This exceptional French violin is a masterpiece crafted by the renowned luthier Jean Baptiste Colin in Mirecourt, Paris, back in 1901. The violin's exceptional characteristics contribute to the continued popularity of his violins in modern times.
Charles Jean Baptiste Collin-Mezin (1841–1923) was a Parisian luthier who crafted violins, violas, cellos, basses, and bows. He established a name for himself in contemporary circles, noted for his fine craftsmanship and the brilliant tonal qualities of his instruments. This French-born luthier produced instruments in the style of Collin-Mezin or Vuillaume. He began his career as an apprentice to his father before moving to Belgium to work with Nicolas-Francois Vuillaume.
In 1868, Colin moved to Paris and began crafting superior violins. As an Officier de l’Académie des Beaux-Arts, he won gold and silver medals in 1878, 1889, and 1900 at the Paris Exhibitions.
Jean-Baptiste Colin, who produced excellent craftsmanship for many years, primarily in Mirecourt and Paris, passed away in Paris in 1923.
The violin's exceptional characteristics contribute to the continued popularity of his violins in modern times.
A violin made and labelled in 1917 by Leandro Bisiach (1864 – 1945) of Milan, an Italian violin maker born in Casale Monferratos, known as the father of violin makers in the Bisiach family.
This is a Collin - Mezin violin made in Paris in 1902. Charles Jean Baptiste Collin-Mezin (1841–1923) was a Parisian luthier an Officier de l'Académie des Beaux-Arts and won gold and silver medals in 1878, 1889, and 1900 at the Paris Exhibitions.
This is a Paul Jean- Baptiste Chipot Violin made in Paris in about 1942. Paul Jean Baptiste Chipot is a French luthier the son of Chipot-Vuillaume. He worked in many workshops in Mirecourt then moved to Vendome to start his own workshop.
William Henry Dow was born in Scotland in 1834 and moved to Australia in 1855 to work as a pattern maker at Langlands Port Phillip Foundry in Melbourne. Initially a hobby, he began making violins in his workshop in South Melbourne and received medals for his work at national exhibitions. After retiring from patternmaking, he devoted himself to creating instruments and made over 200 violins by his death in 1928. It is still being determined how many instruments Dow made, as he only started numbering them when he was satisfied with their quality. One of his violins is on display at the Powerhouse Museum in Sydney.
Please get in touch with Animato Strings on 07 3876 3877 if you want this violin.
Check out this Leonidas Nadegini violin made about 1920. Jean-Baptiste Leonidas Nadegini was a Ukrainian luthier who was awarded as gold medalist for sonority in Saint Petersbourg competition in 1907.
Marc Laberte (1880–1963) was trained as a violin maker and joined the family company in 1911. By 1919, the Laberte firm had around 400 craftsmen and was successful. However, the war in 1942 devastated the business, leading to its closure. Despite this, Laberte was known for his exceptional instruments and bows, earning several honours and medals.
This violin has the original Marc Laberte label and bears the number #3010. A second label states Grand Prix Paris 1931, Exposition Internationale Bruxelles 1935 Membre Du Jury, and Exposition Internationale New York 1939. The prices they won before and during the start of the world war 2.
In the 1910s, Arthur Edward Smith (1880-1978) established a store in Sydney upon his return to Australia. Smith's workshop on Hunter Street quickly gained a reputation for repairing and selling high-quality stringed instruments. This violin was sold (not made by) AE Smith, Australia's most famous violin maker.
This is the Paul Kaul violin made in France dated 1918. Paul Kaul is a French violin maker who joined several workshops such as Thibouville Lamy, Silvestre and Maucotel, Vuillemin-Didion. He started several workshops on rue Racine, Nantes in 1907, rue du Pont Communeau in 1908, and at 130 Boulevard Brune in 1926.
