This is the Paul Kaul violin made in France dated 1918. Paul Kaul is a French violin maker who joined several workshops such as Thibouville Lamy, Silvestre and Maucotel, Vuillemin-Didion. He started several workshops on rue Racine, Nantes in 1907, rue du Pont Communeau in 1908, and at 130 Boulevard Brune in 1926.
Paul Kaul (1875 – 1951) is a French violin maker born in Mirecourt (Vosges) in 1875. His father was employed in Jerome Thibouville Lamy’s workshop to varnish instruments. At the age of thirteen, he began as an apprentice in the same workshop his father was working.
After serving the French army, he joined Thibouville Lamy’s workshop at the age of twenty-four in 1899 in Paris. Kaul left Thibouville in 1900 to join Silvestre and Maucotel in Paris. He worked there for five years (1900-1905) and then he went to Nantes to join Vuillemin-Didion’s workshop. After 2 years Kaul established his own workshop in 1907 on rue Racine, Nantes. You can find violins bearing his name on that particular year. Then he moved to rue du Pont Communeau in 1908.
He met Luien Capet in 1917, a violinist who had a hugely important influence on the professional life of Kaul. Kaul then moved to Paris in 1926, where he placed his workshop at 130 Boulevard Brune. His final relocation is at Rue de Rome before he died in 1951 in Vesinet-le-Pec (Seine et Oise).
We have here a Lillo Salerno Italian violin made in 2019. Lillo Salerno is an Italian luthier born in Sicily, Italy. He went to Cremona Violin Making School then finished his studies in Mittenwald School of Violin Making in Germany in 2005.
Instrument - Violin
Model- Personalized Stradivari
Top - Italian spruce in two pieces
Back - Balkan maple in two pieces
Scroll - From the same wood as the back
Varnish - Oil and amber with a yellow background, red-brown violin.
Notes - The instrument was made with an antique and shows a black bevel on the scroll and points of the bouts.
Victor Audinot (1870-1943), also known as Audinot-Mourot, came from a family of luthiers in Mirecourt. Mentored by Francois Chardin and Telesphore Barbé, Audinot was mainly influenced by Barbé, who had honed his skills working for Jean Baptiste Vuillaume in Paris. This experience helped shape Audinot’s successful career in instrument making.
Victor worked in Mirecourt, known for luthier tradition, before moving to Paris to set up his workshop on Rue Truffaut in 1913. He dedicated himself to his craft until retiring in 1936. He passed his expertise to five of his six sons and aspiring luthiers. Renowned for creating exact replicas of classical instruments, he crafted an exceptional copy of the ornately decorated Stradivari violin known as the ‘Sunrise’, showcasing his artistry.
A violin made and labelled in 1917 by Leandro Bisiach (1864 – 1945) of Milan, an Italian violin maker born in Casale Monferratos, known as the father of violin makers in the Bisiach family.
This is an Old German Violin made probably in Germany in the mid 19th century. Repaired professionally by Animato Strings and is now in very good playing condition.
Collin-Mezin Violin dated 1887. This as an unusual model for a Collin-Mezin violin, but the workmanship, the original label, and Collin-Mezin's authentic signature verify the maker.
This is the Barbet & Granier dated 1879 Violin from Marseille France. Charles Barbet and Edmund Granier of Marseille were at the forefront of outstanding makers at the turn of the 19th century.
This is a Charles Claudot Violin. The name Claudot was a popular clan of luthiers in France who have been making violins from the 16th up to the 20th century.
Over 25 years, Ryszard conducted numerous experiments, conducted intensive studies, gained valuable experiences, and was influenced by his colleagues, all of which contributed to his gradual perfection of the sound and quality of his instruments.