This violin is labelled "Antonius Vinaccia, Napoli in Via Constantinii, a. 1792" and shows evidence of being repaired in 1902. Antonio Vinaccia was a renowned instrument maker in Naples during the mid-18th to late 19th centuries. He was known for making violins in the style of Gagliano and exceptional mandolins. His craftsmanship is preserved in Naples's Museo Spagnuolo (Palazzo degli Studi). Antonio's sons, Gennaro and Gaetano, also became instrument makers.
This violin bears the label " Antonius Vinaccia, Napoli in Via Constantinii, a. 1792", bearing the evidence of having been repaired in 1902, as indicated by the handwriting inside the instrument.
Antonio Vinaccia (1754–1781) was a pivotal figure in the history of instrument making. He was the head of a family of instrument makers in Naples during the mid-18th to late 19th centuries. His craftsmanship, which he honed in Naples from about 1766 to 1774, was highly regarded. Vinaccia was particularly known for making violins in the style of Gagliano and his exceptional mandolins. Some of his most significant works, such as his mandolins with beautifully inlaid backs of ivory, mother-of-pearl, and tortoiseshell, are now preserved in Naples's Museo Spagnuolo (Palazzo degli Studi). These instruments bear a label that reads "Antonius Vinaccia, Napoli in Via Constantinii, a. 1766," and similar labels are dated 1774. Antonio's two sons, Gennaro and Gaetano, also followed in his footsteps and became instrument makers.
Amati Mangenot made this violin, but he "Italianised" his name and city, resulting in Mageno and Bordo.
Amati Mangenot (1901 – 1966), a French luthier, crafted this violin. He collaborated with the Laurent brothers and later took over Emile Laurent's workshop in Bordeaux.
William Henry Dow was born in Scotland in 1834 and moved to Australia in 1855 to work as a pattern maker at Langlands Port Phillip Foundry in Melbourne. Initially a hobby, he began making violins in his workshop in South Melbourne and received medals for his work at national exhibitions. After retiring from patternmaking, he devoted himself to creating instruments and made over 200 violins by his death in 1928. It is still being determined how many instruments Dow made, as he only started numbering them when he was satisfied with their quality. One of his violins is on display at the Powerhouse Museum in Sydney.
Please get in touch with Animato Strings on 07 3876 3877 if you want this violin.
This is a Paul Jean- Baptiste Chipot Violin made in Paris in about 1942. Paul Jean Baptiste Chipot is a French luthier the son of Chipot-Vuillaume. He worked in many workshops in Mirecourt then moved to Vendome to start his own workshop.
Collin-Mezin Violin dated 1887. This as an unusual model for a Collin-Mezin violin, but the workmanship, the original label, and Collin-Mezin's authentic signature verify the maker.
Check out this Leonidas Nadegini violin made about 1920. Jean-Baptiste Leonidas Nadegini was a Ukrainian luthier who was awarded as gold medalist for sonority in Saint Petersbourg competition in 1907.
This is a French violin by Paul J. B. Chipot, made in 1926. Paul John Baptiste Chipot, the son of Chipot-Vuillaume, was a French luthier who established his own workshop in Vendome in 1923.
We have here the Orfeo Carletti Violin made in 1932. Orfeo Carletti is an Italian violin maker who opened a workshop together with his father and brother in Bologna.
