This is a Collin - Mezin violin made in Paris in 1902. Charles Jean Baptiste Collin-Mezin (1841–1923) was a Parisian luthier an Officier de l'Académie des Beaux-Arts and won gold and silver medals in 1878, 1889, and 1900 at the Paris Exhibitions.
Charles Jean Baptiste Collin-Mezin (1841–1923) was a Parisian luthier creating violins, violas, cellos, basses and bows, establishing a name for himself in contemporary circles. Joachim, a prominent violinist of the day, noted his fine craftsmanship and the brilliant tonal qualities of his instruments. He was an Officier de l'Académie des Beaux-Arts and won gold and silver medals in 1878, 1889, and 1900 at the Paris Exhibitions.
It is these features that make his violins still popular today.
Collin-Mezin Violin dated 1887. This as an unusual model for a Collin-Mezin violin, but the workmanship, the original label, and Collin-Mezin's authentic signature verify the maker.
We have here a Labelled Amedee Dieudonne violin made around 1946 in Mirecourt, France. Amedee Dieudonne is a French luthier who specialized in copying Cremona Masters and was able to achieve a superior varnishing technique.
This is a Josef Kreuzinger Violin Made in Germany around 1924. Josef Kreuzinger was a German luthier whose works were deemed as excellent and professional.
Check out this Modern Mittenwald Violin made after Hornsteiner. Hornsteiner was one of the famous luthiers from the late 18th century up to the early 19th century.
Check out this Gaetano Pareschi Violin made in 1948. This violin is one of the prolific output of award-winning Italian luthier Gaetano Pareschi that spanned 50 years, from 1924-1974.
We have here the Domenico Fantin Violin made in Varese, Italy 1971. Domenico Fantin’s instruments are played in major European and American orchestras. Great soloists like Yehudi Menuhin purchased one of his violins in 1969, and Uto Ughi, who owns two of his instruments.
This is a Paul Jean- Baptiste Chipot Violin made in Paris in about 1942. Paul Jean Baptiste Chipot is a French luthier the son of Chipot-Vuillaume. He worked in many workshops in Mirecourt then moved to Vendome to start his own workshop.
Moretti Egidio transitioned from cabinetmaking to violin making in 1924-1928. During 1945-1955 in Lavagna, Genoa, his instruments were known for their accuracy and good varnish, with two different labels used - handwritten and printed.
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