C.P.E. Bach’s Cello Concerto in A Minor, Wq 170, composed in 1750, combines energetic virtuosity with expressive lyricism. This Breitkopf & Härtel Urtext edition, edited by Ulrich Leisinger, provides an authoritative and practical version for advanced cello study and performance.

Key Features:

• For cello and orchestra

• Composed in 1750

• Three contrasting movements

• Breitkopf & Härtel Urtext edition

• Edited by Ulrich Leisinger

• Edition EB 8776

• Ideal for advanced study and performance

Bach’s Arioso is a beautifully lyrical work arranged for cello and piano by Sam Franko. Published by G. Schirmer, this piece provides an excellent opportunity to develop expressive tone, legato playing, and sensitive phrasing.

Key Features:

• For cello and piano

• Music by J. S. Bach

• Transcribed by Sam Franko

• Published by G. Schirmer

• Lyrical and expressive Baroque repertoire

• Ideal for study and recital performance

Six Suites for Cello Arranged for Viola by Johann Sebastian Bach, published by Edition Peters, presents Bach's iconic Six Solo Cello Suites in an expertly adapted edition for viola. These timeless masterpieces remain among the most important works for developing advanced technique, musical expression, and Baroque performance style.

Key Features:

• Published by Edition Peters

• Features Bach's Six Solo Cello Suites

• Expertly arranged for solo viola.

• Essential Baroque repertoire

• Suitable for intermediate and advanced violists

• Develops tone, articulation, phrasing, and bow control

• Encourages expressive musical interpretation

• Ideal for lessons, examinations, recitals, and auditions

• Excellent preparation for advanced solo repertoire

• Essential library for every serious violist

The Cello II Part for Bach’s Brandenburg Concerto No. 3 in G Major, BWV 1048 is a practical Breitkopf & Härtel orchestral edition of this celebrated Baroque work. It also incorporates Emil Platen’s optional solution for the unusual middle section, where Bach originally provided only two chords.

Key Features:

• Cello II part only

• For Brandenburg Concerto No. 3

• BWV 1048

• Published by Breitkopf & Härtel

• Optional middle-section solution by Emil Platen

• Ideal for orchestral rehearsal and performance

Bach’s Six Suites for Cello Solo, BWV 1007–1012 are presented in this respected Bärenreiter edition, edited by August Wenzinger. Featuring practical fingerings, dynamics, slurs, and articulation markings, it offers valuable guidance for studying and performing these essential works.

Key Features:

• All six Bach Cello Suites

• Edited by August Wenzinger

• For unaccompanied cello

• Bärenreiter Edition BA 320

• Includes practical performance markings

• Ideal for serious study and performance

Bach’s Three Sonatas, BWV 1027–1029, are presented in this authoritative Bärenreiter Urtext edition for cello and harpsichord/piano. Edited by Hans Eppstein, the collection offers three outstanding Baroque chamber works with rich interplay between cello and keyboard.

Key Features:

• Three Sonatas, BWV 1027–1029

• For cello and harpsichord/piano

• Edited by Hans Eppstein

• Bärenreiter Urtext edition

• Edition No. BA 5210

• Ideal for advanced study and performance

Bach Solo Cello Suites Arranged for Viola presents Johann Sebastian Bach's legendary Six Solo Cello Suites in an expertly adapted edition for viola. Published by Chester Music, these timeless masterpieces have long been regarded as essential repertoire for every serious violist, offering a lifetime of musical discovery and technical development.

Key Features:

• Published by Chester Music

• Features Bach's Six Solo Cello Suites

• Arranged for solo viola

• Essential Baroque repertoire

• Suitable for intermediate to professional players

• Develops tone, bow control, articulation, and phrasing

• Encourages expressive musical interpretation

• Ideal for lessons, examinations, auditions, and recitals

• Builds advanced technical and artistic skills

• A cornerstone of every serious violist's library

Bach’s Six Suites – Volume 1 brings Suites Nos. 1–3, BWV 1007–1009 to the double bass in a transcription by H. Samuel Stirling. Published by Edition Peters, this collection offers essential Bach repertoire adapted for unaccompanied double bass.

Key Features:

• Suites Nos. 1–3 for solo double bass

• Transcribed by H. Samuel Stirling

• Published by Edition Peters

• Edition EP 238B

• Develops Baroque technique and interpretation

• Ideal for advanced study and performance