This is a French Copy of the Kloz Violin, a well-known family of violin makers from the 17th century up to this time. This violin was made around 1900 as stated on the label. You can check the images for more details on different portions of the violin.
Klotz Family are well-known violin makers from the mid-17th century up to the present in Mittenwald, Germany. They became a great influence to other families in their village by inspiring them to the violin trade.
This violin replicates Antonio Stradivarius’s renowned instrument, which was created for Animato Strings in 2016. Antonio Stradivari, born in 1644 in Cremona, Italy, is widely acknowledged for elevating the art of violin-making. He passed away in 1737, leaving behind a legacy of exquisitely crafted violins, now some of the world’s most highly prized and sought-after instruments.
This is an A Bell Violin made in the USA around 1925. A. Bell is violin maker in USA but was known to have worked in UK.
This Strad Model violin was made around 1930 in the "Conservatory" of Saxony, Germany. Antonio Stradivari is a renowned Italian violin maker who was said to have brought the craft of violin-making into its highest pitch of perfection.
Gliga Vasile Superior 4/4 Violin with 2-Piece Back (Instrument Only) is handcrafted in workshops directly supervised by Mr. Vasile Gliga.
This is a Szolista Violin made in Hungary around the year 2016. An excellent violin for soloists. Szolista is a Hungarian word for Soloist
French-made Violin, circa 1900. This is one of many of Animato Strings' largest selections of new and old stringed instruments in Australia, including Asian-hand-made, European, U.S., Australian, and Antique stringed instruments. Added to the list are the original Animato String brands.
This is a French-made Violin crafted around 1880. This is one of the Animato Strings' largest selections of new and old instruments in Australia including Asian-handcrafted instruments, new European instruments, and a wide range of antique stringed instruments such as this one.
