates award-winning string programs and compositions popular in Australia, the United States, Great Britain, and Germany. Keith is also an active clinician, guest conductor, and guest lecturer.
"Til the Work is Done," published in 2000, is a favorite from Music House String Publications that encourages students to express themselves through their instruments, much like a choir. This flexible string ensemble piece can be performed as a full unison melody with piano and double bass harmony, followed by a part setting featuring Violin 2 and optional parts for Viola 2 and Violoncello 2, making it suitable for younger players. The Violin 1 obligato line complements the melody, supported by the double bass, resulting in a satisfying tonal score.
Arabesque art features repeating geometric patterns, often found in mosques. The style mimics plants and animals and symbolises the unity of faith in Islam. Arabesques are also classical piano pieces, like Debussy's Deux Arabesques, composed in 1888 and 1891, featuring playful linking of simple melodies.
Keith Sharp has been a renowned string educator in Brisbane's Gap region since 1984. He has produced award-winning string programs and compositions well-known in the United States, Great Britain, and Germany. Keith is also an active clinician, guest conductor, and lecturer.
This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"
