Gliga Vasile 4/4 Violin with Lady's Head Scroll (Instrument Only)
Have a look at this Gliga Vasile 4/4 Violin with Lady's Head Scroll (Instrument Only). Gliga Vasile Special Series: Lady's head in scroll.
Moretti Egidio transitioned from cabinetmaking to violin making in 1924-1928. During 1945-1955 in Lavagna, Genoa, his instruments were known for their accuracy and good varnish, with two different labels used - handwritten and printed.
Between 1924 and 1928, Moretti Egidio seamlessly transitioned from cabinetmaking to violin making. He gained an excellent reputation for his work in Lavagna, Genoa, from 1945 to 1955, where residents noted the two labels he used for his instruments - handwritten and printed. His classical models were characterized by their precision and high-quality varnish in intense red or light colours. His work was highly regarded by many.
Have a look at this Gliga Vasile 4/4 Violin with Lady's Head Scroll (Instrument Only). Gliga Vasile Special Series: Lady's head in scroll.
Check out this Copy of Giuseppe Fiorini violin 1926. Giuseppe Fiorini an Italian luthier, the son and student of Raffaele Fiorini who established the "Rieger and Fiorini" violin-making firm in Munich. A passionate teacher, donating materials and relics to the Municipality of Cremona in order to establish a violin-making school there.
This is the Konrad Kohlert Violin. Konrad Kohlert's violins, violas and cellos have been produced in his workshop since 1987, and are valued worldwide for their sound and craftsmanship.
Amati Mangenot made this violin, but he "Italianised" his name and city, resulting in Mageno and Bordo.
Amati Mangenot (1901 – 1966), a French luthier, crafted this violin. He collaborated with the Laurent brothers and later took over Emile Laurent's workshop in Bordeaux.
The 1927 Collin-Mezin violin is a masterpiece crafted in the renowned Collin-Mezin Workshop, established in the 19th century by Charles Jean Baptiste Collin-Mezin in Paris. After passing in 1923, his son, Charles Collin-Mezin Jr., took over the workshop. In 1925, the workshop moved to Mirecourt, France. Known for producing vibrant instruments with outstanding sound flexibility, the workshop's tradition continues with the 1927 Collin-Mezin violin.
Bearing the label "Laurentius Bellafontana fecit Genuae Anno Domini 1943," this violin is the work of Lorenzo (Laurentius) Bellafontana (1906–1979), a distinguished member of the Genoese school and a pupil of Oreste Candi. The Latin label translates to "Laurentius Bellafontana made [this] in Genoa in the year of Our Lord 1943" and includes his characteristic LBG monogram and handwritten signature. Bellafontana's violins are admired for their refined craftsmanship, warm Italian tone, elegant design, responsive playability, and rich orange-red varnish, making them highly regarded examples of 20th-century Italian violin making.
This French violin was made in 1922 by Amédée Dominique Dieudonné, who specialized in copying Cremona Masters and achieved a superior varnishing technique. He started his own workshop in Mirecourt after the First World War in the 1920s.
This is a Charles Gaillard 1867 Violin. Charles Gaillard was an apprentice of the prominent French violinmaker and restorer, Charles Adolphe Gand.
Ref. F007