
Bach, Brandenburg Concerto No. 3 in G Major BWV1048 for String Orchestra - Violin II Part...
This edition of the Brandenburg Concerto provides a modern performance material for Baroque music that fulfils the requirements of performers.
Bach for Violin
By Kathy and David Blackwell
From the authors of the Fiddle Time Series Kathy and David Blackwell comes Bach for Violin. This book contains a varied collection of 14 attractive and popular pieces arranged for upper-intermediate standard violinists (Grades 5-7), exploring a range of keys, finger patterns, styles, and moods.
The collection covers simpler dance movements and chorale melodies, a varied selection of pieces drawn from across Bach's output, with lively dances, spirited allegros, expressive slow movements, arrangements of chorrale melodies, two pieces for unaccompanied violin and a sonata movement that can be played as a solo or duet with piano. Also included are the solo Gigue from the Partita in E major, Jesu, Joy of Man's Desiring and the Bach/Gounod Ave Maria. Eache piece is accompanied by background footnotes explaining provenance and points of style.
This edition of the Brandenburg Concerto provides a modern performance material for Baroque music that fulfils the requirements of performers.
Bach’s Six Sonatas and Partitas for solo violin (IMC, ed. Galamian) offer violinists a definitive edition that blends Baroque artistry with modern practicality:
• Meticulously edited by Ivan Galamian, a renowned violin pedagogue.
• Includes thoughtful fingerings and bowings for technical ease
• Balances historical fidelity with accessible performance guidance
• Suitable for students and professionals seeking expressive mastery
This edition is the trusted choice for learning, teaching, and performing Bach’s iconic works.
Johann Sebastian Bach, Violin Concerto in A Minor BWV 1041. Arranged by Martin Schelhaas. Edited by Dietrich Kilian. Published by Baerenreiter.
Discover the timeless allure of J.S. Bach’s Violin Concerto in A Minor, BWV 1041—a masterwork of the Baroque era composed during Bach’s renowned Köthen period (1717–1723). Opening with an Allegro moderato that brims with lively energy and interplay between solo violin and orchestra, the concerto continues with a lyrical Andante. It culminates in an Allegro assai, bursting with technical brilliance and rhythmic vitality. Celebrated for its expressive melodies, inventiveness, and lasting appeal, this concerto is an essential addition to any concert program or personal collection—immerse yourself in one of classical music’s most cherished works.