First Repertoire For Viola Book Three Wilkinson & Hart (Faber)

First Repertoire For Viola Book Three Wilkinson & Hart (Faber)

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Compiled edited and arranged for viola and piano by Marguerite Wilkinson and Katharine Hart. Some of these pieces are in the ABRSM and Trinity syllabuses.

Haydn to Humperdinck, show tunes to spirituals- variety is the spice of musical life and the essence of First Repertoire for Viola.  Here, in three books, are over 60 carefull graded elementary pieces, which skilfully explore the viola's unique sonorities and provide a superb introductory literature for the young player.

Contents :

  • Bach: March
  • Boyce: Bourrée
  • Diabelli: Siciliano
  • Gearen: Big Foot Lou
  • Goedicke: Prelude
  • Haydn: Poco adagio from Kaiser Quartett
  • Humperdinck: Evening prayer from Hansel & Gretel
  • Morley: It Was a Lover and His Lass
  • Mozart: March from The Magic Flute
  • Offenbach: Valse & Galop from La belle Hélène
  • Prokofiev: March from Musiques d'Enfants
  • Rodgers: I'm Just a Girl Who Can't Say No from Oklahoma
  • Sagreras: Mazurka
  • Saint-Saëns: L'éléphant
  • Schubert: Das Wandern from Die schöne Müllerin
  • Spiritual: Were You There?
  • Sullivan: The Flowers That Bloom in the Spring from The Mikado
  • Telemann: Gavotte
  • Traditional English: Sailor's Hornpipe

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Pieces de Concours Volume 3... Quick view

Pieces de Concours Volume 3 for Viola/Piano

The Pieces de Concours for Viola and Piano, a three-volume edition, is a valuable collection in the rare Viola repertoire of the Romantic era. Even today, the Conservatoire de Paris requires all instrumentalists to perform a contemporary piece, the 'piece de Concours', during their final examination. These pieces, which date back to 1896, were designed to highlight the technical, virtuosic and lyrical skills of the new 'masters'. Although many of these pieces have been forgotten, George Enescu's Konzertstuck (1908) and Hans Sitt's Concerto in G-Dur (1899) have become part of the standard viola repertoire. The present edition has modern fingerings and bowing indications added to the pieces to make them more accessible and facilitate sight-reading.

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