William Henry Dow was born in Scotland in 1834 and moved to Australia in 1855 to work as a pattern maker at Langlands Port Phillip Foundry in Melbourne. Initially a hobby, he began making violins in his workshop in South Melbourne and received medals for his work at national exhibitions. After retiring from patternmaking, he devoted himself to creating instruments and made over 200 violins by his death in 1928. It is still being determined how many instruments Dow made, as he only started numbering them when he was satisfied with their quality. One of his violins is on display at the Powerhouse Museum in Sydney.
Please get in touch with Animato Strings on 07 3876 3877 if you want this violin.
William Henry Dow was one of Australia’s greatest violin makers. He lived from 1834 to 1928. One of his violins is displayed in the Powerhouse Museum in Sydney.
William Henry Dow was born in Scotland in 1836 and immigrated to Australia 19 years later. He worked with wood throughout his life, first as a joiner in Scotland. When he arrived in Melbourne in 1855, he was reunited with other members of his family who had made the journey from Scotland to Australia a few years earlier. By the time of William’s arrival, his uncle James was the manager of Langlands Port Phillip Foundry, and there William had a job waiting for him as a pattern maker – someone who made wooden patterns for sand casting iron and other metals.
The story goes that William created his first violin at the age of 15. He continued making violins as a hobby from his workshop in South Melbourne, still standing today. William entered his instruments in national exhibitions, starting with the 1875 Intercolonial Exhibition, and received medals for his work, which judges described as “exceedingly creditable.” Despite being entirely self-taught, he was successful. William once said, “I never could get the instruction I wanted from books, and I had to work at night, as I was employed all day at my engineering work.” Eventually, he retired from patternmaking to focus solely on making instruments. By his death in 1928, he had created more than 200 instruments. The exact number of Dow instruments is still being determined, as he began numbering them when he was satisfied that they met his high standards.
Please get in touch with Animato Strings on 07 3876 3877 if you want this violin.
This is the Paul Kaul violin made in France dated 1918. Paul Kaul is a French violin maker who joined several workshops such as Thibouville Lamy, Silvestre and Maucotel, Vuillemin-Didion. He started several workshops on rue Racine, Nantes in 1907, rue du Pont Communeau in 1908, and at 130 Boulevard Brune in 1926.
Price: POA. According to Eric Blot, this is a copy of Gaetano Pareschi's violins. This violin is a fine copy of the award-winning Italian luthier Gaetano Pareschi, whose working life spanned 50 years, from 1924 to 1974.
Lambert-Humbert Frères was a well-known violin manufacturer in Mirecourt from 1876 to 1969. They produced various instruments from reputable makers like Joseph Aubry and Georges Apparut. The company changed to L.F.M. in 1919 and obtained the prestigious brand “A La Ville de Cremone” in 1927. Unfortunately, the industry declined in the mid-20th century, leading to the closure of all major firms by the 1960s, including Laberte.
Check out this Mast Fils Violin Dated 1827. Joseph Laurent Mast a French violin maker who branded his violins with the inscription inside that says “Mast Fils Toulouse."
This is a Collin - Mezin violin made in Paris in 1902. Charles Jean Baptiste Collin-Mezin (1841–1923) was a Parisian luthier an Officier de l'Académie des Beaux-Arts and won gold and silver medals in 1878, 1889, and 1900 at the Paris Exhibitions.
We have here a Labelled Amedee Dieudonne violin made around 1946 in Mirecourt, France. Amedee Dieudonne is a French luthier who specialized in copying Cremona Masters and was able to achieve a superior varnishing technique.
This is a Josef Kreuzinger Violin Made in Germany around 1924. Josef Kreuzinger was a German luthier whose works were deemed as excellent and professional.
Victor Audinot (1870-1943), also known as Audinot-Mourot, came from a family of luthiers in Mirecourt. Mentored by Francois Chardin and Telesphore Barbé, Audinot was mainly influenced by Barbé, who had honed his skills working for Jean Baptiste Vuillaume in Paris. This experience helped shape Audinot’s successful career in instrument making.
Victor worked in Mirecourt, known for luthier tradition, before moving to Paris to set up his workshop on Rue Truffaut in 1913. He dedicated himself to his craft until retiring in 1936. He passed his expertise to five of his six sons and aspiring luthiers. Renowned for creating exact replicas of classical instruments, he crafted an exceptional copy of the ornately decorated Stradivari violin known as the ‘Sunrise’, showcasing his artistry.
