Konrad Kohlert Violin
This is the Konrad Kohlert Violin. Konrad Kohlert's violins, violas and cellos have been produced in his workshop since 1987, and are valued worldwide for their sound and craftsmanship.
A violin made and labelled in 1917 by Leandro Bisiach (1864 – 1945) of Milan, an Italian violin maker born in Casale Monferratos, known as the father of violin makers in the Bisiach family.
Leandro Bisiach (June 16, 1864 – December 1, 1945) was an Italian violin maker born in Casale Monferratos in 1864 who was known as the father of violin makers in the Bisiach family. In 1886 he started making violins under the influence and tutelage of Romeo and Riccardo Antoniazzi. He became the curator of the Accademia Chingiana in 1918 and 1922 in Siena. After he retired in 1932 from his workshop in Milan, he continued to work privately until he died in 1945. He was known as a successful businessman who promoted Milanese violin making, providing a generation of Milanese makers good employment.
This is the Konrad Kohlert Violin. Konrad Kohlert's violins, violas and cellos have been produced in his workshop since 1987, and are valued worldwide for their sound and craftsmanship.
Check out the Italian Copy of Geovanni Schwarz violin made about 1920. Geovanni Schwarz was born in 1865 in Padua, Italy who by the influence and tutelage of his uncle Eugenio Degani honed his skills, established his own workshop, and won a gold medal in 1916 in Rome Italy.
Check out this Mast Fils Violin Dated 1827. Joseph Laurent Mast a French violin maker who branded his violins with the inscription inside that says “Mast Fils Toulouse."
This is a Collin - Mezin violin made in Paris in 1902. Charles Jean Baptiste Collin-Mezin (1841–1923) was a Parisian luthier an Officier de l'Académie des Beaux-Arts and won gold and silver medals in 1878, 1889, and 1900 at the Paris Exhibitions.
We have here a Labelled Amedee Dieudonne violin made around 1946 in Mirecourt, France. Amedee Dieudonne is a French luthier who specialized in copying Cremona Masters and was able to achieve a superior varnishing technique.
Over 25 years, Ryszard conducted numerous experiments, conducted intensive studies, gained valuable experiences, and was influenced by his colleagues, all of which contributed to his gradual perfection of the sound and quality of his instruments.