This German-Made Helmut Illner A-Level Violin Carved and varnished in Germany according to the specifications of German luthier Helmut Illner.
Carved and varnished in Germany according to the specifications of German luthier Helmut Illner. Helmut Illner has been one of the most influential and sought-after luthiers. He is now retired The varnish is antiqued in tawny amber shades.
The European tone-woods have been naturally dried and aged for at least 10 years. The top plate is made from high-quality spruce with a fine grain. The back is made from well-figured maple.
This violin has rosewood pegs and an ebony fingerboard. To keep the costs down, these fittings were added by trained experts in China.
The violin is further optimized at Animato Strings. In this way, it competes favorably when compared to violins that have not undergone this optimization.
(G211003-1)
We have here a Collin - Mezin Violin made in Paris in 1911. Charles Jean Baptiste Collin-Mezin is a French violin maker who started at a young age under the tutelage of his father, Claud-Nicolas Collin. His own workshop started in 1867 at the 14 and 18 rue du Faubourg Poissonnièr in France.
This is a Paul Jean- Baptiste Chipot Violin made in Paris in about 1942. Paul Jean Baptiste Chipot is a French luthier the son of Chipot-Vuillaume. He worked in many workshops in Mirecourt then moved to Vendome to start his own workshop.
Collin-Mezin Violin dated 1887. This as an unusual model for a Collin-Mezin violin, but the workmanship, the original label, and Collin-Mezin's authentic signature verify the maker.
The colour of the violin is not as red as in the video. The colour of the images is more accurate.
A violin made and labelled in 1917 by Leandro Bisiach (1864 – 1945) of Milan, an Italian violin maker born in Casale Monferratos, known as the father of violin makers in the Bisiach family.
Click here for images and pricing of a Violin from Leon Bernadel Workshop
This is a Collin - Mezin violin made in Paris in 1902. Charles Jean Baptiste Collin-Mezin (1841–1923) was a Parisian luthier an Officier de l'Académie des Beaux-Arts and won gold and silver medals in 1878, 1889, and 1900 at the Paris Exhibitions.
Moretti Egidio transitioned from cabinetmaking to violin making in 1924-1928. During 1945-1955 in Lavagna, Genoa, his instruments were known for their accuracy and good varnish, with two different labels used - handwritten and printed.
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