This is a copy of Nikolaus Amatus's violin made in 1636 with a label. Nicola Amati was a master luthier born in 1596, in Cremona Italy. He came from a family of luthiers but was considered the most famous luthier in their clan.
Nicola Amati was a master luthier born on September 3, 1596, in Cremona Italy. He came from a family of luthiers but was considered the famous luthier in their clan. Amati taught in the illustrious Cremonese School luthiers in whom Andrea Guarneri and Giovanni Battista Rogeri became his students. It was also said that he mentored Jacob Stainer, Francesco Rugeri, and Antonio Stradivari.
This violin is a Nicolo Amati Model by A Monzino and Figli Milano made in Italy around 1920 as seen on the label. Antonio Monzino is a string instrument maker in Milan, Italy. He founded his first workshop in 1750 in Milan, via Rastrelli 10.
This violin was made in 1854 in Fermo, Italy by Andrea Postacchini, a skilled Italian luthier known for producing high-quality instruments with exceptional tonal quality.
This remarkable 7/8 size 1933 violin exhibits a timeless beauty that reflects Giacchetti's artistic skills.
Giuseppe Giacchetti (1890-1980) studied music and the violin in Rome under Rodolfo Fredi. He later established a workshop in Paris and used a “Roma” label throughout his career. This violin has a “fait a Paris” inscription, indicating it was made in Paris.
We have here the Domenico Fantin Violin made in Varese, Italy 1971. Domenico Fantin’s instruments are played in major European and American orchestras. Great soloists like Yehudi Menuhin purchased one of his violins in 1969, and Uto Ughi, who owns two of his instruments.
Price: POA. According to Eric Blot, this is a copy of Gaetano Pareschi's violins. This violin is a fine copy of the award-winning Italian luthier Gaetano Pareschi, whose working life spanned 50 years, from 1924 to 1974.
Introducing the Roberto Cavagnoli Violin 2017. Roberto Cavagnoli received many awards including the Silver Medal for tone quality from the Violin Society of America in 2004 and the third prize at the 11th International Competition ‘Triennale’ in Cremona for sound quality.
Moretti Egidio transitioned from cabinetmaking to violin making in 1924-1928. During 1945-1955 in Lavagna, Genoa, his instruments were known for their accuracy and good varnish, with two different labels used - handwritten and printed.