Labelled Carlo Steffani Violin Mantova, Italy 1711
This is a violin labelled Carlo Steffani. The timber for this violin was cut around 1800 in the Southern Alps.
Price: POA. According to Eric Blot, this is a copy of Gaetano Pareschi's violins. This violin is a fine copy of the award-winning Italian luthier Gaetano Pareschi, whose working life spanned 50 years, from 1924 to 1974.
Gaetano Pareschi (1900-1987)
According to Eric Blot, this is a copy of violins by award-winning Italian luthier Gaetano Pareschi, whose working life spanned 50 years, from 1924 to 1974. A practitioner of the Ferrarese violinmaking style, he favoured a half-external form, wide purfling and deep-cut grooves encircling the scroll. Once an orchestral musician, Pareschi's appreciation for orchestral string instruments was realised in producing approximately 200 violins, 20 violas and cellos, and three double bases. The instruments dating from the 1930s-1960s are especially valued for their high craftsmanship. Please call us at 07 3876 3877 for more information or pop into our store to take it for a test drive!
This is a violin labelled Carlo Steffani. The timber for this violin was cut around 1800 in the Southern Alps.
This Violin has the signature of an Italian Maker Renato Scrollavezza who was greatly admired and considered to be among the most notable modern Italian makers of the post-war era. He also won numerous prizes and medals in international competitions. This violin could have been made by one of his Japanese students - see the descrirtoion for details.
This violin is a Nicolo Amati Model by A Monzino and Figli Milano made in Italy around 1920 as seen on the label. Antonio Monzino is a string instrument maker in Milan, Italy. He founded his first workshop in 1750 in Milan, via Rastrelli 10.
Introducing the Roberto Cavagnoli Violin 2017. Roberto Cavagnoli received many awards including the Silver Medal for tone quality from the Violin Society of America in 2004 and the third prize at the 11th International Competition ‘Triennale’ in Cremona for sound quality.
POA This violin, attributed to Anselmo Bellosio (1743-1793) in Venice, was acquired by Animato Strings and features previous repairs, including a new bass bar installed by A. Eisenstein in New York, as noted in a 1944 magazine clip. After cleaning and minor seam repairs, it produces a rich, full sound and is available for sale. Born into a family of organ makers, Bellosio began crafting violins around 1770 and took over Giorgio Serafin’s workshop in 1777. This particular instrument, dated 1768, reflects his early craftsmanship and notable deep tone, marking him as a significant figure in the 18th-century Venetian violin-making tradition before his passing at 50.
A violin made and labelled in 1917 by Leandro Bisiach (1864 – 1945) of Milan, an Italian violin maker born in Casale Monferratos, known as the father of violin makers in the Bisiach family.
Moretti Egidio transitioned from cabinetmaking to violin making in 1924-1928. During 1945-1955 in Lavagna, Genoa, his instruments were known for their accuracy and good varnish, with two different labels used - handwritten and printed.
This remarkable 7/8 size 1933 violin exhibits a timeless beauty that reflects Giacchetti's artistic skills.
Giuseppe Giacchetti (1890-1980) studied music and the violin in Rome under Rodolfo Fredi. He later established a workshop in Paris and used a “Roma” label throughout his career. This violin has a “fait a Paris” inscription, indicating it was made in Paris.