This is the Paul Kaul violin made in France dated 1918. Paul Kaul is a French violin maker who joined several workshops such as Thibouville Lamy, Silvestre and Maucotel, Vuillemin-Didion. He started several workshops on rue Racine, Nantes in 1907, rue du Pont Communeau in 1908, and at 130 Boulevard Brune in 1926.
Paul Kaul (1875 – 1951) is a French violin maker born in Mirecourt (Vosges) in 1875. His father was employed in Jerome Thibouville Lamy’s workshop to varnish instruments. At the age of thirteen, he began as an apprentice in the same workshop his father was working.
After serving the French army, he joined Thibouville Lamy’s workshop at the age of twenty-four in 1899 in Paris. Kaul left Thibouville in 1900 to join Silvestre and Maucotel in Paris. He worked there for five years (1900-1905) and then he went to Nantes to join Vuillemin-Didion’s workshop. After 2 years Kaul established his own workshop in 1907 on rue Racine, Nantes. You can find violins bearing his name on that particular year. Then he moved to rue du Pont Communeau in 1908.
He met Luien Capet in 1917, a violinist who had a hugely important influence on the professional life of Kaul. Kaul then moved to Paris in 1926, where he placed his workshop at 130 Boulevard Brune. His final relocation is at Rue de Rome before he died in 1951 in Vesinet-le-Pec (Seine et Oise).
We have here a Lillo Salerno Italian violin made in 2019. Lillo Salerno is an Italian luthier born in Sicily, Italy. He went to Cremona Violin Making School then finished his studies in Mittenwald School of Violin Making in Germany in 2005.
Instrument - Violin
Model- Personalized Stradivari
Top - Italian spruce in two pieces
Back - Balkan maple in two pieces
Scroll - From the same wood as the back
Varnish - Oil and amber with a yellow background, red-brown violin.
Notes - The instrument was made with an antique and shows a black bevel on the scroll and points of the bouts.
This exceptional French violin is a masterpiece crafted by the renowned luthier Jean Baptiste Colin in Mirecourt, Paris, back in 1901. The violin's exceptional characteristics contribute to the continued popularity of his violins in modern times.
Bearing the label "Laurentius Bellafontana fecit Genuae Anno Domini 1943," this violin is the work of Lorenzo (Laurentius) Bellafontana (1906–1979), a distinguished member of the Genoese school and a pupil of Oreste Candi. The Latin label translates to "Laurentius Bellafontana made [this] in Genoa in the year of Our Lord 1943" and includes his characteristic LBG monogram and handwritten signature. Bellafontana's violins are admired for their refined craftsmanship, warm Italian tone, elegant design, responsive playability, and rich orange-red varnish, making them highly regarded examples of 20th-century Italian violin making.
This is a Josef Kreuzinger Violin Made in Germany around 1924. Josef Kreuzinger was a German luthier whose works were deemed as excellent and professional.
Léon Bernardel (1853–1931) learned violin making under his father, Ernest Auguste Bernardel, and later worked with Derazey before joining the family’s shop, Gand et Bernardel Frères. In 1899, he established his firm, collaborating with his son, Léon (II). Bernardel’s violins are highly celebrated for their rich, warm tone and exceptional projection, a result of his innovative craftsmanship and attention to detail. His instruments remain sought after by musicians and collectors, and his work continues to inspire luthiers to this day.
We have here a Carl Ertl violin Made in 1870 in Presburg, Hungary. Carl Ertl is a luthier from Presburg, Hungary whose instruments show the style and designs of Schweitzer and Leeb.
We have here the Domenico Fantin Violin made in Varese, Italy 1971. Domenico Fantin’s instruments are played in major European and American orchestras. Great soloists like Yehudi Menuhin purchased one of his violins in 1969, and Uto Ughi, who owns two of his instruments.
This is an A. Dieudonne Violin made in Mirecourt in about 1933. Amédée Dominique Dieudonné is a French luthier who specializes in copying the works of Cremona masters.
