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Composers Violin A-C
- Accolay, Jean Baptiste
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- Eccles, Henri
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- Shostakovich, Dmitri
- Sibelius, Jean
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- Strauss, Richard
- Stravinsky, Igor
- Suk , Josef
- Szelenyi, Istvan
- Szymanowski, Karol
- Tartini, Giuseppe
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Viola Sheet Music
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Composers Viola A-C
- Accolay, Jean-Baptiste
- Anderson, Kenneth
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- Bax, Arnold
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- Biber, Heinrich Ignaz Franz
- Bloch, Ernest
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- Bowen, York
- Brahms, Johannes
- Bridge, Frank
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- Bruch, Max Felix
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- Carter, Elliott
- Clarke, Rebecca
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Composers Viola D-G
- Dale, Benjamin
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- Eccles, Henry
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- Eliot, Norton, Charles
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- Fiocco, Joseph-Hector
- Forbes, Watson
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Composers Viola H-K
- Handel, George Frideric
- Handoshkin, Ivan Evstafeivich
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- Hindemith, Paul
- Hoffmeister, Franz Anton
- Hovhaness, Alan
- Hubay, Jenő
- Hyde, Miriam Beatrice
- Jacob, Gordon
- Joachim, Joseph
- Jones, Matthew
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- Kayser, Heinrich Ernst
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- Jenkinson, Ezra
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Composers Viola N-R
- Pachelbel, Johann
- Nyman, Michael
- Onslow, George
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- Pergolesi, Giovanni Battista
- Piatigorsky, Gregor
- Piazzolla, Astor
- Prokofiev, Sergei
- Puccini, Giacomo
- Purcell, Henry
- Rachmaninoff, Sergei
- Ravel, Maurice
- Reger, Max
- Reinecke, Carl
- Richardson, Alan
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- Rode, Jacques Pierre Joseph
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Cello Sheet Music
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Composers Cello A-C
- Andriessen, Louis
- Bach, Johann Sebastian
- Bantock, Granville
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- Bloch, Ernest
- Boccherini, Luigi
- Boëllmann, Léon
- Brahms, Johannes
- Bréval, Jean-Baptiste
- Bridge, Frank
- Britten, Benjamin
- Bruch, Max
- Caix d'Hervelois, Louis de
- Carse, Adam
- Cassadó, Gaspar
- Cirri, Giovanni Battista
- Clarke, Rebecca
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Composers Cello D-G
- Dare, Marie
- Davydov, Karl
- Debussy, Claude Achille
- Fesch, Willem de
- Dvorak, Antonin Leopold
- Eccles, Henry
- Elgar, Sir Edward
- Falla, Manuel de
- Faure, Gabriel-Urbain
- Ferguson, Howard
- Feuillard, Louis
- Foss, Lukas
- Franchomme, Auguste
- Francoeur, François
- Gabrieli, Giovanni
- Galliard, Johann Ernst
- Glazunov, Alexander
- Goens, Daniël van
- Goltermann, Georg
- Guymer, Ingrid
- Granados, Enrique
- Gounod, Charles François
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Composers Cello S-T
- Saint-Saëns, Camille
- Sammartini, Giuseppe
- Sassmannshaus, Kurt
- Schubert, Franz
- Schumann, Robert Alexander
- Sculthorpe, Peter
- Senaillé, Jean Baptiste
- Shostakovich, Dmitri
- Sibelius, Jean
- Squire, William Henry
- Strauss, Richard
- Stravinsky, Igor
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Trowell, Arnold
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Composers Cello A-C
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Play Together
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School Orchestra A-H
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Ireland, John
John Ireland (January 30, 1914 – March 21, 1992) was an influential English composer whose unique style and innovative approach to music left a lasting impact on the classical music scene. Born into a Scottish family, Ireland's early life was marked by tragedy as he lost both his parents shortly after enrolling at the Royal College of Music. Despite these hardships, Ireland's passion for music flourished, and he went on to become a renowned composer and educator.
Early Years and Musical Education
At the tender age of 14, John Ireland embarked on his musical journey at the Royal College of Music. Under the mentorship of Charles Villiers Stanford, he honed his skills in piano, keyboard, and composition. Ireland's exposure to the works of Ludwig van Beethoven, Johannes Brahms, and other German classics during his time at the college laid the foundation for his musical development. However, it was the influence of French composers such as Debussy and Ravel, as well as the earlier works of Igor Stravinsky and Béla Bartók, that truly shaped Ireland's unique artistic vision.
The Emergence of "English Impressionism"
Inspired by the styles of his French and Russian contemporaries, John Ireland developed his distinct version of "English Impressionism." This marked a departure from the prevailing folk-song form that dominated English music at the time. Ireland's compositions showcased his penchant for limited conditions, as he eschewed symphonies and operas in favor of chamber music and piano works. Notable among his compositions is the powerful Piano Concerto, which continues to captivate audiences to this day. Another well-known piece, The Holy Child, has been orchestrated multiple times, solidifying Ireland's reputation as a master of evocative melodies.
Vocal Works: A Rich Tapestry of Poetry and Music
John Ireland's contributions to the English vocal repertoire are significant. His compositions set to poetry by renowned poets such as A. E. Housman, Thomas Hardy, Christina Rossetti, John Masefield, and Rupert Brooke enriched the English vocal range. These songs beautifully captured the essence of the poetry, creating a harmonious blend of words and music. Additionally, Ireland's work as an organist and choirmaster at St. Luke's Church influenced his compositions of hymns, carols, and other religious choral music. One of his most celebrated choral works, the anthem Greater Love, is often performed in services commemorating war victims. Another notable composition is the Communion Service in C, which continues to be revered by choirs around the world.
The Channel Islands: A Source of Inspiration
Throughout his career, John Ireland regularly toured the Channel Islands, a group of picturesque islands off the coast of Normandy. These idyllic surroundings captivated Ireland, and he drew inspiration from their enchanting scenery. However, his time on the islands was not without peril. Ireland narrowly escaped the German invasion during World War II, further highlighting the significance of this period in his life. The Channel Islands became a wellspring of creative inspiration for Ireland, shaping his artistic sensibilities and influencing the tone and atmosphere of his compositions.
Teaching and Mentorship
In addition to his prolific composition career, John Ireland was also an esteemed educator. Following his studies at the Royal College of Music, he returned as a teacher, imparting his knowledge and passion for music to a new generation of composers. Notable among his students were Ernest John Moeran, who held great respect for Ireland, and Benjamin Britten, who, although less interested in Ireland's teaching, would go on to become a prominent figure in the classical music world. Ireland's dedication to nurturing young talent ensured his legacy would extend beyond his own compositions.
Retirement and Later Years
In 1953, John Ireland retired from his teaching position at the Royal College of Music, marking the end of an era. He retreated to the remote Sussex hamlet of Rock, where he spent the remaining years of his life. Surrounded by the serene countryside, Ireland continued to compose, albeit at a slower pace. His retirement allowed him the time and space to reflect on his contributions to music and solidify his place in the annals of classical composition.
Legacy and Posthumous Works
Following John Ireland's passing, his student Geoffrey Bush took on the task of completing or re-transcribing several of his unfinished works. One of the most notable achievements was the completion of the acclaimed A Downland Suite. This posthumous collaboration ensured that Ireland's music continued to reach new audiences and cemented his status as a visionary composer. Today, his compositions are performed and celebrated by orchestras, choirs, and soloists worldwide, keeping his musical legacy alive.
Conclusion
John Ireland's life and music remain a testament to his extraordinary talent and unwavering dedication to his craft. His unique blend of German, French, and Russian influences birthed the genre of "English Impressionism" and brought a fresh perspective to the classical music landscape. Through his compositions, Ireland captured the essence of poetry and evoked powerful emotions, leaving an indelible mark on the English vocal repertoire. His teaching and mentorship ensured that his influence extended beyond his own works, shaping the future of
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John Ireland Sonata No.2, A Minor
Play Along Violin - World Music - Ireland
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