Keith Sharp’s musical masterpiece, Restless, is now available for Grade 4 String Orchestra. The arrangement includes a conductor’s score and multiple string parts, making it easy to perform. Published by Music House String Publications, it offers an unparalleled musical experience. Keith has been a renowned string educator in Brisbane since 1985, and his educational ensemble pieces are recognised globally. He is a past president of AUSTA Queensland and co-author of Encore on Strings.

Chromatic glissandi, walking bass, and piano accompany a slow blues melody played by violins. The tune encourages vibrato and sounds excellent in the third or first position. The third violin/viola part is simple, while cellists can enjoy their chromatic pizzicato. The piano line is crucial. It's an original "concert novelty" that generates interest.

Keith Sharp is a renowned composer and string educator based in Brisbane, Australia. He has produced award-winning string programs and ensembles while pursuing his passion for composition. Unfortunately, his work "Bilge Rat Blues for String Orchestra" is currently out of print and unavailable.

Fun and original music for primary and junior high students. East meets West in a sing-along style. All parts are in the first position, except bass. It's a blast to play!

Keith Sharp is a renowned string educator from Brisbane, Australia. He has won numerous awards for his exceptional string programs, compositions, and imaginative works. In addition to teaching, Keith is also an active clinician, guest conductor, and lecturer.

This lively fiddle-style tune with a fun melody and bright harmonies will surely please any crowd. Advanced violin players can try the optional octave extension included in the piece. As the toe-tapping tune develops, the melody is traded around the ensemble, making it memorable and fun!

Keith Sharp is a renowned string educator who completed his Bachelor of Music degree in 1984. He has been teaching in Brisbane since then and holds a postgraduate diploma in education. Keith is also a composer and produces award-winning string programs and ensembles. Additionally, he serves as a clinician, guest conductor, and lecturer.

"Explorers" has a majestic main theme and catchy accompanying figures. It portrays the determination and resilience of explorers as they face the unknown and the joy of new discoveries. The central chorale is in G Major, and all parts share the melodic interest. It lasts 3 minutes and 20 seconds.

Keith Sharp is a string educator based in Brisbane, Australia since 1984. He completed a postgraduate diploma in education in 1995 and has produced award-winning string programs and ensembles. Keith is a composer, and his works are famous in Australia and internationally. He is an active clinician, guest conductor, and lecturer.

"Return to Skye" is a beautiful Celtic-style folk fiddle tune for string orchestras at Grade 3-3.5 level. The piece features varying meters that challenge students, but all parts can be played in the first position, except for the first violins, which may need to use second and third positions occasionally. All sections will have a chance to play different melodies using a range of bowing styles. Keith Sharp is a string educator in Brisbane, Australia, with a Bachelor of Music degree and a post-graduate diploma in education. He produces award-winning compositions that are popular worldwide and is involved in various roles as a clinician, guest conductor, and lecturer.

Caulderon was renowned for its magical prowess. Alchemy saved the city from imminent collapse into the sea and raised it into the air. According to Elfin legends, the floating city would occasionally visit other lands, carried by the winds. During these visits, the people of Caulderon would trade their magical wares with the locals. However, the visits were always short, and the city’s movements depended on the winds.

This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"