Have a look at this Gliga Vasile 4/4 Violin with Lady's Head Scroll (Instrument Only). Gliga Vasile Special Series: Lady's head in scroll.

Marc Laberte (1880–1963) was trained as a violin maker and joined the family company in 1911. By 1919, the Laberte firm had around 400 craftsmen and was successful. However, the war in 1942 devastated the business, leading to its closure. Despite this, Laberte was known for his exceptional instruments and bows, earning several honours and medals.

This violin has the original Marc Laberte label and bears the number #3010. A second label states Grand Prix Paris 1931, Exposition Internationale Bruxelles 1935 Membre Du Jury, and Exposition Internationale New York 1939. The prices they won before and during the start of the world war 2.    

Introducing the Maurice Bourguignon Violin made in 1927 in Brussels. Maurice Bourguignon is a French luthier who received several awards, medals, and diplomas for his work in various exhibitions. He was known for his very refined work in classical models characterized by a good red varnish.

Check out this Copy of Giuseppe Fiorini violin 1926. Giuseppe Fiorini an Italian luthier, the son and student of Raffaele Fiorini who established the "Rieger and Fiorini" violin-making firm in Munich. A passionate teacher, donating materials and relics to the Municipality of Cremona in order to establish a violin-making school there.

This is an A. Dieudonne Violin made in Mirecourt in about 1933. Amédée Dominique Dieudonné is a French luthier who specializes in copying the works of Cremona masters.

This is a violin labelled Carlo Steffani. The timber for this violin was cut around 1800 in the Southern Alps.

Check out this Mast Fils Violin Dated 1827. Joseph Laurent Mast a French violin maker who branded his violins with the inscription inside that says “Mast Fils Toulouse." 

Over 25 years, Ryszard conducted numerous experiments, conducted intensive studies, gained valuable experiences, and was influenced by his colleagues, all of which contributed to his gradual perfection of the sound and quality of his instruments.