This violin was made by Emile L'Humbert in Paris in 1926. Emile L'Humbert is a French luthier (1872-1933) who became a pupil of Derazey and Mougenot and was a worker of Blanchard in Lyon.
Emile L'Humbert is a French luthier born in 1872 in Epinal and died in Paris in 1933. He was a pupil of Derazey and Mougenot and was a worker of Blanchard in Lyon. He settled in rue de Passy in Paris in 1906 and began to make beautiful instruments until 1920 for Parisian luthiers. Unfortunately, most of his productions were unknown which made gave the opportunity for unscrupulous merchants to reap profits. They also gained success by branding L'Humbert's violins with their name.
This is a Paul Jean- Baptiste Chipot Violin made in Paris in about 1942. Paul Jean Baptiste Chipot is a French luthier the son of Chipot-Vuillaume. He worked in many workshops in Mirecourt then moved to Vendome to start his own workshop.
Léon Bernardel (1853–1931) learned violin making under his father, Ernest Auguste Bernardel, and later worked with Derazey before joining the family’s shop, Gand et Bernardel Frères. In 1899, he established his firm, collaborating with his son, Léon (II). Bernardel’s violins are highly celebrated for their rich, warm tone and exceptional projection, a result of his innovative craftsmanship and attention to detail. His instruments remain sought after by musicians and collectors, and his work continues to inspire luthiers to this day.
This is a Henri Farny violin made around 1910 and imported from Mirecourt, France to the USA with a label. Henri Farni’s works were mostly imported by Rembert Wurlitzer from Mirecourt, France to Cincinnati and New York USA.
This violin is Labelled Collin-Mezin and was made in Paris dated 1911. Charles Jean Baptiste Collin-Mezin came from a line of luthiers where he created various instruments considered superior to other new instruments. This violin is most likely an early copy.
This is the 7/8 French Violin c 1920 Strad Copy. We all know that Antonio Stradivari is a renowned Italian violin maker who was said to have brought the craft of violin-making into its highest pitch of perfection.
Paul Lorange, a renowned French luthier from Lyon, worked in Marseille during the early to mid-20th century. He established his independent workshop in the city in the early 1930s and was known for his fine workmanship on classical models and his use of various shades of red varnish. The violin in question was made in 1932, and it's noted that the handwriting on the violin and his original label may differ.
This is an A. Dieudonne Violin made in Mirecourt in about 1933. Amédée Dominique Dieudonné is a French luthier who specializes in copying the works of Cremona masters.