Bach Six Sonatas for Violin and Obbligato Harpsichord – Sonatas Nos. 1–3 by Johann Sebastian Bach, published by Bärenreiter, offers a profound chamber music experience built on equality, dialogue, and contrapuntal mastery.
Key features
• A true chamber partnership, not solo with accompaniment
• Rich contrapuntal texture and shared musical responsibility
• Develops ensemble listening and stylistic refinement
• Essential Bach repertoire for violin and keyboard players
Bach Six Sonatas for Violin and Obbligato Harpsichord – Sonatas Nos. 1–3 by Johann Sebastian Bach, published by Bärenreiter, presents the first three sonatas of Bach’s revolutionary set for violin and obbligato harpsichord, works that redefine chamber music by granting both instruments full equality; far from a soloist-with-continuo model, these sonatas unfold as intricate musical dialogues in which violin and keyboard share thematic responsibility, contrapuntal complexity, and expressive depth, offering performers an experience closer to intimate chamber music than traditional Baroque accompaniment.
Key features:
Bach Violin Concerto in A minor BWV 1041 by Johann Sebastian Bach, published by Editio Musica Budapest, is a focused and expressive Baroque concerto that rewards clarity, balance, and musical depth.
Key features
• Inward, dramatically concentrated concerto
• Develops Baroque articulation and rhythmic precision
• Combines lyrical depth with energetic finale writing
• Essential repertoire for serious violinists
Bach: Brandenburg Concerto No. 3 in G major BWV 1048 – Violin II Part by Johann Sebastian Bach, published by Breitkopf & Härtel, offers an engaging and demanding inner-voice role within one of Bach’s most energetic and innovative concertos.
Key features
• A fully engaged inner voice, not secondary accompaniment
• Central to rhythmic drive and contrapuntal texture
• Builds ensemble precision and listening skills
• Essential experience in Bach’s most forward-thinking orchestral writing
Ave Maria by Charles Gounod, based on music by Johann Sebastian Bach, and published by Schott Music, is a timeless sacred classic that highlights the violin’s singing voice and expressive purity.
Key features
• Lyrical, vocal-inspired violin writing
• Calm, prayerful, and emotionally resonant
• Ideal for sacred and ceremonial performances
• A universally loved and deeply moving classic
Bach: Three Sonatas in D minor after BWV 1043 by Johann Sebastian Bach, published by Dohr Verlag, transforms Bach’s famous Double Violin Concerto into intimate chamber sonatas rich in dialogue and contrapuntal clarity.
Key features
• A chamber reinterpretation of the Double Violin Concerto
• Emphasizes dialogue, balance, and ensemble unity
• Reveals Bach’s contrapuntal mastery in a new light
• Ideal for advanced violin duos and continuo players
Bach: Air and Dances by Johann Sebastian Bach, arranged by Urbainczyk, is a charming selection of Bach’s lyrical and dance movements presented in a clear, expressive arrangement.
Key features
• Elegant dance rhythms and lyrical airs
• Encourages stylistic clarity and expressive phrasing
• Ideal for recitals and teaching repertoire
• A joyful introduction to Bach’s Baroque character
Bach Concerto in D minor for Violin by Johann Sebastian Bach, published by International Music Company, is a compelling and virtuosic Baroque concerto whose debated origins add intellectual depth to its powerful musical impact.
Key features
• A concerto surrounded by fascinating scholarly debate
• Brims with virtuosic, violin-friendly writing
• Rich in contrapuntal intensity and rhythmic drive
• Ideal for advanced violinists seeking depth beyond technique
Bach Sonata No. 2 in A minor for Solo Violin BWV 1003 by Johann Sebastian Bach is one of the most profound and demanding works in the solo violin repertoire, revered for its emotional depth and monumental fugue.
Key features
• Home to one of the greatest fugues for solo violin
• Dark, introspective, and architecturally powerful
• Demands musical maturity and technical control
• A cornerstone of serious solo violin study
Bach: Brandenburg Concerto No. 3 in G major BWV 1048 – Violin III Part by Johann Sebastian Bach, published by Breitkopf & Härtel, offers an engaging orchestral role within one of Bach’s most innovative and energetic concertos.
Key features
• A fully engaged orchestral voice, not a secondary part
• Central to the concerto’s rhythmic drive and texture
• Develops ensemble precision and contrapuntal awareness
• Essential experience in Bach’s most democratic orchestral writing
