7/8 Thomas Challoner Violin c 1790 Chester, England (E002)
This 7/8 size violin is labelled Thomas Challoner who worked in Chester, England around 1790. Thomas Challoner was one of the known violin makers in the 18th century.
Introducing the Maurice Bourguignon Violin made in 1927 in Brussels. Maurice Bourguignon is a French luthier who received several awards, medals, and diplomas for his work in various exhibitions. He was known for his very refined work in classical models characterized by a good red varnish.
Maurice Bourguignon is a French luthier born in 1885 in Mattaincourt, a commune in the northeastern part of France. He lived in Mirecourt, France then worked in Brussels, Belgium after the year 1926. He was an apprentice to Thibouville during the year 1898. Subsequently, Maurice worked in Paris. Afterward, he worked with G. Mougenot who acquired his business in Brussels in 1910.
Maurice Bourguignon received several awards, medals, and diplomas for his work in various exhibitions. He was known for his very refined work in classical models characterized by a good red varnish.
This 7/8 size violin is labelled Thomas Challoner who worked in Chester, England around 1790. Thomas Challoner was one of the known violin makers in the 18th century.
We have here a Carl Ertl violin Made in 1870 in Presburg, Hungary. Carl Ertl is a luthier from Presburg, Hungary whose instruments show the style and designs of Schweitzer and Leeb.
A violin made and labelled in 1917 by Leandro Bisiach (1864 – 1945) of Milan, an Italian violin maker born in Casale Monferratos, known as the father of violin makers in the Bisiach family.
This is the Barbet & Granier dated 1879 Violin from Marseille France. Charles Barbet and Edmund Granier of Marseille were at the forefront of outstanding makers at the turn of the 19th century.
This French violin was made in 1922 by Amédée Dominique Dieudonné, who specialized in copying Cremona Masters and achieved a superior varnishing technique. He started his own workshop in Mirecourt after the First World War in the 1920s.
Over 25 years, Ryszard conducted numerous experiments, conducted intensive studies, gained valuable experiences, and was influenced by his colleagues, all of which contributed to his gradual perfection of the sound and quality of his instruments.