This remarkable 7/8 size 1933 violin exhibits a timeless beauty that reflects Giacchetti's artistic skills.
Giuseppe Giacchetti (1890-1980) studied music and the violin in Rome under Rodolfo Fredi. He later established a workshop in Paris and used a “Roma” label throughout his career. This violin has a “fait a Paris” inscription, indicating it was made in Paris.
This remarkable 7/8 size 1933 violin exhibits a timeless beauty that reflects Giacchetti's artistic skills.
Giuseppe Giacchetti (1890-1980) was a student of Rodolfo Fredi at the Rome Conservatory, where he studied music and the violin. He established his workshop at Via Marsala No. 34 and later relocated to Montreuil (Seine) in Paris in 1920, where he settled and continued his work.
Giacchetti returned to Rome after his time in Paris. He used the label “Roma” in his entire professional career. This violin has a Roma label with the handwritten words “fait a Paris,” meaning “made in Paris.”
We have here a Labelled Amedee Dieudonne violin made around 1946 in Mirecourt, France. Amedee Dieudonne is a French luthier who specialized in copying Cremona Masters and was able to achieve a superior varnishing technique.
This is a Charles Claudot Violin. The name Claudot was a popular clan of luthiers in France who have been making violins from the 16th up to the 20th century.
Handcrafted in Romanian workshops featuring highly flamed maple back, sides and neck and close-grained Carpathian resonance spruce top.
Manighetti Violin made in 1938 in Turin, Italy
Check out this Didier Nicolas Violin made around 1780 in Mirecourt, France. Didier Nicolas is a French luthier who owns the workshop D. Nicolas Aine, one of the most successful violin companies in Mirecourt during the late 1700s and 1800s.
POA This violin, attributed to Anselmo Bellosio (1743-1793) in Venice, was acquired by Animato Strings and features previous repairs, including a new bass bar installed by A. Eisenstein in New York, as noted in a 1944 magazine clip. After cleaning and minor seam repairs, it produces a rich, full sound and is available for sale. Born into a family of organ makers, Bellosio began crafting violins around 1770 and took over Giorgio Serafin’s workshop in 1777. This particular instrument, dated 1768, reflects his early craftsmanship and notable deep tone, marking him as a significant figure in the 18th-century Venetian violin-making tradition before his passing at 50.
This violin is labelled "Antonius Vinaccia, Napoli in Via Constantinii, a. 1792" and shows evidence of being repaired in 1902. Antonio Vinaccia was a renowned instrument maker in Naples during the mid-18th to late 19th centuries. He was known for making violins in the style of Gagliano and exceptional mandolins. His craftsmanship is preserved in Naples's Museo Spagnuolo (Palazzo degli Studi). Antonio's sons, Gennaro and Gaetano, also became instrument makers.
This is the Barbet & Granier dated 1879 Violin from Marseille France. Charles Barbet and Edmund Granier of Marseille were at the forefront of outstanding makers at the turn of the 19th century.
