

Bach, Concerto in D minor for Violin (IMC)
Violin with piano reduction
Edited by Reitz and Mostras and revised by Waldo Lyman
The original harpsichord concerto is generally assumed to be based on a lost violin concerto by Bach. John Butt wrote that "it contains many passages suggestive of string crossing and of figuration based around open strings". He adds " if this indeed the case it (was) Bach's most virtuoso violin concerto" and was "generally assumed to have been a very early concerto". both John Butt and Peter Wollny have suggested the possibility that there was no violin original, and instead that, to quote Wollny, "one cannot but conclude that the work was conceived from the outset for keyboard instrument ... many features of this composition – including the repeated intrusion of the solo part into the tutti sections – can only be explained if one starts from the fundamental precedence of the keyboard instrument."
Composed by Johann Sebastian Bach, Urtext edited by Klaus Hofmann. This stapled orchestra part of a solo concerto in Baroque style leaves several questions unanswered. Published by Breitkopf and Haertel, duration 16', consisting of 8 pages.
This edition of the Brandenburg Concerto provides a modern performance material for Baroque music that fulfils the requirements of performers.
Bach, Three Sonatas in D Minor After BWV1043 for 2 Violins and Basso Continuo (Dohr)
Bach's E major concerto, edited by Klaus Hofmann, is a Baroque solo for orchestra. Published by Breitkopf and Haertel, it's 17 minutes long and part of the Score Library series. Despite its age, interpretative questions remain.
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