7/8 Thomas Challoner Violin c 1790 Chester, England (E002)
This 7/8 size violin is labelled Thomas Challoner who worked in Chester, England around 1790. Thomas Challoner was one of the known violin makers in the 18th century.
Over 25 years, Ryszard conducted numerous experiments, conducted intensive studies, gained valuable experiences, and was influenced by his colleagues, all of which contributed to his gradual perfection of the sound and quality of his instruments.
Ryszard Osowski is a skilled violin maker born in Poland in 1966. In 1993, he moved to Muggendorf, Germany, where he lived with his uncle and learned the local tradition of creating stringed instruments. Due to his passion and talent for violin-making, he secured a position at a prestigious atelier. Additionally, he has established relationships with numerous local violin makers from the Bubenreuth and has been dedicated to enhancing the quality of his instruments.
Over 25 years, Ryszard conducted numerous experiments, conducted intensive studies, gained valuable experiences, and was influenced by his colleagues, all of which contributed to his gradual perfection of the sound and quality of his instruments. His passion for crafting highly advanced violins is evident as he focuses on building stringed instruments while occasionally creating single pieces of cellos and violas.
This 7/8 size violin is labelled Thomas Challoner who worked in Chester, England around 1790. Thomas Challoner was one of the known violin makers in the 18th century.
Check out this Copy of Giuseppe Fiorini violin 1926. Giuseppe Fiorini an Italian luthier, the son and student of Raffaele Fiorini who established the "Rieger and Fiorini" violin-making firm in Munich. A passionate teacher, donating materials and relics to the Municipality of Cremona in order to establish a violin-making school there.
Check out this Ryszard Osowski Violin Model BR with Certificate. Ryszard Osowski is a Polish luthier who was able to gradually perfect the sound and quality of his instruments, concentrating more on building his own stringed instrument, passionately rearing towards crafting highly advanced violins.
Handcrafted in Romanian workshops featuring highly flamed maple back, sides and neck and close-grained Carpathian resonance spruce top.
Marc Laberte (1880–1963) was trained as a violin maker and joined the family company in 1911. By 1919, the Laberte firm had around 400 craftsmen and was successful. However, the war in 1942 devastated the business, leading to its closure. Despite this, Laberte was known for his exceptional instruments and bows, earning several honours and medals.
This violin has the original Marc Laberte label and bears the number #3010. A second label states Grand Prix Paris 1931, Exposition Internationale Bruxelles 1935 Membre Du Jury, and Exposition Internationale New York 1939. The prices they won before and during the start of the world war 2.
This violin features the original label "Made by Ian W. Clarke, Biddeston, Australia. March 1982," identifying it as a handcrafted Australian violin completed in March 1982. Ian W. Clarke (born 1948) is one of Australia's leading contemporary luthiers, having graduated with distinction from the Newark School of Violin Making after winning a Silver Medal at the Cremona Triennale. Since returning to Queensland in 1981, he has continued to build and restore fine stringed instruments from his Biddeston workshop. Crafted during the early years of his Australian career, this violin offers documented provenance, outstanding craftsmanship, and the enduring appeal of an instrument made by one of Australia's most respected living violin makers.
Collin-Mezin Violin dated 1887. This as an unusual model for a Collin-Mezin violin, but the workmanship, the original label, and Collin-Mezin's authentic signature verify the maker.