

Making music in a quartet uniquely nurtures young string players' musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music's supreme discipline, as early as possible.
Indeed, composers have all along advised the classical string quartet's outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in.
The two volumes include
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ViolaFest offers viola ensembles for different skill levels, with optional participation for violinists or treble clef-reading violists.
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