Labelled Carlo Steffani Violin Mantova, Italy 1711
This is a violin labelled Carlo Steffani. The timber for this violin was cut around 1800 in the Southern Alps.
William Henry Dow was born in Scotland in 1834 and moved to Australia in 1855 to work as a pattern maker at Langlands Port Phillip Foundry in Melbourne. Initially a hobby, he began making violins in his workshop in South Melbourne and received medals for his work at national exhibitions. After retiring from patternmaking, he devoted himself to creating instruments and made over 200 violins by his death in 1928. It is still being determined how many instruments Dow made, as he only started numbering them when he was satisfied with their quality. One of his violins is on display at the Powerhouse Museum in Sydney.
Please get in touch with Animato Strings on 07 3876 3877 if you want this violin.
William Henry Dow was one of Australia’s greatest violin makers. He lived from 1834 to 1928. One of his violins is displayed in the Powerhouse Museum in Sydney.
William Henry Dow was born in Scotland in 1836 and immigrated to Australia 19 years later. He worked with wood throughout his life, first as a joiner in Scotland. When he arrived in Melbourne in 1855, he was reunited with other members of his family who had made the journey from Scotland to Australia a few years earlier. By the time of William’s arrival, his uncle James was the manager of Langlands Port Phillip Foundry, and there William had a job waiting for him as a pattern maker – someone who made wooden patterns for sand casting iron and other metals.
The story goes that William created his first violin at the age of 15. He continued making violins as a hobby from his workshop in South Melbourne, still standing today. William entered his instruments in national exhibitions, starting with the 1875 Intercolonial Exhibition, and received medals for his work, which judges described as “exceedingly creditable.” Despite being entirely self-taught, he was successful. William once said, “I never could get the instruction I wanted from books, and I had to work at night, as I was employed all day at my engineering work.” Eventually, he retired from patternmaking to focus solely on making instruments. By his death in 1928, he had created more than 200 instruments. The exact number of Dow instruments is still being determined, as he began numbering them when he was satisfied that they met his high standards.
Please get in touch with Animato Strings on 07 3876 3877 if you want this violin.
This is a violin labelled Carlo Steffani. The timber for this violin was cut around 1800 in the Southern Alps.
Check out this Mast Fils Violin Dated 1827. Joseph Laurent Mast a French violin maker who branded his violins with the inscription inside that says “Mast Fils Toulouse."
A violin made and labelled in 1917 by Leandro Bisiach (1864 – 1945) of Milan, an Italian violin maker born in Casale Monferratos, known as the father of violin makers in the Bisiach family.
This is a Charles Claudot Violin. The name Claudot was a popular clan of luthiers in France who have been making violins from the 16th up to the 20th century.
Lambert-Humbert Frères was a well-known violin manufacturer in Mirecourt from 1876 to 1969. They produced various instruments from reputable makers like Joseph Aubry and Georges Apparut. The company changed to L.F.M. in 1919 and obtained the prestigious brand “A La Ville de Cremone” in 1927. Unfortunately, the industry declined in the mid-20th century, leading to the closure of all major firms by the 1960s, including Laberte.
Paul Lorange, a renowned French luthier from Lyon, worked in Marseille during the early to mid-20th century. He established his independent workshop in the city in the early 1930s and was known for his fine workmanship on classical models and his use of various shades of red varnish. The violin in question was made in 1932, and it's noted that the handwriting on the violin and his original label may differ.
Over 25 years, Ryszard conducted numerous experiments, conducted intensive studies, gained valuable experiences, and was influenced by his colleagues, all of which contributed to his gradual perfection of the sound and quality of his instruments.
This is an A. Dieudonne Violin made in Mirecourt in about 1933. Amédée Dominique Dieudonné is a French luthier who specializes in copying the works of Cremona masters.