This exceptional French violin is a masterpiece crafted by the renowned luthier Jean Baptiste Colin in Mirecourt, Paris, back in 1901. The violin's exceptional characteristics contribute to the continued popularity of his violins in modern times.
Charles Jean Baptiste Collin-Mezin (1841–1923) was a Parisian luthier who crafted violins, violas, cellos, basses, and bows. He established a name for himself in contemporary circles, noted for his fine craftsmanship and the brilliant tonal qualities of his instruments. This French-born luthier produced instruments in the style of Collin-Mezin or Vuillaume. He began his career as an apprentice to his father before moving to Belgium to work with Nicolas-Francois Vuillaume.
In 1868, Colin moved to Paris and began crafting superior violins. As an Officier de l’Académie des Beaux-Arts, he won gold and silver medals in 1878, 1889, and 1900 at the Paris Exhibitions.
Jean-Baptiste Colin, who produced excellent craftsmanship for many years, primarily in Mirecourt and Paris, passed away in Paris in 1923.
The violin's exceptional characteristics contribute to the continued popularity of his violins in modern times.
This French violin was made in 1922 by Amédée Dominique Dieudonné, who specialized in copying Cremona Masters and achieved a superior varnishing technique. He started his own workshop in Mirecourt after the First World War in the 1920s.
Marc Laberte (1880–1963) was trained as a violin maker and joined the family company in 1911. By 1919, the Laberte firm had around 400 craftsmen and was successful. However, the war in 1942 devastated the business, leading to its closure. Despite this, Laberte was known for his exceptional instruments and bows, earning several honours and medals.
This violin has the original Marc Laberte label and bears the number #3010. A second label states Grand Prix Paris 1931, Exposition Internationale Bruxelles 1935 Membre Du Jury, and Exposition Internationale New York 1939. The prices they won before and during the start of the world war 2.
Collin-Mezin Violin dated 1887. This as an unusual model for a Collin-Mezin violin, but the workmanship, the original label, and Collin-Mezin's authentic signature verify the maker.
A violin made and labelled in 1917 by Leandro Bisiach (1864 – 1945) of Milan, an Italian violin maker born in Casale Monferratos, known as the father of violin makers in the Bisiach family.
Have a look at this Gliga Vasile 4/4 Violin with Lady's Head Scroll (Instrument Only). Gliga Vasile Special Series: Lady's head in scroll.
We have here the Orfeo Carletti Violin made in 1932. Orfeo Carletti is an Italian violin maker who opened a workshop together with his father and brother in Bologna.
William Henry Dow was born in Scotland in 1834 and moved to Australia in 1855 to work as a pattern maker at Langlands Port Phillip Foundry in Melbourne. Initially a hobby, he began making violins in his workshop in South Melbourne and received medals for his work at national exhibitions. After retiring from patternmaking, he devoted himself to creating instruments and made over 200 violins by his death in 1928. It is still being determined how many instruments Dow made, as he only started numbering them when he was satisfied with their quality. One of his violins is on display at the Powerhouse Museum in Sydney.
Please get in touch with Animato Strings on 07 3876 3877 if you want this violin.
This violin is labelled "Antonius Vinaccia, Napoli in Via Constantinii, a. 1792" and shows evidence of being repaired in 1902. Antonio Vinaccia was a renowned instrument maker in Naples during the mid-18th to late 19th centuries. He was known for making violins in the style of Gagliano and exceptional mandolins. His craftsmanship is preserved in Naples's Museo Spagnuolo (Palazzo degli Studi). Antonio's sons, Gennaro and Gaetano, also became instrument makers.
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