This is a Charles Gaillard 1867 Violin. Charles Gaillard was an apprentice of the prominent French violinmaker and restorer, Charles Adolphe Gand.
Ref. F007
Charles Gaillard was an apprentice of the prominent French violinmaker and restorer, Charles Adolphe Gand. His tutelage allowed Gaillard to develop a keen eye for fine craftsmanship and indeed, his violins are often noted for their beautiful designs and superior finishes. He favored a natural approach to varnishing, his instruments typically free of shading and artificial ageing. This violin shows his characteristic orange-brown finish, with a reddish tinge here and there.
The violin dates from his residency at 20 rue Notre-Dame de Rouvrance in Paris, where he established independently.
Collin-Mezin Violin dated 1887. This as an unusual model for a Collin-Mezin violin, but the workmanship, the original label, and Collin-Mezin's authentic signature verify the maker.
This is the Carlo Steffani Violin made in 1711 in Mantova, Italy. This is one of Animato Strings' largest selections of new and old instruments in Australia.
Check out this Modern Mittenwald Violin made after Hornsteiner. Hornsteiner was one of the famous luthiers from the late 18th century up to the early 19th century.
This is an A. Dieudonne Violin made in Mirecourt in about 1933. Amédée Dominique Dieudonné is a French luthier who specializes in copying the works of Cremona masters.
Click here for images and pricing of a Violin from Leon Bernadel Workshop
Moretti Egidio transitioned from cabinetmaking to violin making in 1924-1928. During 1945-1955 in Lavagna, Genoa, his instruments were known for their accuracy and good varnish, with two different labels used - handwritten and printed.
Lambert-Humbert Frères was a well-known violin manufacturer in Mirecourt from 1876 to 1969. They produced various instruments from reputable makers like Joseph Aubry and Georges Apparut. The company changed to L.F.M. in 1919 and obtained the prestigious brand “A La Ville de Cremone” in 1927. Unfortunately, the industry declined in the mid-20th century, leading to the closure of all major firms by the 1960s, including Laberte.
Over 25 years, Ryszard conducted numerous experiments, conducted intensive studies, gained valuable experiences, and was influenced by his colleagues, all of which contributed to his gradual perfection of the sound and quality of his instruments.
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