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Composers Violin A-C
- Accolay, Jean Baptiste
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Composers Violin D-G
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- Eccles, Henri
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Composers Violin N-T
- Perlman, Itzhak
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- Rachmaninoff, Sergei
- Ravel, Maurice
- Rieding, Oskar
- Rimsky-Korsakov, Nikolai
- Rode, Jacques Pierre Joseph
- Saint-Saens, Camille
- Sarasate, Pablo de
- Schumann, Robert
- Schubert, Franz
- Schradieck, Henry
- Seitz, Friedrich
- Shostakovich, Dmitri
- Sibelius, Jean
- Smetana, Bedrich
- Spohr, Louis
- Strauss, Richard
- Stravinsky, Igor
- Suk , Josef
- Szelenyi, Istvan
- Szymanowski, Karol
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Piazzolla, Astor
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Viola Sheet Music
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Composers Viola A-C
- Accolay, Jean-Baptiste
- Anderson, Kenneth
- Bach, Johann Christian
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- Bach, Johann Sebastian
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- Bax, Arnold
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- Biber, Heinrich Ignaz Franz
- Bloch, Ernest
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- Brahms, Johannes
- Bridge, Frank
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- Butterworth, Arthur
- Carter, Elliott
- Clarke, Rebecca
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Composers Viola D-G
- Dale, Benjamin
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- Eccles, Henry
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- Fauré, Gabriel
- Fiocco, Joseph-Hector
- Forbes, Watson
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Composers Viola H-K
- Handel, George Frideric
- Handoshkin, Ivan Evstafeivich
- Haydn, Joseph
- Hindemith, Paul
- Hoffmeister, Franz Anton
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- Hubay, Jenő
- Hyde, Miriam Beatrice
- Jacob, Gordon
- Joachim, Joseph
- Jones, Matthew
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- Jenkinson, Ezra
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Composers Viola N-R
- Pachelbel, Johann
- Nyman, Michael
- Onslow, George
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- Pergolesi, Giovanni Battista
- Piatigorsky, Gregor
- Piazzolla, Astor
- Prokofiev, Sergei
- Puccini, Giacomo
- Purcell, Henry
- Rachmaninoff, Sergei
- Ravel, Maurice
- Reger, Max
- Reinecke, Carl
- Richardson, Alan
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- Rimsky-Korsakov, Nikolai Andreyevich
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- Rode, Jacques Pierre Joseph
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Cello Sheet Music
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Composers Cello A-C
- Andriessen, Louis
- Bach, Johann Sebastian
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- Boëllmann, Léon
- Brahms, Johannes
- Bréval, Jean-Baptiste
- Bridge, Frank
- Britten, Benjamin
- Bruch, Max
- Caix d'Hervelois, Louis de
- Carse, Adam
- Cassadó, Gaspar
- Cirri, Giovanni Battista
- Clarke, Rebecca
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Composers Cello D-G
- Dare, Marie
- Davydov, Karl
- Debussy, Claude Achille
- Fesch, Willem de
- Dvorak, Antonin Leopold
- Eccles, Henry
- Elgar, Sir Edward
- Falla, Manuel de
- Faure, Gabriel-Urbain
- Ferguson, Howard
- Feuillard, Louis
- Foss, Lukas
- Franchomme, Auguste
- Francoeur, François
- Gabrieli, Giovanni
- Galliard, Johann Ernst
- Glazunov, Alexander
- Goens, Daniël van
- Goltermann, Georg
- Guymer, Ingrid
- Granados, Enrique
- Gounod, Charles François
- Composers Cello H-K
- Composers Cello L-M
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Composers Cello S-T
- Saint-Saëns, Camille
- Sammartini, Giuseppe
- Sassmannshaus, Kurt
- Schubert, Franz
- Schumann, Robert Alexander
- Sculthorpe, Peter
- Senaillé, Jean Baptiste
- Shostakovich, Dmitri
- Sibelius, Jean
- Squire, William Henry
- Strauss, Richard
- Stravinsky, Igor
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Trowell, Arnold
- Composers Cello U-Z
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Composers Cello A-C
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Play Together
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School Orchestra A-H
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Komarowski, Anatoli
Anatoly Komorowski, born on November 7, 1909, in the Russian Federation, was a highly accomplished musician who made significant contributions to the world of music during his lifetime. With a bachelor's degree in violin performance from the renowned Rachmaninov School of Music, Komorowski's talent and dedication propelled him to study composition at the Moscow Conservatory under the guidance of Vissarion Yakovlevich Schebalin.
Throughout his career, Komorowski held various positions as a musical director, composer, conductor, and prominent violinist in theaters and music institutions across Russia. His work spanned different genres and styles, leaving a lasting impact on the music landscape.
Early Years and Education
Komorowski's passion for music began at a young age, and he quickly developed exceptional violin skills. In 1929, he graduated with a bachelor's degree in violin performance from the prestigious Rachmaninov School of Music. This early education provided him with a solid foundation for his future musical endeavors.
Composition Studies with Vissarion Yakovlevich Schebalin
From 1937 to 1941, Komorowski had the privilege of studying composition at the Moscow Conservatory, where he became a student of the esteemed Vissarion Yakovlevich Schebalin. Schebalin, a renowned composer and pedagogue, played a crucial role in shaping Komorowski's understanding of composition and musical expression.
Under Schebalin's guidance, Komorowski honed his skills in orchestration, harmony, and form. The mentorship of Schebalin provided Komorowski with a strong theoretical foundation, which he would later apply in his own compositions.
Early Career: Theaters and Musical Directorships
Komorowski's early career was marked by his involvement with various theaters as a musical director, composer, and conductor. From 1931 to 1933, he held these positions at Novosibirsk's "Theater of Satire" and "Rote Fackel" theaters, where he showcased his talent for creating captivating musical compositions that complemented the theatrical performances.
In 1933, Komorowski moved to Moscow and became the prominent violinist and concertmaster at the "Roman" theater. His virtuosity and artistry on the violin added depth and emotion to the theater's productions, earning him recognition as a skilled performer.
Musical Directorship at Tula's Dramatic Theater
In 1936, Komorowski assumed the role of musical director at Tula's Dramatic Theater. This position allowed him to further explore his creativity and collaborate with talented actors and directors. Through his compositions and musical direction, Komorowski enhanced the theatrical experience for audiences, infusing each production with his unique musical style.
The Kaliningrad Front: Dance and Singing Troupe Director
During the challenging years of World War II, from 1941 to 1945, Komorowski served as the dance and singing troupe director for the Kaliningrad Front. Despite the hardships of war, Komorowski's dedication to music remained unwavering. He ensured that the troupe's performances brought solace and joy to both soldiers and civilians alike, using music as a means to uplift spirits during challenging times.
Moscow Guest Music Theater and Dramatic Theater of the Dzershinsky-Raijons
Following the war, Komorowski continued to make significant contributions to the music scene in Moscow. From 1946 to 1947, he held the position of musical director at the Moscow Guest Music Theater, where he curated captivating performances, showcasing his diverse musical expertise.
In 1947, Komorowski took on the role of musical director at the Moscow Dramatic Theater of the Dzershinsky-Raijons. His visionary approach to music and theater enriched the performances, captivating audiences and earning critical acclaim.
Legacy and Impact
Anatoly Komorowski's contributions to the world of music and theater left an indelible mark on Russian culture. His compositions embodied a unique blend of emotion, technical prowess, and creativity, captivating audiences and inspiring future generations of musicians.
Komorowski's legacy as a skilled violinist, composer, and conductor continues to be celebrated through performances and recordings of his works. His dedication to music, even in the face of adversity, serves as an inspiration to aspiring musicians worldwide.
Conclusion
Anatoly Komorowski, a gifted musician from the Russian Federation, dedicated his life to the pursuit of musical excellence. Through his extensive education, diverse musical roles, and unwavering passion, he made significant contributions to the world of music and theater.
From his early years at the Rachmaninov School of Music to his influential positions as a musical director, composer, and conductor, Komorowski's talent and creativity shone through in every endeavor. His compositions and performances continue to resonate with audiences, ensuring that his musical legacy lives on.
As we reflect on the life and musical journey of Anatoly Komorowski, we are reminded of the power of music to transcend boundaries and touch the souls of individuals worldwide. His story serves as a testament to the enduring impact of a dedicated musician who leaves an indelible mark on the world through their artistry and passion.
2 products.
Komarowski, Violin Concerto No. 1 in E Minor (Peters)
'With this publication, Komarowski, a Russian violin teacher of Polish descent, comes to America. The first movement is published in Grade 8 of the RCM, placing the work on the level of the Haydn Concerto in G Major. Most of the work is in the first and third position with a touch of fifth. Some more advanced alternate notes are provided, with others for simplification. Fingerings are not given. The composition has a light, happy air about it..a pleasant listening experience for theaudience and an exciting playing experience for the student.' - American String Teacher. Advanced level.
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