This violin is labelled "Antonius Vinaccia, Napoli in Via Constantinii, a. 1792" and shows evidence of being repaired in 1902. Antonio Vinaccia was a renowned instrument maker in Naples during the mid-18th to late 19th centuries. He was known for making violins in the style of Gagliano and exceptional mandolins. His craftsmanship is preserved in Naples's Museo Spagnuolo (Palazzo degli Studi). Antonio's sons, Gennaro and Gaetano, also became instrument makers.
This violin bears the label " Antonius Vinaccia, Napoli in Via Constantinii, a. 1792", bearing the evidence of having been repaired in 1902, as indicated by the handwriting inside the instrument.
Antonio Vinaccia (1754–1781) was a pivotal figure in the history of instrument making. He was the head of a family of instrument makers in Naples during the mid-18th to late 19th centuries. His craftsmanship, which he honed in Naples from about 1766 to 1774, was highly regarded. Vinaccia was particularly known for making violins in the style of Gagliano and his exceptional mandolins. Some of his most significant works, such as his mandolins with beautifully inlaid backs of ivory, mother-of-pearl, and tortoiseshell, are now preserved in Naples's Museo Spagnuolo (Palazzo degli Studi). These instruments bear a label that reads "Antonius Vinaccia, Napoli in Via Constantinii, a. 1766," and similar labels are dated 1774. Antonio's two sons, Gennaro and Gaetano, also followed in his footsteps and became instrument makers.
We have here a Collin - Mezin Violin made in Paris in 1911. Charles Jean Baptiste Collin-Mezin is a French violin maker who started at a young age under the tutelage of his father, Claud-Nicolas Collin. His own workshop started in 1867 at the 14 and 18 rue du Faubourg Poissonnièr in France.
William Henry Dow was born in Scotland in 1834 and moved to Australia in 1855 to work as a pattern maker at Langlands Port Phillip Foundry in Melbourne. Initially a hobby, he began making violins in his workshop in South Melbourne and received medals for his work at national exhibitions. After retiring from patternmaking, he devoted himself to creating instruments and made over 200 violins by his death in 1928. It is still being determined how many instruments Dow made, as he only started numbering them when he was satisfied with their quality. One of his violins is on display at the Powerhouse Museum in Sydney.
Please get in touch with Animato Strings on 07 3876 3877 if you want this violin.
This is a French violin by Paul J. B. Chipot, made in 1926. Paul John Baptiste Chipot, the son of Chipot-Vuillaume, was a French luthier who established his own workshop in Vendome in 1923.
Check out this Ryszard Osowski Violin Model BR with Certificate. Ryszard Osowski is a Polish luthier who was able to gradually perfect the sound and quality of his instruments, concentrating more on building his own stringed instrument, passionately rearing towards crafting highly advanced violins.
We have here the Orfeo Carletti Violin made in 1932. Orfeo Carletti is an Italian violin maker who opened a workshop together with his father and brother in Bologna.
This is a Charles Claudot Violin. The name Claudot was a popular clan of luthiers in France who have been making violins from the 16th up to the 20th century.
The Rainer W. Leonhardt "Manuela No. 1" Violin 2025 is a handcrafted master violin from Mittenwald, Germany, made from carefully seasoned European spruce and maple and finished in a beautiful hand-applied amber-brown spirit varnish. Offering a warm, powerful tone with outstanding clarity, projection, and responsiveness.
Rainer W. Leonhardt is a fourth-generation master violin maker whose family workshop has been crafting fine string instruments since 1926. Based in the historic violin-making town of Mittenwald, Germany, he combines centuries-old German craftsmanship with carefully selected tonewoods to create instruments admired by musicians worldwide for their beauty, reliability, and exceptional tonal quality.
Lambert-Humbert Frères firm (fl. 1876 – 1969) was a major violin manufacturer in Mirecourt, offering a wide range of models and quality levels, established in 1876 by violin-making brothers Maurice-Emile and Pierre Alexis Auguste Laberte.
