Collin - Mezin Violin 1887 (F013)
Collin-Mezin Violin dated 1887. This as an unusual model for a Collin-Mezin violin, but the workmanship, the original label, and Collin-Mezin's authentic signature verify the maker.
Lambert-Humbert Frères firm (fl. 1876 – 1969) was a major violin manufacturer in Mirecourt, offering a wide range of models and quality levels, established in 1876 by violin-making brothers Maurice-Emile and Pierre Alexis Auguste Laberte.
Lambert-Humbert Frères firm (fl. 1876 – 1969) was a major violin manufacturer in Mirecourt, offering a wide range of models and quality levels.
This Mirecourt firm was established in 1876 by violin-making brothers Maurice-Emile and Pierre Alexis Auguste Laberte. Initially, it manufactured only factory instruments, some of which had fictitious labels like 'J. Didelot'.
In the early 20th century, Marc Laberte expanded the selection of high-quality instruments by including those from Joseph Aubry, Charles Brugere, Camille Poirson, and Georges Apparut, all of whom were reputable makers.
In 1902, Apparut joined Laberte firm as the leader of “artistic” production and remained until 1923. By 1919, Laberte had around 400 workers and was renamed “Laberte et Magnié” or “L.F.M.” after violin maker Fourier Magnié joined. The company acquired the acclaimed brand “A La Ville de Cremone” from Paul Mangenot in 1927.
The Mirecourt instrument-making industry declined in the mid-20th century, causing all three major firms to stop production in the 1960s. Laberte closed in 1969 after Philippe Laberte's death.
Collin-Mezin Violin dated 1887. This as an unusual model for a Collin-Mezin violin, but the workmanship, the original label, and Collin-Mezin's authentic signature verify the maker.
This French violin (copy) has a powerful sound and was made after Roger & Max Millant in Paris. It has a subtle and radiant voice. This violin is in excellent condition, making it suitable for professional musicians.
Check out this Ryszard Osowski Violin Bronze Plus. Ryszard Osowski is a Polish luthier who gradually perfected the sound and quality of his instruments. As a result, he concentrated more on building his own stringed instrument, passionately pursuing crafting highly advanced violins.
This violin is labelled "Antonius Vinaccia, Napoli in Via Constantinii, a. 1792" and shows evidence of being repaired in 1902. Antonio Vinaccia was a renowned instrument maker in Naples during the mid-18th to late 19th centuries. He was known for making violins in the style of Gagliano and exceptional mandolins. His craftsmanship is preserved in Naples's Museo Spagnuolo (Palazzo degli Studi). Antonio's sons, Gennaro and Gaetano, also became instrument makers.
This German-Made Helmut Illner A-Level Violin Carved and varnished in Germany according to the specifications of German luthier Helmut Illner.
Marc Laberte (1880–1963) was trained as a violin maker and joined the family company in 1911. By 1919, the Laberte firm had around 400 craftsmen and was successful. However, the war in 1942 devastated the business, leading to its closure. Despite this, Laberte was known for his exceptional instruments and bows, earning several honours and medals.
This violin has the original Marc Laberte label and bears the number #3010. A second label states Grand Prix Paris 1931, Exposition Internationale Bruxelles 1935 Membre Du Jury, and Exposition Internationale New York 1939. The prices they won before and during the start of the world war 2.
This is a Charles Gaillard 1867 Violin. Charles Gaillard was an apprentice of the prominent French violinmaker and restorer, Charles Adolphe Gand.
Ref. F007
This is a Paul Jean- Baptiste Chipot Violin made in Paris in about 1942. Paul Jean Baptiste Chipot is a French luthier the son of Chipot-Vuillaume. He worked in many workshops in Mirecourt then moved to Vendome to start his own workshop.