Bach Six Sonatas for violin and obbligato Harpsichord: Sonatas 1-3 (Barenreiter)
$110.00
Bach Six Sonatas for Violin and Obbligato Harpsichord – Sonatas Nos. 1–3 by Johann Sebastian Bach, published by Bärenreiter, offers a profound chamber music experience built on equality, dialogue, and contrapuntal mastery.
Key features
•A true chamber partnership, not solo with accompaniment
•Rich contrapuntal texture and shared musical responsibility
•Develops ensemble listening and stylistic refinement
•Essential Bach repertoire for violin and keyboard players
Bach Six Sonatas for violin and obbligato Harpsichord: Sonatas 1-3 (Barenreiter)
Bach Six Sonatas for Violin and Obbligato Harpsichord – Sonatas Nos. 1–3 by Johann Sebastian Bach, published by Bärenreiter, presents the first three sonatas of Bach’s revolutionary set for violin and obbligato harpsichord, works that redefine chamber music by granting both instruments full equality; far from a soloist-with-continuo model, these sonatas unfold as intricate musical dialogues in which violin and keyboard share thematic responsibility, contrapuntal complexity, and expressive depth, offering performers an experience closer to intimate chamber music than traditional Baroque accompaniment.
Key features:
Establishes a true partnership between violin and keyboard, with both voices carrying equal musical weight
Rich contrapuntal writing creates the feeling of trio sonatas distilled into two players
Demands heightened listening, balance, and ensemble sensitivity, not solo dominance
Explores a wide expressive range, from poised elegance to intense inward lyricism
Encourages historically informed articulation while remaining deeply expressive and human
Ideal for performers who enjoy intellectual depth paired with intimate musical conversation
A cornerstone repertoire for understanding Bach’s most forward-thinking chamber writing
Enjoy Bach for Violin by Kathy and David Blackwell—a collection of 14 varied Bach pieces for upper-intermediate violinists, featuring lively dances, expressive melodies, and helpful background notes.
Bach Violin Concerto in A minor BWV 1041 for Violin and Piano by Johann Sebastian Bach, published by Edition Peters, is a concentrated and expressive Baroque concerto that rewards clarity, balance, and interpretative maturity.
Key features
•Dramatically focused and inward concerto
•Develops Baroque articulation and rhythmic precision
•Balances lyrical depth with energetic finale writing
•Essential repertoire for serious Bach interpretation
Bach Concerto in D minor for Violin by Johann Sebastian Bach, published by International Music Company, is a compelling and virtuosic Baroque concerto whose debated origins add intellectual depth to its powerful musical impact.
Key features
•A concerto surrounded by fascinating scholarly debate
•Brims with virtuosic, violin-friendly writing
•Rich in contrapuntal intensity and rhythmic drive
•Ideal for advanced violinists seeking depth beyond technique
Bach: Concerto for 2 Violins in D minor (Peters Edition) offers a clean, performer-oriented presentation that prioritizes musical clarity and ensemble coordination, allowing the intricate dialogue between the two solo violins to read naturally and efficiently without unnecessary editorial interference.
Key features:
•Clear alignment of the two violin parts for precise ensemble interaction
Bach Violin Concerto in E major BWV 1042 for Violin and Piano by Johann Sebastian Bach, published by Edition Peters, is a radiant Baroque concerto celebrated for its rhythmic vitality, elegance, and expressive clarity.
Key features
•Bright, joy-filled concerto with dance-like energy
•Develops stylistic clarity and refined articulation
•Balances brilliance with poise and restraint
•Essential repertoire for serious Bach interpretation
Bach, 6 Sonatas and Partitas for Violin Ed Galamian (IMC)
Bach Six Sonatas and Partitas for Solo Violin BWV 1001–1006 by Johann Sebastian Bach, edited by Ivan Galamian and published by International Music Company, is a landmark edition of Bach’s solo violin masterpieces shaped by one of the most authoritative pedagogical voices in violin history.
Key features
•The cornerstone of solo violin literature
•Guided by Galamian’s clear, structure-driven insight
•Emphasizes balance, discipline, and polyphonic clarity
Bach: Brandenburg Concerto No. 3 in G major BWV 1048 – Violin II Part by Johann Sebastian Bach, published by Breitkopf & Härtel, offers an engaging and demanding inner-voice role within one of Bach’s most energetic and innovative concertos.
Key features
•A fully engaged inner voice, not secondary accompaniment
•Central to rhythmic drive and contrapuntal texture
•Builds ensemble precision and listening skills
•Essential experience in Bach’s most forward-thinking orchestral writing
Bach Violin Concerto in E major BWV 1042 by Johann Sebastian Bach, published by Breitkopf & Härtel, is a radiant Baroque concerto celebrated for its rhythmic vitality, elegant violin writing, and expressive balance.
Key features
•Bright, joy-filled concerto with dance-like energy
•Develops stylistic clarity and elegant articulation
•Balances brilliance with poise and musical restraint
•A cornerstone work of the Bach violin concerto repertoire