Marc Laberte (1880–1963) was trained as a violin maker and joined the family company in 1911. By 1919, the Laberte firm had around 400 craftsmen and was successful. However, the war in 1942 devastated the business, leading to its closure. Despite this, Laberte was known for his exceptional instruments and bows, earning several honours and medals.
This violin has the original Marc Laberte label and bears the number #3010. A second label states Grand Prix Paris 1931, Exposition Internationale Bruxelles 1935 Membre Du Jury, and Exposition Internationale New York 1939. The prices they won before and during the start of the world war 2.
Marc André Joseph Laberte (29 May 1880 – 29 March 1963) was born into a family of violin makers. His great-grandfather started a workshop in Mirecourt around 1780. He married Marie Adeline Josephine Thérèse Drouin on 21 May 1904. After she passed away, he married Geneviève Josephine Paule Francine Thouvenin on 15 April 1912 in Besançon. They had a daughter named Claude on 6 June 1916.
Marc Laberte was a skilled luthier and bow maker who played an active role in the Laberte-Humbert Frères company starting in 1911. The workshop, which employed over 300 people by 1920, produced a wide range of high-quality instruments and bows. The workshop also owned a fine collection of instruments from famous makers, which were used as models for their own instruments. After being disrupted by the war, production resumed until the workshop eventually closed down.
Humbert Frères developed high-quality instruments alongside its “workshop-like” production. Instruments bearing the Laberte Humbert or Marc Laberte label are always of the highest standard. These best instruments were produced by a small team of skilled craftsmen known as “l’Atelier des Artistes”. Georges Apparut was in charge of this “artistic” production.
This violin has the original Marc Laberte label and bears the number #3010. A second label states Grand Prix Paris 1931, Exposition Internationale Bruxelles 1935 Membre Du Jury, and Exposition Internationale New York 1939. The prices they won before and during the start of the world war 2.
Introducing the Maurice Bourguignon Violin made in 1927 in Brussels. Maurice Bourguignon is a French luthier who received several awards, medals, and diplomas for his work in various exhibitions. He was known for his very refined work in classical models characterized by a good red varnish.
Lambert-Humbert Frères was a well-known violin manufacturer in Mirecourt from 1876 to 1969. They produced various instruments from reputable makers like Joseph Aubry and Georges Apparut. The company changed to L.F.M. in 1919 and obtained the prestigious brand “A La Ville de Cremone” in 1927. Unfortunately, the industry declined in the mid-20th century, leading to the closure of all major firms by the 1960s, including Laberte.
Moretti Egidio transitioned from cabinetmaking to violin making in 1924-1928. During 1945-1955 in Lavagna, Genoa, his instruments were known for their accuracy and good varnish, with two different labels used - handwritten and printed.
This is the Konrad Kohlert Violin. Konrad Kohlert's violins, violas and cellos have been produced in his workshop since 1987, and are valued worldwide for their sound and craftsmanship.
Paul Lorange, a renowned French luthier from Lyon, worked in Marseille during the early to mid-20th century. He established his independent workshop in the city in the early 1930s and was known for his fine workmanship on classical models and his use of various shades of red varnish. The violin in question was made in 1932, and it's noted that the handwriting on the violin and his original label may differ.
This Ryszard Osowski Gold model violin was built in the finest craftsmanship by Ryzard Osowski in Forchheim, Germany, dated 2024.
Ryszard Osowski, born in 1966, is a Polish luthier who moved to Muggendorf, Germany in 1993. Living with his uncle, he learned the local tradition of building stringed instruments and eventually perfected the sound and quality of his instruments after 25 years of experimentation. He now focuses on crafting advanced violins while occasionally creating cellos and violas.
This is a Charles Gaillard 1867 Violin. Charles Gaillard was an apprentice of the prominent French violinmaker and restorer, Charles Adolphe Gand.
Ref. F007
Check out this Copy of Giuseppe Fiorini violin 1926. Giuseppe Fiorini an Italian luthier, the son and student of Raffaele Fiorini who established the "Rieger and Fiorini" violin-making firm in Munich. A passionate teacher, donating materials and relics to the Municipality of Cremona in order to establish a violin-making school there.
