This is the Konrad Kohlert Violin. Konrad Kohlert's violins, violas and cellos have been produced in his workshop since 1987, and are valued worldwide for their sound and craftsmanship.
Based in Bavaria, the master violin maker Konrad Kohlert lives and works in the tradition of the old Cremona masters.
Violins, violas and cellos have been produced in his workshop since 1987, and are valued worldwide for their sound and craftsmanship.
In the instruments of Konrad Kohlert, the genuine bridging between the spirit of the historical masterpieces and the expectations of the performing musicians on a contemporary musical instrument succeeds unmistakably.
Léon Bernardel (1853–1931) learned violin making under his father, Ernest Auguste Bernardel, and later worked with Derazey before joining the family’s shop, Gand et Bernardel Frères. In 1899, he established his firm, collaborating with his son, Léon (II). Bernardel’s violins are highly celebrated for their rich, warm tone and exceptional projection, a result of his innovative craftsmanship and attention to detail. His instruments remain sought after by musicians and collectors, and his work continues to inspire luthiers to this day.
William Henry Dow was born in Scotland in 1834 and moved to Australia in 1855 to work as a pattern maker at Langlands Port Phillip Foundry in Melbourne. Initially a hobby, he began making violins in his workshop in South Melbourne and received medals for his work at national exhibitions. After retiring from patternmaking, he devoted himself to creating instruments and made over 200 violins by his death in 1928. It is still being determined how many instruments Dow made, as he only started numbering them when he was satisfied with their quality. One of his violins is on display at the Powerhouse Museum in Sydney.
Please get in touch with Animato Strings on 07 3876 3877 if you want this violin.
Collin-Mezin Violin dated 1887. This as an unusual model for a Collin-Mezin violin, but the workmanship, the original label, and Collin-Mezin's authentic signature verify the maker.
This is a Collin - Mezin violin made in Paris in 1902. Charles Jean Baptiste Collin-Mezin (1841–1923) was a Parisian luthier an Officier de l'Académie des Beaux-Arts and won gold and silver medals in 1878, 1889, and 1900 at the Paris Exhibitions.
Moretti Egidio transitioned from cabinetmaking to violin making in 1924-1928. During 1945-1955 in Lavagna, Genoa, his instruments were known for their accuracy and good varnish, with two different labels used - handwritten and printed.
This is an Old German Violin made probably in Germany in the mid 19th century. Repaired professionally by Animato Strings and is now in very good playing condition.
POA This violin, attributed to Anselmo Bellosio (1743-1793) in Venice, was acquired by Animato Strings and features previous repairs, including a new bass bar installed by A. Eisenstein in New York, as noted in a 1944 magazine clip. After cleaning and minor seam repairs, it produces a rich, full sound and is available for sale. Born into a family of organ makers, Bellosio began crafting violins around 1770 and took over Giorgio Serafin’s workshop in 1777. This particular instrument, dated 1768, reflects his early craftsmanship and notable deep tone, marking him as a significant figure in the 18th-century Venetian violin-making tradition before his passing at 50.
We have here a Labelled Amedee Dieudonne violin made around 1946 in Mirecourt, France. Amedee Dieudonne is a French luthier who specialized in copying Cremona Masters and was able to achieve a superior varnishing technique.
