"Far From Home" is a beautiful 1.45-minute piece by Keith Sharp for string orchestra. It is suitable for Grade 2 players and has a wistful melody that explores rich G-string sounds. The harmony/descant and bass parts are optional, and there's an optional vocal line too. This flexible piece is an excellent addition to your library.

Keith Sharp is an award-winning string educator and composer in Brisbane, Australia. He received his Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith is also involved in the music education community as a clinician, guest conductor, and lecturer.

This music is inspired by the Tudor era's early style, where music and dance were central to courtly life. It has a melodious quality, suitable for all players, with opportunities for technical development. The piano accompaniment helps balance rhythm and pitch. It's suitable for Grade 2 and written in D Major and related keys. The authentic setting is in the style of medieval dance, providing a glimpse into the time of Henry VIII.

"Mota Moas for String Orchestra" by Keith Sharp is a playful musical composition inspired by the extinct Giant Moas of New Zealand. It is aimed at students in late primary to early high school levels and emphasizes detache and staccato strokes. The piece is composed in D major and includes a ragtime break towards the end. It's a delightful piece that everyone can enjoy!

Keith Sharp is a string educator in Brisbane, Australia. He earned a Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith creates award-winning string programs, composes beautiful works, and is a popular clinician, guest conductor, and lecturer in Australia and abroad.

The Wild West and contemporary US composers inspired this piece. It has an idiomatic cowboy feel, with lively lines and a pleasing middle section. The outer sections have a dynamic ensemble energy, and there are opportunities for bowing techniques and position work.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"

"Til the Work is Done," published in 2000, is a favorite from Music House String Publications that encourages students to express themselves through their instruments, much like a choir. This flexible string ensemble piece can be performed as a full unison melody with piano and double bass harmony, followed by a part setting featuring Violin 2 and optional parts for Viola 2 and Violoncello 2, making it suitable for younger players. The Violin 1 obligato line complements the melody, supported by the double bass, resulting in a satisfying tonal score.

"The Dwarf March" is a beautiful piece of music written in A minor for string orchestra, graded at level 1.5/2, lasting for 2.00. It features a cello and bass melody with a repeated quaver texture in the violins. The folio includes the conductor's score, optional piano accompaniment, and an excerpt from J.R.R. Tolkien's "The Hobbit."

Keith Sharp is a renowned music educator and composer from Brisbane, Australia. He has won several awards for his innovative string programs and ensembles and is an active clinician, guest conductor, and lecturer.

This fiddle tune has separated cello and double bass parts for melody and harmony, allowing directors to challenge advanced students while keeping others engaged. It's perfect for real-world scenarios, with fun elements such as a slide from D# to E and a countermelody for balance.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.