This exceptional French violin is a masterpiece crafted by the renowned luthier Jean Baptiste Colin in Mirecourt, Paris, back in 1901. The violin's exceptional characteristics contribute to the continued popularity of his violins in modern times.
Charles Jean Baptiste Collin-Mezin (1841–1923) was a Parisian luthier who crafted violins, violas, cellos, basses, and bows. He established a name for himself in contemporary circles, noted for his fine craftsmanship and the brilliant tonal qualities of his instruments. This French-born luthier produced instruments in the style of Collin-Mezin or Vuillaume. He began his career as an apprentice to his father before moving to Belgium to work with Nicolas-Francois Vuillaume.
In 1868, Colin moved to Paris and began crafting superior violins. As an Officier de l’Académie des Beaux-Arts, he won gold and silver medals in 1878, 1889, and 1900 at the Paris Exhibitions.
Jean-Baptiste Colin, who produced excellent craftsmanship for many years, primarily in Mirecourt and Paris, passed away in Paris in 1923.
The violin's exceptional characteristics contribute to the continued popularity of his violins in modern times.
This is the Paul Kaul violin made in France dated 1918. Paul Kaul is a French violin maker who joined several workshops such as Thibouville Lamy, Silvestre and Maucotel, Vuillemin-Didion. He started several workshops on rue Racine, Nantes in 1907, rue du Pont Communeau in 1908, and at 130 Boulevard Brune in 1926.
This 7/8 size violin is labelled Thomas Challoner who worked in Chester, England around 1790. Thomas Challoner was one of the known violin makers in the 18th century.
The 1927 Collin-Mezin violin is a masterpiece crafted in the renowned Collin-Mezin Workshop, established in the 19th century by Charles Jean Baptiste Collin-Mezin in Paris. After passing in 1923, his son, Charles Collin-Mezin Jr., took over the workshop. In 1925, the workshop moved to Mirecourt, France. Known for producing vibrant instruments with outstanding sound flexibility, the workshop's tradition continues with the 1927 Collin-Mezin violin.
Lambert-Humbert Frères was a well-known violin manufacturer in Mirecourt from 1876 to 1969. They produced various instruments from reputable makers like Joseph Aubry and Georges Apparut. The company changed to L.F.M. in 1919 and obtained the prestigious brand “A La Ville de Cremone” in 1927. Unfortunately, the industry declined in the mid-20th century, leading to the closure of all major firms by the 1960s, including Laberte.
POA This violin, attributed to Anselmo Bellosio (1743-1793) in Venice, was acquired by Animato Strings and features previous repairs, including a new bass bar installed by A. Eisenstein in New York, as noted in a 1944 magazine clip. After cleaning and minor seam repairs, it produces a rich, full sound and is available for sale. Born into a family of organ makers, Bellosio began crafting violins around 1770 and took over Giorgio Serafin’s workshop in 1777. This particular instrument, dated 1768, reflects his early craftsmanship and notable deep tone, marking him as a significant figure in the 18th-century Venetian violin-making tradition before his passing at 50.
Handcrafted in Romanian workshops featuring highly flamed maple back, sides and neck and close-grained Carpathian resonance spruce top.
In the 1910s, Arthur Edward Smith (1880-1978) established a store in Sydney upon his return to Australia. Smith's workshop on Hunter Street quickly gained a reputation for repairing and selling high-quality stringed instruments. This violin was sold (not made by) AE Smith, Australia's most famous violin maker.
Check out this Ryszard Osowski Violin Model BR with Certificate. Ryszard Osowski is a Polish luthier who was able to gradually perfect the sound and quality of his instruments, concentrating more on building his own stringed instrument, passionately rearing towards crafting highly advanced violins.
