This 3/4 M. Couturieux Violin was made in Mirecourt, France around 1920. Couturieux is a French violin maker in Mirecourt in the mid – 19th century.
3/4 M. Couturieux Violin Mirecourt, France c. 1920
Michel Couturieux (1860 – 1895) is a French violin maker in Mirecourt in the mid – 19th century. Michel Courturieux’s violin is characterized by its attractive appearance, magnificent, clear, and yet sweet and bright sound.
The 1927 Collin-Mezin violin is a masterpiece crafted in the renowned Collin-Mezin Workshop, established in the 19th century by Charles Jean Baptiste Collin-Mezin in Paris. After passing in 1923, his son, Charles Collin-Mezin Jr., took over the workshop. In 1925, the workshop moved to Mirecourt, France. Known for producing vibrant instruments with outstanding sound flexibility, the workshop's tradition continues with the 1927 Collin-Mezin violin.
This is a Henri Farny violin made around 1910 and imported from Mirecourt, France to the USA with a label. Henri Farni’s works were mostly imported by Rembert Wurlitzer from Mirecourt, France to Cincinnati and New York USA.
This is a French violin built by Jérôme Thibouville-Lamy in Mirecourt. It's a sought-after "Compagnon" violin, known for its antique appearance and warm, mature sound.
This is a French Violin Copy of 1651 Nicolaus Amatus Cremone, Mirecourt. Nicola Amati came from a family of luthiers but was considered the most famous luthier in their clan.
This violin is Labelled Collin-Mezin and was made in Paris dated 1911. Charles Jean Baptiste Collin-Mezin came from a line of luthiers where he created various instruments considered superior to other new instruments. This violin is most likely an early copy.
Charles Collin-Mezin was born in Mirecourt, France, in 1841. He came from a family of luthiers and was skilled in crafting violins, violas, cellos, basses, and bows.
Paul Lorange, a renowned French luthier from Lyon, worked in Marseille during the early to mid-20th century. He established his independent workshop in the city in the early 1930s and was known for his fine workmanship on classical models and his use of various shades of red varnish. The violin in question was made in 1932, and it's noted that the handwriting on the violin and his original label may differ.
