The 1927 Collin-Mezin violin is a masterpiece crafted in the renowned Collin-Mezin Workshop, established in the 19th century by Charles Jean Baptiste Collin-Mezin in Paris. After passing in 1923, his son, Charles Collin-Mezin Jr., took over the workshop. In 1925, the workshop moved to Mirecourt, France. Known for producing vibrant instruments with outstanding sound flexibility, the workshop's tradition continues with the 1927 Collin-Mezin violin.
The 1927 Collin-Mezin violin is a masterpiece crafted in the renowned Collin-Mezin Workshop, carrying the rich heritage of its origin. The workshop was established in Paris in the 19th century by Charles Jean Baptiste Collin-Mezin, showcasing his exceptional craftsmanship. Following his passing in 1923, the workshop was taken over by his son and business partner, Charles Collin-Mezin Jr. In 1925, the workshop moved to Mirecourt, France. After Charles Collin-Mezin Jr. died in 1934, the workshop was passed down to his son, Charles J.B. Collin-Mezin III, ensuring the family's violin-making tradition continued. The workshop was highly regarded for producing vibrant instruments with outstanding sound flexibility, a quality that the 1927 Collin-Mezin violin exemplifies.
Marc Laberte (1880–1963) was trained as a violin maker and joined the family company in 1911. By 1919, the Laberte firm had around 400 craftsmen and was successful. However, the war in 1942 devastated the business, leading to its closure. Despite this, Laberte was known for his exceptional instruments and bows, earning several honours and medals.
This violin has the original Marc Laberte label and bears the number #3010. A second label states Grand Prix Paris 1931, Exposition Internationale Bruxelles 1935 Membre Du Jury, and Exposition Internationale New York 1939. The prices they won before and during the start of the world war 2.
This violin is labeled Claude-Augustin Miremont made in Paris dated 1880. Claude-Augustin Miremont (1827 – 1887) is a French violin maker in Mirecourt who was considered one of the greatest violin makers in the second part of the 19th century. Check out the images for more details.
Victor Audinot (1870-1943), also known as Audinot-Mourot, came from a family of luthiers in Mirecourt. Mentored by Francois Chardin and Telesphore Barbé, Audinot was mainly influenced by Barbé, who had honed his skills working for Jean Baptiste Vuillaume in Paris. This experience helped shape Audinot’s successful career in instrument making.
Victor worked in Mirecourt, known for luthier tradition, before moving to Paris to set up his workshop on Rue Truffaut in 1913. He dedicated himself to his craft until retiring in 1936. He passed his expertise to five of his six sons and aspiring luthiers. Renowned for creating exact replicas of classical instruments, he crafted an exceptional copy of the ornately decorated Stradivari violin known as the ‘Sunrise’, showcasing his artistry.
Charles Collin-Mezin was born in Mirecourt, France, in 1841. He came from a family of luthiers and was skilled in crafting violins, violas, cellos, basses, and bows.
This is a Collin - Mezin violin made in Paris in 1902. Charles Jean Baptiste Collin-Mezin (1841–1923) was a Parisian luthier an Officier de l'Académie des Beaux-Arts and won gold and silver medals in 1878, 1889, and 1900 at the Paris Exhibitions.
This is a French JTL Virtuoso Violin Copy (c 1900) of Francisco Ruggieri dated 1671. Ruggieri was a skilled instrument maker from a renowned family of luthiers in Cremona, Italy. JTL represents Jérôme Thibouville-Lamy & Cie, a French musical instrument manufacturing company established by Louis Emile Jérôme Thibouville and Marguerite Hyacinthe Lamy in the early 1900s.
