

Haydn’s Lost Chorale is a revised version of The Abbey, inspired by Haydn’s St. Anthony’s Chorale. It’s scored for string orchestra with optional piano, including violin 3 (treble viola) and violin parts. It features a dotted rhythm, quasi-classical textures and singing themes.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
Haydn’s Lost Chorale is a musical piece written for a string orchestra that includes violin 3 (treble viola), violin, and an optional piano accompaniment. Haydn’s St. Anthony’s Chorale inspires this composition and features a revised version of The Abbey. It consists of a dotted rhythm and quasi-classical textures and includes singing themes.
Here is the composer’s introduction to the title:
“At last, the end of my quest was near! Surely the hidden crypt was within metres? Crawling through a slimy, cobwebbed, rat-infested tunnel, the growing sense of anticipation was overwhelming. An intriguing mystery was about to be solved. Would the infamous parchment still remain within the monk’s, by now skeletal, grasp? Its discovery would confirm my suspicion - Brother Festus was guilty of stealing the coveted choral extract from the great master Haydn, nearly 200 years ago! There was a chance that Haydn’s “lost chorale” may finally be heard…..” (Diary extract - Summer holiday adventures, 1994).
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
Chin, Haydn Symphony No.60 1st Movement
This arrangement for strings is faithful to the original work with the added features of sharing the melodic lines, a slight editing of a few bars of the bass part, a violin 3 part and a keyboard realization. It is also an excellent way to develop Classical style spiccato in more advanced players.
Scored in D major, this winning march for first-year strings opens and ends with dramatic pyramid entrances from the bottom up -- cellos and basses first, then violas, then 2nd Violins, and finally 1st Violins. Rhythms are simple, bowings are clearly marked, and the optional percussion part for snare drum and bass drum enhances the parade-style theme. Duration 1:40.
Two contrasting works with enduring melodies. "Let All Mortal Flesh" is dynamic, from an old French folk song. The "Drunken Sailor" arrangement is a gem, highlighting all sections. A hit with younger musicians!
1. Let All Mortal Flesh Keep Silent
2. Drunken Sailor
For String Orchestra Grade 1.5