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Composers Violin A-C
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Composers Violin N-T
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- Rieding, Oskar
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- Sarasate, Pablo de
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- Schradieck, Henry
- Seitz, Friedrich
- Shostakovich, Dmitri
- Sibelius, Jean
- Smetana, Bedrich
- Spohr, Louis
- Strauss, Richard
- Stravinsky, Igor
- Suk , Josef
- Szelenyi, Istvan
- Szymanowski, Karol
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Piazzolla, Astor
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Viola Sheet Music
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Composers Viola A-C
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- Bloch, Ernest
- Boccherini, Luigi
- Böhm, Karlheinz
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- Bowen, York
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- Bridge, Frank
- Britten, Benjamin
- Bruch, Max Felix
- Butterworth, Arthur
- Carter, Elliott
- Clarke, Rebecca
- Corelli, Arcangelo
- Corrette, Michel
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Composers Viola D-G
- Dale, Benjamin
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- Debussy, Claude
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Composers Viola H-K
- Handel, George Frideric
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- Haydn, Joseph
- Hindemith, Paul
- Hoffmeister, Franz Anton
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Composers Viola N-R
- Pachelbel, Johann
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- Pergolesi, Giovanni Battista
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- Reger, Max
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- Rode, Jacques Pierre Joseph
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Cello Sheet Music
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Composers Cello A-C
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- Caix d'Hervelois, Louis de
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- Cassadó, Gaspar
- Cirri, Giovanni Battista
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Composers Cello D-G
- Dare, Marie
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- Debussy, Claude Achille
- Fesch, Willem de
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- Galliard, Johann Ernst
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- Gounod, Charles François
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Composers Cello S-T
- Saint-Saëns, Camille
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- Schumann, Robert Alexander
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- Senaillé, Jean Baptiste
- Shostakovich, Dmitri
- Sibelius, Jean
- Squire, William Henry
- Strauss, Richard
- Stravinsky, Igor
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Trowell, Arnold
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Play Together
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School Orchestra A-H
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Orchester Probespiel Test Pieces for Orchestral Auditions Violin Vol. 1 (Schott)
$75.95
Orchester Probespiel Test Pieces for Orchestral Auditions Violin (Schott)
Edited by Karin Boerries and Artur Wendt
A collection of important passages from opera and concert literature for violin.
The contents of this edition were developed from suggestions of the German Music Council and is based on statistical surveys of the German Orchestra Association (DOV) and on the many years of professional experience gained by the editors themselves, all of whom are members of orchestras and conservatory teachers.
This volume contains extracts for the violin that assist greatly in preparing for auditions and becoming accustomed to the orchestral literature for the instrument.
Contents
JS Bach: St. Matthew Passion, No. 39 Aria: Mercy - JS Bach: St. Matthew Passion, No. 42 Aria: Give Me My Jesus Again - JS Bach: Christmas Oratorio, No. 31 Aria: Close My Heart - JS Bach : Mass in B Minor, Aria: Laudamus - JS Bach: Mass in B Minor, Aria: Benedictus - Lv Beethoven: Missa solemnis D major op.123 Sanctus - A. Berg: Lulu 3rd Act - G. Bizet: Carmen 1st Movement, No. 9 Recitative - J. Brahms: Symphony No. 1 in C minor op. 68, second movement - A. Dvorák: Concerto for Violoncello and Orchestra in B minor op. 104, 3rd movement - J Haydn: Symphony No. 103 in E flat major Hob. I, 103 ("With the Paukenwirbel"), 2nd movement - P. Hindemith: Philharmonic Concerto, 5th Variation - L. Janácek: Jenufa, 2nd Act, 6th. Scene - F. Lehár: Paganini, 1st and 2nd Act - WA Mozart: The Abduction from Seraglio KV 384, No. 11 Aria: Martyrs of All Species - WA Mozart:Haffner Serenade D major KV 250, 4th movement - O. Nicolai: The funny women of Windsor, Act 2, 9th scene, no. 7c: Duettino - G. Puccini: La Bohème, 1st and 3rd act - N. Rimsky-Korsakov: Scheherazade, 1st, 2nd, 3rd and 4th movements - R. Schumann: Symphony No. 4 in D minor op. 120, second movement - R. Strauss: Der Rosenkavalier op , Strauss: The Woman Without Shadows op. 65, R. Strauss: The Woman Without Shadows, op. 65, 1 and 3 Act - R. Strauss: The citizen as a nobleman, No. 6: Appearance and dance of the tailors - Peter I. Tchaikovsky: Schwanensee op. 20, Act No. 5, Act No. 13, Act I Appendix No. 6 - Peter I. Tchaikovsky: Concerto No. 2 for piano and orchestra in G major op. 44, second movement - R. Wagner: Tannhauser, OvertureNicolai: The Fun Wives of Windsor, 2nd Act, 9th Scene, No. 7c: Duettino - G. Puccini: La Bohème, 1st and 3rd Act - N. Rimsky-Korsakow: Scheherazade, 3 and 4 movements - R. Schumann: Symphony No. 4 in D minor op. 120, second movement - R. Strauss: The Rosenkavalier op. 59, Act One - R. Strauss: Eine Heldenleben op. 40 - R Strauss: The Woman Without Shadows op. 65, 1st and 3rd Act - R. Strauss: The Citizen as a Nobleman. R. Strauss: Till Eulenspiegel 's Funny Pranks op. 28 - R. Strauss: Thus Zarathustra op , No. 6: Performance and Dance of the Tailors - Peter I. Tchaikovsky: Swan Lake, Op. 20, Act No. 5, Act No. 13, 2 for piano and orchestra in G major op. 44, second movement - R. Wagner: Tannhauser, OvertureNicolai: The Fun Wives of Windsor, 2nd Act, 9th Scene, No. 7c: Duettino - G. Puccini: La Bohème, 1st and 3rd Act - N. Rimsky-Korsakow: Scheherazade, 3 and 4 movements - R. Schumann: Symphony No. 4 in D minor op. 120, second movement - R. Strauss: The Rosenkavalier op. 59, Act One - R. Strauss: Eine Heldenleben op. 40 - R Strauss: The Woman Without Shadows op. 65, 1st and 3rd Act - R. Strauss: The Citizen as a Nobleman. R. Strauss: Till Eulenspiegel 's funny pranks op. 28 - R. Strauss: Thus Zarathustra op , No. 6: Performance and Dance of the Tailors - Peter I. Tchaikovsky: Swan Lake, Op. 20, Act No. 5, Act No. 13, 2 for piano and orchestra in G major op. 44, second movement - R. Wagner: Tannhauser, OvertureLa Bohème, 1st and 3rd Act - N. Rimsky-Korsakov: Scheherazade, 1st, 2nd, 3rd and 4th movements - R. Schumann: Symphony No. 4 in D minor op. 120, second movement - R. Strauss: Till Eulenspiegel's funny pranks op. 28 - R. Strauss: Thus spoke Zarathustra op. 30 - R. Strauss. R. Strauss: The Rosenkavalier op : The Woman Without Shadows, op. 65, 1st and 3rd Act - R. Strauss: The Citizen as a Nobleman, No. 6: Scene and Dance of the Tailors - Peter I. Tchaikovsky: Schwanensee op. 5, 2nd act No. 13, 3rd act Appendix No. 6 - Peter I. Tchaikovsky: Concerto No. 2 for piano and orchestra in G major op. 44, second movement - R. Wagner: Tannhauser, OvertureLa Bohème, 1st and 3rd Act - N. Rimsky-Korsakov: Scheherazade, 1st, 2nd, 3rd and 4th movements - R. Schumann: Symphony No. 4 in D minor op. 120, second movement - R. Strauss: Till Eulenspiegel's funny pranks op. 28 - R. Strauss: Thus spoke Zarathustra op. 30 - R. Strauss. R. Strauss: The Rosenkavalier op : The Woman Without Shadows, op. 65, 1st and 3rd Act - R. Strauss: The Citizen as a Nobleman, No. 6: Scene and Dance of the Tailors - Peter I. Tchaikovsky: Schwanensee op. 5, 2nd act No. 13, 3rd act Appendix No. 6 - Peter I. Tchaikovsky: Concerto No. 2 for piano and orchestra in G major op. 44, second movement - R. Wagner: Tannhauser, OvertureStrauss: The Woman Without Shadows, op. 65, 1st and 3rd Act - The Stray: The Woman Without Shadows op. 28 - R. Strauss: Till Eulenspiegel 's funny pranks op. R. Strauss: The Citizen as a Nobleman, No. 6: Appearance and Dance of the Tailors - Peter I. Tchaikovsky: Schwanensee op. 20, Act No. 5, Act No. 13, Act 3 Annex No. 6 - Peter I. Tchaikovsky: Concerto No. 2 for piano and orchestra in G major op. 44, second movement - R. Wagner: Tannhauser, OvertureStrauss: The Woman Without Shadows, op. 65, 1st and 3rd Act - Strauss: A Heroic Life op. 40 - R. Strauss: Till Eulenspiegel's Funny Pranks op. R. Strauss: The Citizen as a Nobleman, No. 6: Appearance and Dance of the Tailors - Peter I. Tchaikovsky: Swan Lake, op. 20, Act No. 5, Act No. 13, Act 3, Annex No. 6 - Peter I. Tchaikovsky: Concerto No. 2 for piano and orchestra in G major op. 44, second movement - R. Wagner: Tannhauser, Overture6 - Peter I. Tchaikovsky: Concerto No. 2 for piano and orchestra in G major op. 44, second movement - R. Wagner: Tannhauser, Overture6 - Peter I. Tchaikovsky: Concerto No. 2 for piano and orchestra in G major op. 44, second movement - R. Wagner: Tannhauser, Overture |
8 other products in the same category:
Dont, 24 Etudes and Caprices for Violin Op. 35 (Schirmer)
Jakob Dont, a Viennese violin pedagogue, wrote the 24 "Études et Caprices", Op. 35, which are violin solos without accompaniment and are considered essential classics. Published in 1880, the pieces consist of 48 pages and are edited by H. Berkley at a very advanced level. The etudes have been reworked by violinists such as Carl Flesch, Max Rostal, and Ivan Galamian in numerous new editions throughout the twentieth century.
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