Lambert-Humbert Frères was a well-known violin manufacturer in Mirecourt from 1876 to 1969. They produced various instruments from reputable makers like Joseph Aubry and Georges Apparut. The company changed to L.F.M. in 1919 and obtained the prestigious brand “A La Ville de Cremone” in 1927. Unfortunately, the industry declined in the mid-20th century, leading to the closure of all major firms by the 1960s, including Laberte.
Lambert-Humbert Frères was a prominent violin manufacturer in Mirecourt from 1876 to 1969, producing a wide range of models and quality levels. The Laberte brothers established the Mirecourt firm in 1876. They produced factory instruments; some were sold with fictitious labels like ‘J. Didelot’.
In the early 20th century, Marc Laberte expanded the selection of high-quality instruments by including those from reputable makers such as Joseph Aubry, Charles Brugere, Camille Poirson, and Georges Apparut.
Apparut became the head of “artistic” production at Laberte’s company in 1902 and stayed until 1923. By 1919, Laberte had approximately 400 employees and changed its name to “Laberte et Magnié” or “L.F.M.” after Fourier Magnié, a violin maker, joined the team. In 1927, the company obtained the prestigious brand “A La Ville de Cremone” from Paul Mangenot.
The Mirecourt instrument-making industry declined in the mid-20th century, leading to the closure of all three significant firms by the 1960s. Laberte was one of the firms that shut down after Philippe Laberte passed away in 1969.
Check out this Didier Nicolas Violin made around 1780 in Mirecourt, France. Didier Nicolas is a French luthier who owns the workshop D. Nicolas Aine, one of the most successful violin companies in Mirecourt during the late 1700s and 1800s.
Marc Laberte (1880–1963) was trained as a violin maker and joined the family company in 1911. By 1919, the Laberte firm had around 400 craftsmen and was successful. However, the war in 1942 devastated the business, leading to its closure. Despite this, Laberte was known for his exceptional instruments and bows, earning several honours and medals.
This violin has the original Marc Laberte label and bears the number #3010. A second label states Grand Prix Paris 1931, Exposition Internationale Bruxelles 1935 Membre Du Jury, and Exposition Internationale New York 1939. The prices they won before and during the start of the world war 2.
This violin was made by Emile L'Humbert in Paris in 1926. Emile L'Humbert is a French luthier (1872-1933) who became a pupil of Derazey and Mougenot and was a worker of Blanchard in Lyon.
This is the Paul Kaul violin made in France dated 1918. Paul Kaul is a French violin maker who joined several workshops such as Thibouville Lamy, Silvestre and Maucotel, Vuillemin-Didion. He started several workshops on rue Racine, Nantes in 1907, rue du Pont Communeau in 1908, and at 130 Boulevard Brune in 1926.
This French violin (copy) has a powerful sound and was made after Roger & Max Millant in Paris. It has a subtle and radiant voice. This violin is in excellent condition, making it suitable for professional musicians.
This French violin was made in 1922 by Amédée Dominique Dieudonné, who specialized in copying Cremona Masters and achieved a superior varnishing technique. He started his own workshop in Mirecourt after the First World War in the 1920s.
We have here a Labelled Amedee Dieudonne violin made around 1946 in Mirecourt, France. Amedee Dieudonne is a French luthier who specialized in copying Cremona Masters and was able to achieve a superior varnishing technique.
We have here a Collin - Mezin Violin made in Paris in 1911. Charles Jean Baptiste Collin-Mezin is a French violin maker who started at a young age under the tutelage of his father, Claud-Nicolas Collin. His own workshop started in 1867 at the 14 and 18 rue du Faubourg Poissonnièr in France.
