This famous folk song originated in County Derry in Northern Ireland in the mid-1800s, first published in 1855. Though there are other settings for strings of this beautiful ballad already in print, this intense and concise David Bobrowitz arrangement captures the expressive moments inherent in the melody, and makes them approachable by less experienced orchestras. Enjoy this quest for truly moving musical moments with your students and audience.
This whimsical Khachaturian theme is perfect for teaching intervals and chromatic fingerings. Violas use half position, and first violins will shift to third position. Cellos and violas are featured in the second theme, and this abridged arrangement omits the middle section. A more advanced full transcription for string orchestra is also available. (355152)
From its opening chords to its strong finish, Drive races forward, alternating between syncopated rhythms and soaring melodies. Beginning in the key of A minor, two opposing melodic patterns emerge. The use of silence becomes an effective change of pace as the piece modulates to B minor, recapping familiar motives to a lively finish with all forces at fortissimo! (3:22)
This gorgeous string work would be appropriate for any concert, but would be especially fitting in a memorial concert. Starting with a haunting piano chord progression the solo piano leads to a melancholic melody in the violins. The B section then gives the cellos a chance to show off their abilities to emote. After the piece builds to an intense forte it gradually fades back into the opening chord pattern. This unusually beautiful string work will leave your audience moved emotionally and impressed with your groups ability to play with great sensitivity and expressiveness. (3:49)
