Bach Six Sonatas for Violin and Obbligato Harpsichord – Sonatas Nos. 1–3 by Johann Sebastian Bach, published by Bärenreiter, offers a profound chamber music experience built on equality, dialogue, and contrapuntal mastery.
Key features
• A true chamber partnership, not solo with accompaniment
• Rich contrapuntal texture and shared musical responsibility
• Develops ensemble listening and stylistic refinement
• Essential Bach repertoire for violin and keyboard players
Bach Six Sonatas for Violin and Obbligato Harpsichord – Sonatas Nos. 1–3 by Johann Sebastian Bach, published by Bärenreiter, presents the first three sonatas of Bach’s revolutionary set for violin and obbligato harpsichord, works that redefine chamber music by granting both instruments full equality; far from a soloist-with-continuo model, these sonatas unfold as intricate musical dialogues in which violin and keyboard share thematic responsibility, contrapuntal complexity, and expressive depth, offering performers an experience closer to intimate chamber music than traditional Baroque accompaniment.
Key features:
Bach: Violin Solos from the Sacred Vocal Works by Johann Sebastian Bach is a deeply reflective collection that reveals the violin’s role as a spiritual and vocal voice within Bach’s sacred music.
Key features
• Lyrical, vocal-inspired violin writing
• Rich in spiritual and emotional depth
• Focuses on tone, phrasing, and expressive sincerity
• Ideal for reflective recital and study repertoire
Johann Sebastian Bach, Violin Concerto in A Minor BWV 1041. Arranged by Martin Schelhaas. Edited by Dietrich Kilian. Published by Baerenreiter.
Discover the timeless allure of J.S. Bach’s Violin Concerto in A Minor, BWV 1041—a masterwork of the Baroque era composed during Bach’s renowned Köthen period (1717–1723). Opening with an Allegro moderato that brims with lively energy and interplay between solo violin and orchestra, the concerto continues with a lyrical Andante. It culminates in an Allegro assai, bursting with technical brilliance and rhythmic vitality. Celebrated for its expressive melodies, inventiveness, and lasting appeal, this concerto is an essential addition to any concert program or personal collection—immerse yourself in one of classical music’s most cherished works.
Ave Maria by Charles Gounod, based on music by Johann Sebastian Bach, and published by Schott Music, is a timeless sacred classic that highlights the violin’s singing voice and expressive purity.
Key features
• Lyrical, vocal-inspired violin writing
• Calm, prayerful, and emotionally resonant
• Ideal for sacred and ceremonial performances
• A universally loved and deeply moving classic
Bach Sonatas and Partitas for Solo Violin BWV 1001–1006 by Johann Sebastian Bach, edited by Carl Flesch and published by Edition Peters, is a landmark edition of Bach’s solo violin masterpieces shaped by one of the great analytical minds in violin history.
Key features
• The cornerstone of solo violin literature
• Guided by Carl Flesch’s authoritative, structure-driven insight
• Emphasizes clarity, balance, and polyphonic control
• Essential for serious, long-term artistic study
Bach: Three Sonatas in D minor after BWV 1043 by Johann Sebastian Bach, published by Dohr Verlag, transforms Bach’s famous Double Violin Concerto into intimate chamber sonatas rich in dialogue and contrapuntal clarity.
Key features
• A chamber reinterpretation of the Double Violin Concerto
• Emphasizes dialogue, balance, and ensemble unity
• Reveals Bach’s contrapuntal mastery in a new light
• Ideal for advanced violin duos and continuo players
Bach Violin Concerto in E major BWV 1042 by Johann Sebastian Bach, published by G. Henle Verlag, is a radiant Baroque concerto that combines brilliance, rhythmic vitality, and refined lyricism in a pristine Urtext edition.
Key features
• Bright, joy-filled concerto with strong rhythmic drive
• Urtext clarity allowing personal interpretative freedom
• Balances brilliance with elegance and poise
• A cornerstone of the Bach violin concerto repertoire
Bach: Brandenburg Concerto No. 3 in G major BWV 1048 – Violin II Part by Johann Sebastian Bach, published by Breitkopf & Härtel, offers an engaging and demanding inner-voice role within one of Bach’s most energetic and innovative concertos.
Key features
• A fully engaged inner voice, not secondary accompaniment
• Central to rhythmic drive and contrapuntal texture
• Builds ensemble precision and listening skills
• Essential experience in Bach’s most forward-thinking orchestral writing
Bach: Brandenburg Concerto No. 3 in G major BWV 1048 – Violin III Part by Johann Sebastian Bach, published by Breitkopf & Härtel, offers an engaging orchestral role within one of Bach’s most innovative and energetic concertos.
Key features
• A fully engaged orchestral voice, not a secondary part
• Central to the concerto’s rhythmic drive and texture
• Develops ensemble precision and contrapuntal awareness
• Essential experience in Bach’s most democratic orchestral writing
