Marc Laberte (1880–1963) was trained as a violin maker and joined the family company in 1911. By 1919, the Laberte firm had around 400 craftsmen and was successful. However, the war in 1942 devastated the business, leading to its closure. Despite this, Laberte was known for his exceptional instruments and bows, earning several honours and medals.
This violin has the original Marc Laberte label and bears the number #3010. A second label states Grand Prix Paris 1931, Exposition Internationale Bruxelles 1935 Membre Du Jury, and Exposition Internationale New York 1939. The prices they won before and during the start of the world war 2.
Marc André Joseph Laberte (29 May 1880 – 29 March 1963) was born into a family of violin makers. His great-grandfather started a workshop in Mirecourt around 1780. He married Marie Adeline Josephine Thérèse Drouin on 21 May 1904. After she passed away, he married Geneviève Josephine Paule Francine Thouvenin on 15 April 1912 in Besançon. They had a daughter named Claude on 6 June 1916.
Marc Laberte was a skilled luthier and bow maker who played an active role in the Laberte-Humbert Frères company starting in 1911. The workshop, which employed over 300 people by 1920, produced a wide range of high-quality instruments and bows. The workshop also owned a fine collection of instruments from famous makers, which were used as models for their own instruments. After being disrupted by the war, production resumed until the workshop eventually closed down.
Humbert Frères developed high-quality instruments alongside its “workshop-like” production. Instruments bearing the Laberte Humbert or Marc Laberte label are always of the highest standard. These best instruments were produced by a small team of skilled craftsmen known as “l’Atelier des Artistes”. Georges Apparut was in charge of this “artistic” production.
This violin has the original Marc Laberte label and bears the number #3010. A second label states Grand Prix Paris 1931, Exposition Internationale Bruxelles 1935 Membre Du Jury, and Exposition Internationale New York 1939. The prices they won before and during the start of the world war 2.
Check out this Violin Made in Germany Mittenwald dated around 1920. This is one of Animato Strings' largest selections of new and old instruments in Australia including Asian-handcrafted instruments, new European instruments, and a wide range of antique stringed instruments.
Victor Audinot (1870-1943), also known as Audinot-Mourot, came from a family of luthiers in Mirecourt. Mentored by Francois Chardin and Telesphore Barbé, Audinot was mainly influenced by Barbé, who had honed his skills working for Jean Baptiste Vuillaume in Paris. This experience helped shape Audinot’s successful career in instrument making.
Victor worked in Mirecourt, known for luthier tradition, before moving to Paris to set up his workshop on Rue Truffaut in 1913. He dedicated himself to his craft until retiring in 1936. He passed his expertise to five of his six sons and aspiring luthiers. Renowned for creating exact replicas of classical instruments, he crafted an exceptional copy of the ornately decorated Stradivari violin known as the ‘Sunrise’, showcasing his artistry.
Check out the Italian Copy of Geovanni Schwarz violin made about 1920. Geovanni Schwarz was born in 1865 in Padua, Italy who by the influence and tutelage of his uncle Eugenio Degani honed his skills, established his own workshop, and won a gold medal in 1916 in Rome Italy.
In the 1910s, Arthur Edward Smith (1880-1978) established a store in Sydney upon his return to Australia. Smith's workshop on Hunter Street quickly gained a reputation for repairing and selling high-quality stringed instruments. This violin was sold (not made by) AE Smith, Australia's most famous violin maker.
Introducing the Roberto Cavagnoli Violin 2017. Roberto Cavagnoli received many awards including the Silver Medal for tone quality from the Violin Society of America in 2004 and the third prize at the 11th International Competition ‘Triennale’ in Cremona for sound quality.
This is a Collin - Mezin violin made in Paris in 1902. Charles Jean Baptiste Collin-Mezin (1841–1923) was a Parisian luthier an Officier de l'Académie des Beaux-Arts and won gold and silver medals in 1878, 1889, and 1900 at the Paris Exhibitions.
This is a Charles Claudot Violin. The name Claudot was a popular clan of luthiers in France who have been making violins from the 16th up to the 20th century.
This French violin (copy) has a powerful sound and was made after Roger & Max Millant in Paris. It has a subtle and radiant voice. This violin is in excellent condition, making it suitable for professional musicians.
