POA This violin, attributed to Anselmo Bellosio (1743-1793) in Venice, was acquired by Animato Strings and features previous repairs, including a new bass bar installed by A. Eisenstein in New York, as noted in a 1944 magazine clip. After cleaning and minor seam repairs, it produces a rich, full sound and is available for sale. Born into a family of organ makers, Bellosio began crafting violins around 1770 and took over Giorgio Serafin’s workshop in 1777. This particular instrument, dated 1768, reflects his early craftsmanship and notable deep tone, marking him as a significant figure in the 18th-century Venetian violin-making tradition before his passing at 50.
POA This violin, believed to have been made by Anselmo Bellosio (1743-1793) in Venice, was acquired by Animato Strings. The images of the violin illustrate previous repairs, including the installation of a new bass bar fitted by A. Eisenstein, who operated his workshop at 1547 Broadway, New York, as noted in a magazine clip from 1944. We opened the instrument to remove accumulated dirt and perform minor repairs along the seams. It is now reassembled and delivers a rich, full sound. The violin is available for sale.
About Anselmo Bellosio:
Anselmo Bellosio was born into a family of organ makers in 1743 and moved to Venice around 1763. He began his career as a violin maker shortly before 1770, likely working in the workshop of Giorgio Serafin. He took over Serafin’s workshop in 1777. This particular violin is dated 1768, making it one of his earliest creations, which exhibits a more ‘rustic’ character in its workmanship while already producing a rich, deep sound.
Bellosio’s work is known for its fine craftsmanship. Charles Beare notes that the great 18th-century Venetian violin-making school ended with Bellosio’s death from pneumonia at 50. His most notable pupil was Marco Antonio Cerin. Bellosio’s best instruments closely resemble those of his master.
We have here the Domenico Fantin Violin made in Varese, Italy 1971. Domenico Fantin’s instruments are played in major European and American orchestras. Great soloists like Yehudi Menuhin purchased one of his violins in 1969, and Uto Ughi, who owns two of his instruments.
Manighetti Violin made in 1938 in Turin, Italy
Moretti Egidio transitioned from cabinetmaking to violin making in 1924-1928. During 1945-1955 in Lavagna, Genoa, his instruments were known for their accuracy and good varnish, with two different labels used - handwritten and printed.
Check out the Italian Copy of Geovanni Schwarz violin made about 1920. Geovanni Schwarz was born in 1865 in Padua, Italy who by the influence and tutelage of his uncle Eugenio Degani honed his skills, established his own workshop, and won a gold medal in 1916 in Rome Italy.
This is a violin labelled Carlo Steffani. The timber for this violin was cut around 1800 in the Southern Alps.
This remarkable 7/8 size 1933 violin exhibits a timeless beauty that reflects Giacchetti's artistic skills.
Giuseppe Giacchetti (1890-1980) studied music and the violin in Rome under Rodolfo Fredi. He later established a workshop in Paris and used a “Roma” label throughout his career. This violin has a “fait a Paris” inscription, indicating it was made in Paris.
Check out this Copy of Giuseppe Fiorini violin 1926. Giuseppe Fiorini an Italian luthier, the son and student of Raffaele Fiorini who established the "Rieger and Fiorini" violin-making firm in Munich. A passionate teacher, donating materials and relics to the Municipality of Cremona in order to establish a violin-making school there.
This is a copy of Nikolaus Amatus's violin made in 1636 with a label. Nicola Amati was a master luthier born in 1596, in Cremona Italy. He came from a family of luthiers but was considered the most famous luthier in their clan.
