Amati Mangenot made this violin, but he "Italianised" his name and city, resulting in Mageno and Bordo.
Amati Mangenot (1901 – 1966), a French luthier, crafted this violin. He collaborated with the Laurent brothers and later took over Emile Laurent's workshop in Bordeaux.
Amati Mangenot made this violin, but with his sense of humour, he "Italianised" his name and city, resulting in Mangeno and Bordo.
Amati Mangenot (1901 – 1966) was a skilled French luthier who acquired his craft from his father, Paul Alexandre Mangenot. He then worked with the brothers Albert Laurent in Brussels and Emile Laurent in Bordeaux. After a brief period in his workshop in Clermont Ferrand, Mangenot took over Emile Laurent's workshop in Bordeaux in 1925. This label shows the maker's humour. He Italianized his name and his city (Bordeaux).
Check out this Didier Nicolas Violin made around 1780 in Mirecourt, France. Didier Nicolas is a French luthier who owns the workshop D. Nicolas Aine, one of the most successful violin companies in Mirecourt during the late 1700s and 1800s.
This is a Collin - Mezin violin made in Paris in 1902. Charles Jean Baptiste Collin-Mezin (1841–1923) was a Parisian luthier an Officier de l'Académie des Beaux-Arts and won gold and silver medals in 1878, 1889, and 1900 at the Paris Exhibitions.
This violin was made under the supervision of French violin maker Paul Jombar in Paris in the year 1920. Paul Jombar is a French violin maker born in Saint-Quentin. He set up his own workshop in 1892 at 20, rue Rochechouart in Paris.
This violin was made by Emile L'Humbert in Paris in 1926. Emile L'Humbert is a French luthier (1872-1933) who became a pupil of Derazey and Mougenot and was a worker of Blanchard in Lyon.
This is a French Violin Copy of 1651 Nicolaus Amatus Cremone, Mirecourt. Nicola Amati came from a family of luthiers but was considered the most famous luthier in their clan.
The 1927 Collin-Mezin violin is a masterpiece crafted in the renowned Collin-Mezin Workshop, established in the 19th century by Charles Jean Baptiste Collin-Mezin in Paris. After passing in 1923, his son, Charles Collin-Mezin Jr., took over the workshop. In 1925, the workshop moved to Mirecourt, France. Known for producing vibrant instruments with outstanding sound flexibility, the workshop's tradition continues with the 1927 Collin-Mezin violin.
This is a Henri Farny violin made around 1910 and imported from Mirecourt, France to the USA with a label. Henri Farni’s works were mostly imported by Rembert Wurlitzer from Mirecourt, France to Cincinnati and New York USA.