Moretti Egidio transitioned from cabinetmaking to violin making in 1924-1928. During 1945-1955 in Lavagna, Genoa, his instruments were known for their accuracy and good varnish, with two different labels used - handwritten and printed.
Egidio Moretti Violin made in 1947 in Lavagna, Italy
Between 1924 and 1928, Moretti Egidio seamlessly transitioned from cabinetmaking to violin making. He gained an excellent reputation for his work in Lavagna, Genoa, from 1945 to 1955, where residents noted the two labels he used for his instruments - handwritten and printed. His classical models were characterized by their precision and high-quality varnish in intense red or light colours. His work was highly regarded by many.
Victor Audinot (1870-1943), also known as Audinot-Mourot, came from a family of luthiers in Mirecourt. Mentored by Francois Chardin and Telesphore Barbé, Audinot was mainly influenced by Barbé, who had honed his skills working for Jean Baptiste Vuillaume in Paris. This experience helped shape Audinot’s successful career in instrument making.
Victor worked in Mirecourt, known for luthier tradition, before moving to Paris to set up his workshop on Rue Truffaut in 1913. He dedicated himself to his craft until retiring in 1936. He passed his expertise to five of his six sons and aspiring luthiers. Renowned for creating exact replicas of classical instruments, he crafted an exceptional copy of the ornately decorated Stradivari violin known as the ‘Sunrise’, showcasing his artistry.
A violin made and labelled in 1917 by Leandro Bisiach (1864 – 1945) of Milan, an Italian violin maker born in Casale Monferratos, known as the father of violin makers in the Bisiach family.
Marc Laberte (1880–1963) was trained as a violin maker and joined the family company in 1911. By 1919, the Laberte firm had around 400 craftsmen and was successful. However, the war in 1942 devastated the business, leading to its closure. Despite this, Laberte was known for his exceptional instruments and bows, earning several honours and medals.
This violin has the original Marc Laberte label and bears the number #3010. A second label states Grand Prix Paris 1931, Exposition Internationale Bruxelles 1935 Membre Du Jury, and Exposition Internationale New York 1939. The prices they won before and during the start of the world war 2.
Introducing the Roberto Cavagnoli Violin 2017. Roberto Cavagnoli received many awards including the Silver Medal for tone quality from the Violin Society of America in 2004 and the third prize at the 11th International Competition ‘Triennale’ in Cremona for sound quality.
William Henry Dow was born in Scotland in 1834 and moved to Australia in 1855 to work as a pattern maker at Langlands Port Phillip Foundry in Melbourne. Initially a hobby, he began making violins in his workshop in South Melbourne and received medals for his work at national exhibitions. After retiring from patternmaking, he devoted himself to creating instruments and made over 200 violins by his death in 1928. It is still being determined how many instruments Dow made, as he only started numbering them when he was satisfied with their quality. One of his violins is on display at the Powerhouse Museum in Sydney.
Please get in touch with Animato Strings on 07 3876 3877 if you want this violin.
This is the Konrad Kohlert Violin. Konrad Kohlert's violins, violas and cellos have been produced in his workshop since 1987, and are valued worldwide for their sound and craftsmanship.
This violin is labelled "Antonius Vinaccia, Napoli in Via Constantinii, a. 1792" and shows evidence of being repaired in 1902. Antonio Vinaccia was a renowned instrument maker in Naples during the mid-18th to late 19th centuries. He was known for making violins in the style of Gagliano and exceptional mandolins. His craftsmanship is preserved in Naples's Museo Spagnuolo (Palazzo degli Studi). Antonio's sons, Gennaro and Gaetano, also became instrument makers.
This 7/8 size violin is labelled Thomas Challoner who worked in Chester, England around 1790. Thomas Challoner was one of the known violin makers in the 18th century.
