Carved and varnished in Germany according to the specifications of German luthier Helmut Illner. Helmut Illner has been one of the most influential and sought-after luthiers. He is now retired The varnish is antiqued in tawny amber shades.
The European tone-woods have been naturally dried and aged for at least 10 years. The top plate is made from high-quality spruce with a fine grain. The back is made from well-figured maple.
This violin has rosewood pegs and an ebony fingerboard. To keep the costs down, these fittings were added by trained experts in China.
The violin is further optimized at Animato Strings. In this way, it competes favorably when compared to violins that have not undergone this optimization.
We have here a Labelled Amedee Dieudonne violin made around 1946 in Mirecourt, France. Amedee Dieudonne is a French luthier who specialized in copying Cremona Masters and was able to achieve a superior varnishing technique.
We have here a Lillo Salerno Italian violin made in 2019. Lillo Salerno is an Italian luthier born in Sicily, Italy. He went to Cremona Violin Making School then finished his studies in Mittenwald School of Violin Making in Germany in 2005.
Instrument - Violin
Model- Personalized Stradivari
Top - Italian spruce in two pieces
Back - Balkan maple in two pieces
Scroll - From the same wood as the back
Varnish - Oil and amber with a yellow background, red-brown violin.
Notes - The instrument was made with an antique and shows a black bevel on the scroll and points of the bouts.
Check out the Italian Copy of Geovanni Schwarz violin made about 1920. Geovanni Schwarz was born in 1865 in Padua, Italy who by the influence and tutelage of his uncle Eugenio Degani honed his skills, established his own workshop, and won a gold medal in 1916 in Rome Italy.
This is the Konrad Kohlert Violin. Konrad Kohlert's violins, violas and cellos have been produced in his workshop since 1987, and are valued worldwide for their sound and craftsmanship.
This is a Collin - Mezin violin made in Paris in 1902. Charles Jean Baptiste Collin-Mezin (1841–1923) was a Parisian luthier an Officier de l'Académie des Beaux-Arts and won gold and silver medals in 1878, 1889, and 1900 at the Paris Exhibitions.
Moretti Egidio transitioned from cabinetmaking to violin making in 1924-1928. During 1945-1955 in Lavagna, Genoa, his instruments were known for their accuracy and good varnish, with two different labels used - handwritten and printed.
This violin (copy) bears the label 'Andrea Postacchini,' a skilled Italian luthier renowned for crafting high-quality instruments with exceptional tonal quality.
Lambert-Humbert Frères was a well-known violin manufacturer in Mirecourt from 1876 to 1969. They produced various instruments from reputable makers like Joseph Aubry and Georges Apparut. The company changed to L.F.M. in 1919 and obtained the prestigious brand “A La Ville de Cremone” in 1927. Unfortunately, the industry declined in the mid-20th century, leading to the closure of all major firms by the 1960s, including Laberte.