William Henry Dow was born in Scotland in 1834 and moved to Australia in 1855 to work as a pattern maker at Langlands Port Phillip Foundry in Melbourne. Initially a hobby, he began making violins in his workshop in South Melbourne and received medals for his work at national exhibitions. After retiring from patternmaking, he devoted himself to creating instruments and made over 200 violins by his death in 1928. It is still being determined how many instruments Dow made, as he only started numbering them when he was satisfied with their quality. One of his violins is on display at the Powerhouse Museum in Sydney.
Please get in touch with Animato Strings on 07 3876 3877 if you want this violin.
William Henry Dow was one of Australia’s greatest violin makers. He lived from 1834 to 1928. One of his violins is displayed in the Powerhouse Museum in Sydney.
William Henry Dow was born in Scotland in 1836 and immigrated to Australia 19 years later. He worked with wood throughout his life, first as a joiner in Scotland. When he arrived in Melbourne in 1855, he was reunited with other members of his family who had made the journey from Scotland to Australia a few years earlier. By the time of William’s arrival, his uncle James was the manager of Langlands Port Phillip Foundry, and there William had a job waiting for him as a pattern maker – someone who made wooden patterns for sand casting iron and other metals.
The story goes that William created his first violin at the age of 15. He continued making violins as a hobby from his workshop in South Melbourne, still standing today. William entered his instruments in national exhibitions, starting with the 1875 Intercolonial Exhibition, and received medals for his work, which judges described as “exceedingly creditable.” Despite being entirely self-taught, he was successful. William once said, “I never could get the instruction I wanted from books, and I had to work at night, as I was employed all day at my engineering work.” Eventually, he retired from patternmaking to focus solely on making instruments. By his death in 1928, he had created more than 200 instruments. The exact number of Dow instruments is still being determined, as he began numbering them when he was satisfied that they met his high standards.
Please get in touch with Animato Strings on 07 3876 3877 if you want this violin.
Paul Lorange, a renowned French luthier from Lyon, worked in Marseille during the early to mid-20th century. He established his independent workshop in the city in the early 1930s and was known for his fine workmanship on classical models and his use of various shades of red varnish. The violin in question was made in 1932, and it's noted that the handwriting on the violin and his original label may differ.
We have here the Domenico Fantin Violin made in Varese, Italy 1971. Domenico Fantin’s instruments are played in major European and American orchestras. Great soloists like Yehudi Menuhin purchased one of his violins in 1969, and Uto Ughi, who owns two of his instruments.
This is a Charles Claudot Violin. The name Claudot was a popular clan of luthiers in France who have been making violins from the 16th up to the 20th century.
This is the Konrad Kohlert Violin. Konrad Kohlert's violins, violas and cellos have been produced in his workshop since 1987, and are valued worldwide for their sound and craftsmanship.
The 1927 Collin-Mezin violin is a masterpiece crafted in the renowned Collin-Mezin Workshop, established in the 19th century by Charles Jean Baptiste Collin-Mezin in Paris. After passing in 1923, his son, Charles Collin-Mezin Jr., took over the workshop. In 1925, the workshop moved to Mirecourt, France. Known for producing vibrant instruments with outstanding sound flexibility, the workshop's tradition continues with the 1927 Collin-Mezin violin.
This is a violin labelled Carlo Steffani. The timber for this violin was cut around 1800 in the Southern Alps.
The Rainer W. Leonhardt Mittenwald Student Violin 2026 is a handcrafted German violin made in Mittenwald using carefully selected European spruce and maple. Offering a warm, balanced tone, excellent playability, and dependable craftsmanship, it is an ideal instrument for advancing students seeking an authentic European-made violin with outstanding value and musical performance.
Rainer W. Leonhardt is a fourth-generation Master Violin Maker whose family workshop has handcrafted fine string instruments since 1926. Based in Mittenwald, Germany, he continues more than 350 years of local violin-making tradition, producing instruments renowned for their exceptional craftsmanship, beautiful tone, and lasting quality.
Moretti Egidio transitioned from cabinetmaking to violin making in 1924-1928. During 1945-1955 in Lavagna, Genoa, his instruments were known for their accuracy and good varnish, with two different labels used - handwritten and printed.
