Over 25 years, Ryszard conducted numerous experiments, conducted intensive studies, gained valuable experiences, and was influenced by his colleagues, all of which contributed to his gradual perfection of the sound and quality of his instruments.
Ryszard Osowski is a skilled violin maker born in Poland in 1966. In 1993, he moved to Muggendorf, Germany, where he lived with his uncle and learned the local tradition of creating stringed instruments. Due to his passion and talent for violin-making, he secured a position at a prestigious atelier. Additionally, he has established relationships with numerous local violin makers from the Bubenreuth and has been dedicated to enhancing the quality of his instruments.
Over 25 years, Ryszard conducted numerous experiments, conducted intensive studies, gained valuable experiences, and was influenced by his colleagues, all of which contributed to his gradual perfection of the sound and quality of his instruments. His passion for crafting highly advanced violins is evident as he focuses on building stringed instruments while occasionally creating single pieces of cellos and violas.
This violin is labelled "Antonius Vinaccia, Napoli in Via Constantinii, a. 1792" and shows evidence of being repaired in 1902. Antonio Vinaccia was a renowned instrument maker in Naples during the mid-18th to late 19th centuries. He was known for making violins in the style of Gagliano and exceptional mandolins. His craftsmanship is preserved in Naples's Museo Spagnuolo (Palazzo degli Studi). Antonio's sons, Gennaro and Gaetano, also became instrument makers.
Amati Mangenot made this violin, but he "Italianised" his name and city, resulting in Mageno and Bordo.
Amati Mangenot (1901 – 1966), a French luthier, crafted this violin. He collaborated with the Laurent brothers and later took over Emile Laurent's workshop in Bordeaux.
This is a Charles Claudot Violin. The name Claudot was a popular clan of luthiers in France who have been making violins from the 16th up to the 20th century.
Lambert-Humbert Frères was a well-known violin manufacturer in Mirecourt from 1876 to 1969. They produced various instruments from reputable makers like Joseph Aubry and Georges Apparut. The company changed to L.F.M. in 1919 and obtained the prestigious brand “A La Ville de Cremone” in 1927. Unfortunately, the industry declined in the mid-20th century, leading to the closure of all major firms by the 1960s, including Laberte.
This is a Paul Jean- Baptiste Chipot Violin made in Paris in about 1942. Paul Jean Baptiste Chipot is a French luthier the son of Chipot-Vuillaume. He worked in many workshops in Mirecourt then moved to Vendome to start his own workshop.
This is an Old German Violin made probably in Germany in the mid 19th century. Repaired professionally by Animato Strings and is now in very good playing condition.
Paul Lorange, a renowned French luthier from Lyon, worked in Marseille during the early to mid-20th century. He established his independent workshop in the city in the early 1930s and was known for his fine workmanship on classical models and his use of various shades of red varnish. The violin in question was made in 1932, and it's noted that the handwriting on the violin and his original label may differ.
Marc Laberte (1880–1963) was trained as a violin maker and joined the family company in 1911. By 1919, the Laberte firm had around 400 craftsmen and was successful. However, the war in 1942 devastated the business, leading to its closure. Despite this, Laberte was known for his exceptional instruments and bows, earning several honours and medals.
This violin has the original Marc Laberte label and bears the number #3010. A second label states Grand Prix Paris 1931, Exposition Internationale Bruxelles 1935 Membre Du Jury, and Exposition Internationale New York 1939. The prices they won before and during the start of the world war 2.
