Lambert-Humbert Frères firm (fl. 1876 – 1969) was a major violin manufacturer in Mirecourt, offering a wide range of models and quality levels, established in 1876 by violin-making brothers Maurice-Emile and Pierre Alexis Auguste Laberte.
Lambert-Humbert Frères firm (fl. 1876 – 1969) was a major violin manufacturer in Mirecourt, offering a wide range of models and quality levels.
This Mirecourt firm was established in 1876 by violin-making brothers Maurice-Emile and Pierre Alexis Auguste Laberte. Initially, it manufactured only factory instruments, some of which had fictitious labels like 'J. Didelot'.
In the early 20th century, Marc Laberte expanded the selection of high-quality instruments by including those from Joseph Aubry, Charles Brugere, Camille Poirson, and Georges Apparut, all of whom were reputable makers.
In 1902, Apparut joined Laberte firm as the leader of “artistic” production and remained until 1923. By 1919, Laberte had around 400 workers and was renamed “Laberte et Magnié” or “L.F.M.” after violin maker Fourier Magnié joined. The company acquired the acclaimed brand “A La Ville de Cremone” from Paul Mangenot in 1927.
The Mirecourt instrument-making industry declined in the mid-20th century, causing all three major firms to stop production in the 1960s. Laberte closed in 1969 after Philippe Laberte's death.
The 1927 Collin-Mezin violin is a masterpiece crafted in the renowned Collin-Mezin Workshop, established in the 19th century by Charles Jean Baptiste Collin-Mezin in Paris. After passing in 1923, his son, Charles Collin-Mezin Jr., took over the workshop. In 1925, the workshop moved to Mirecourt, France. Known for producing vibrant instruments with outstanding sound flexibility, the workshop's tradition continues with the 1927 Collin-Mezin violin.
This is an Old German Violin made probably in Germany in the mid 19th century. Repaired professionally by Animato Strings and is now in very good playing condition.
Over 25 years, Ryszard conducted numerous experiments, conducted intensive studies, gained valuable experiences, and was influenced by his colleagues, all of which contributed to his gradual perfection of the sound and quality of his instruments.
Check out the Italian Copy of Geovanni Schwarz violin made about 1920. Geovanni Schwarz was born in 1865 in Padua, Italy who by the influence and tutelage of his uncle Eugenio Degani honed his skills, established his own workshop, and won a gold medal in 1916 in Rome Italy.
This violin (copy) bears the label 'Andrea Postacchini,' a skilled Italian luthier renowned for crafting high-quality instruments with exceptional tonal quality.
Handcrafted in Mittenwald, Bavaria, the Master 2022 Violin reflects the finest German luthiery traditions. Built from aged spruce and maple, it delivers a warm, balanced tone with excellent projection, enhanced by a hand-applied golden-brown varnish. Each instrument requires over 120 hours of meticulous work, making it both a performance tool and a piece of art.
Its maker, Rainer W. Leonhardt, is a Geigenbaumeister trained at the renowned Mittenwald violin-making school. Since taking over the Leonhardt workshop in 1997, he has continued a 350-year legacy of craftsmanship, blending traditional methods with artistic precision. His violins, violas, and cellos are sought worldwide for their tonal richness and timeless beauty.
This is a violin labelled Carlo Steffani. The timber for this violin was cut around 1800 in the Southern Alps.
Introducing the Roberto Cavagnoli Violin 2017. Roberto Cavagnoli received many awards including the Silver Medal for tone quality from the Violin Society of America in 2004 and the third prize at the 11th International Competition ‘Triennale’ in Cremona for sound quality.
