Bach Six Sonatas for violin and obbligato Harpsichord: Sonatas 1-3 (Barenreiter)
$110.00
Bach Six Sonatas for Violin and Obbligato Harpsichord – Sonatas Nos. 1–3 by Johann Sebastian Bach, published by Bärenreiter, offers a profound chamber music experience built on equality, dialogue, and contrapuntal mastery.
Key features
•A true chamber partnership, not solo with accompaniment
•Rich contrapuntal texture and shared musical responsibility
•Develops ensemble listening and stylistic refinement
•Essential Bach repertoire for violin and keyboard players
Bach Six Sonatas for violin and obbligato Harpsichord: Sonatas 1-3 (Barenreiter)
Bach Six Sonatas for Violin and Obbligato Harpsichord – Sonatas Nos. 1–3 by Johann Sebastian Bach, published by Bärenreiter, presents the first three sonatas of Bach’s revolutionary set for violin and obbligato harpsichord, works that redefine chamber music by granting both instruments full equality; far from a soloist-with-continuo model, these sonatas unfold as intricate musical dialogues in which violin and keyboard share thematic responsibility, contrapuntal complexity, and expressive depth, offering performers an experience closer to intimate chamber music than traditional Baroque accompaniment.
Key features:
Establishes a true partnership between violin and keyboard, with both voices carrying equal musical weight
Rich contrapuntal writing creates the feeling of trio sonatas distilled into two players
Demands heightened listening, balance, and ensemble sensitivity, not solo dominance
Explores a wide expressive range, from poised elegance to intense inward lyricism
Encourages historically informed articulation while remaining deeply expressive and human
Ideal for performers who enjoy intellectual depth paired with intimate musical conversation
A cornerstone repertoire for understanding Bach’s most forward-thinking chamber writing
Bach: Brandenburg Concerto No. 3 in G major BWV 1048 – Violin I Part by Johann Sebastian Bach, published by Breitkopf & Härtel, offers a demanding and exhilarating leadership role within one of Bach’s most energetic and groundbreaking orchestral works.
Key features
•A lead violin role within a fully democratic string texture
•Central to rhythmic drive and ensemble cohesion
•Requires clarity, stamina, and stylistic authority
•Essential repertoire for advanced Baroque orchestral playing
Bach Concerto in D minor for Violin by Johann Sebastian Bach, published by International Music Company, is a compelling and virtuosic Baroque concerto whose debated origins add intellectual depth to its powerful musical impact.
Key features
•A concerto surrounded by fascinating scholarly debate
•Brims with virtuosic, violin-friendly writing
•Rich in contrapuntal intensity and rhythmic drive
•Ideal for advanced violinists seeking depth beyond technique
Ave Maria by Charles Gounod, based on music by Johann Sebastian Bach, and published by Schott Music, is a timeless sacred classic that highlights the violin’s singing voice and expressive purity.
Bach Violin Concerto in A minor BWV 1041 by Johann Sebastian Bach, published by Editio Musica Budapest, is a focused and expressive Baroque concerto that rewards clarity, balance, and musical depth.
Key features
•Inward, dramatically concentrated concerto
•Develops Baroque articulation and rhythmic precision
•Combines lyrical depth with energetic finale writing
Bach Violin Concerto in E major BWV 1042 for Violin and Piano by Johann Sebastian Bach, published by Edition Peters, is a radiant Baroque concerto celebrated for its rhythmic vitality, elegance, and expressive clarity.
Key features
•Bright, joy-filled concerto with dance-like energy
•Develops stylistic clarity and refined articulation
•Balances brilliance with poise and restraint
•Essential repertoire for serious Bach interpretation
Bach Concerto in D minor BWV 1043 for Two Violins and Orchestra by Johann Sebastian Bach, published by G. Henle Verlag, is a masterwork of musical conversation, celebrated for its lyrical beauty and perfectly balanced dialogue between two solo violins.
Key features
•One of the greatest double concertos ever written
•Renowned for its intimate, expressive slow movement
•Develops ensemble unity and musical dialogue
•Essential Baroque repertoire for serious violinists
