After a brief introduction, this charming new work for string orchestra features a spritely original tune which hops along through a series of variations before incorporating Beethovens famous Ode to Joy theme from his 9th Symphony in a refreshing original setting. This is followed by a visit to the original theme before closing in a harmonic flurry of 4ths and one final snippet of Ludwig. Perfect for a concert opener/curtain raiser or an exciting encore!
This classic work was adapted/extracted from a larger scored work that Joseph Haydn wrote while in the service of Prince Nicholas Esterhazy. The original work contained a number of wind parts that in this arrangement have been excluded, but this fine arrangement works beautifully nonetheless as a string-only work. Playing the Rondo-Finale will introduce your students to the well-proportioned pleasures of Classical music, as well as the rondo form. (3:22)
Guilt, regret, anger and mourning… those who remain after tragedy strikes are sometimes overlooked, but this musical memoir remembers and honors the hearts that remain but feel a piece of them has passed away through tragedy. The heartfelt melody is woven with stunning harmonies, intense climaxes and serene tranquility. “Hearts Remaining” will challenge and inspire young musicians to think, feel and play deeply, from the heart, empathizing with those… who remain. (Grade 2.5, Dur 3:24)
This gorgeous string work would be appropriate for any concert, but would be especially fitting in a memorial concert. Starting with a haunting piano chord progression the solo piano leads to a melancholic melody in the violins. The B section then gives the cellos a chance to show off their abilities to emote. After the piece builds to an intense forte it gradually fades back into the opening chord pattern. This unusually beautiful string work will leave your audience moved emotionally and impressed with your groups ability to play with great sensitivity and expressiveness. (3:49)
This whimsical Khachaturian theme is perfect for teaching intervals and chromatic fingerings. Violas use half position, and first violins will shift to third position. Cellos and violas are featured in the second theme, and this abridged arrangement omits the middle section. A more advanced full transcription for string orchestra is also available. (355152)
