This violin is labelled "Antonius Vinaccia, Napoli in Via Constantinii, a. 1792" and shows evidence of being repaired in 1902. Antonio Vinaccia was a renowned instrument maker in Naples during the mid-18th to late 19th centuries. He was known for making violins in the style of Gagliano and exceptional mandolins. His craftsmanship is preserved in Naples's Museo Spagnuolo (Palazzo degli Studi). Antonio's sons, Gennaro and Gaetano, also became instrument makers.
This violin bears the label " Antonius Vinaccia, Napoli in Via Constantinii, a. 1792", bearing the evidence of having been repaired in 1902, as indicated by the handwriting inside the instrument.
Antonio Vinaccia (1754–1781) was a pivotal figure in the history of instrument making. He was the head of a family of instrument makers in Naples during the mid-18th to late 19th centuries. His craftsmanship, which he honed in Naples from about 1766 to 1774, was highly regarded. Vinaccia was particularly known for making violins in the style of Gagliano and his exceptional mandolins. Some of his most significant works, such as his mandolins with beautifully inlaid backs of ivory, mother-of-pearl, and tortoiseshell, are now preserved in Naples's Museo Spagnuolo (Palazzo degli Studi). These instruments bear a label that reads "Antonius Vinaccia, Napoli in Via Constantinii, a. 1766," and similar labels are dated 1774. Antonio's two sons, Gennaro and Gaetano, also followed in his footsteps and became instrument makers.
Amati Mangenot made this violin, but he "Italianised" his name and city, resulting in Mageno and Bordo.
Amati Mangenot (1901 – 1966), a French luthier, crafted this violin. He collaborated with the Laurent brothers and later took over Emile Laurent's workshop in Bordeaux.
We have here a Lillo Salerno Italian violin made in 2019. Lillo Salerno is an Italian luthier born in Sicily, Italy. He went to Cremona Violin Making School then finished his studies in Mittenwald School of Violin Making in Germany in 2005.
Instrument - Violin
Model- Personalized Stradivari
Top - Italian spruce in two pieces
Back - Balkan maple in two pieces
Scroll - From the same wood as the back
Varnish - Oil and amber with a yellow background, red-brown violin.
Notes - The instrument was made with an antique and shows a black bevel on the scroll and points of the bouts.
This is the Paul Kaul violin made in France dated 1918. Paul Kaul is a French violin maker who joined several workshops such as Thibouville Lamy, Silvestre and Maucotel, Vuillemin-Didion. He started several workshops on rue Racine, Nantes in 1907, rue du Pont Communeau in 1908, and at 130 Boulevard Brune in 1926.
Check out this Modern Mittenwald Violin made after Hornsteiner. Hornsteiner was one of the famous luthiers from the late 18th century up to the early 19th century.
This Ryszard Osowski Gold model violin was built in the finest craftsmanship by Ryzard Osowski in Forchheim, Germany, dated 2024.
Ryszard Osowski, born in 1966, is a Polish luthier who moved to Muggendorf, Germany in 1993. Living with his uncle, he learned the local tradition of building stringed instruments and eventually perfected the sound and quality of his instruments after 25 years of experimentation. He now focuses on crafting advanced violins while occasionally creating cellos and violas.
This French violin was made in 1922 by Amédée Dominique Dieudonné, who specialized in copying Cremona Masters and achieved a superior varnishing technique. He started his own workshop in Mirecourt after the First World War in the 1920s.
The colour of the violin is not as red as in the video. The colour of the images is more accurate.
