A violin made and labelled in 1917 by Leandro Bisiach (1864 – 1945) of Milan, an Italian violin maker born in Casale Monferratos, known as the father of violin makers in the Bisiach family.
Leandro Bisiach (June 16, 1864 – December 1, 1945) was an Italian violin maker born in Casale Monferratos in 1864 who was known as the father of violin makers in the Bisiach family. In 1886 he started making violins under the influence and tutelage of Romeo and Riccardo Antoniazzi. He became the curator of the Accademia Chingiana in 1918 and 1922 in Siena. After he retired in 1932 from his workshop in Milan, he continued to work privately until he died in 1945. He was known as a successful businessman who promoted Milanese violin making, providing a generation of Milanese makers good employment.
Marc Laberte (1880–1963) was trained as a violin maker and joined the family company in 1911. By 1919, the Laberte firm had around 400 craftsmen and was successful. However, the war in 1942 devastated the business, leading to its closure. Despite this, Laberte was known for his exceptional instruments and bows, earning several honours and medals.
This violin has the original Marc Laberte label and bears the number #3010. A second label states Grand Prix Paris 1931, Exposition Internationale Bruxelles 1935 Membre Du Jury, and Exposition Internationale New York 1939. The prices they won before and during the start of the world war 2.
Amati Mangenot made this violin, but he "Italianised" his name and city, resulting in Mageno and Bordo.
Amati Mangenot (1901 – 1966), a French luthier, crafted this violin. He collaborated with the Laurent brothers and later took over Emile Laurent's workshop in Bordeaux.
This is a Josef Kreuzinger Violin Made in Germany around 1924. Josef Kreuzinger was a German luthier whose works were deemed as excellent and professional.
This is the Barbet & Granier dated 1879 Violin from Marseille France. Charles Barbet and Edmund Granier of Marseille were at the forefront of outstanding makers at the turn of the 19th century.
This French violin (copy) has a powerful sound and was made after Roger & Max Millant in Paris. It has a subtle and radiant voice. This violin is in excellent condition, making it suitable for professional musicians.
Check out this Modern Mittenwald Violin made after Hornsteiner. Hornsteiner was one of the famous luthiers from the late 18th century up to the early 19th century.
This French violin was made in 1922 by Amédée Dominique Dieudonné, who specialized in copying Cremona Masters and achieved a superior varnishing technique. He started his own workshop in Mirecourt after the First World War in the 1920s.
Léon Bernardel (1853–1931) learned violin making under his father, Ernest Auguste Bernardel, and later worked with Derazey before joining the family’s shop, Gand et Bernardel Frères. In 1899, he established his firm, collaborating with his son, Léon (II). Bernardel’s violins are highly celebrated for their rich, warm tone and exceptional projection, a result of his innovative craftsmanship and attention to detail. His instruments remain sought after by musicians and collectors, and his work continues to inspire luthiers to this day.
