Bach Sonatas for Violin and Piano Nos. 4–6 by Johann Sebastian Bach, published by G. Henle Verlag, offers the most expansive and sophisticated works of Bach’s violin-and-keyboard sonata cycle in a clean, authoritative Urtext edition.
Key features
• The most mature and expansive of Bach’s violin sonatas
• True equality between violin and piano
• Rich contrapuntal dialogue and expressive depth
• Essential repertoire for advanced chamber musicians
Bach Sonatas for Violin and Piano Nos. 4–6 by Johann Sebastian Bach, published in a scholarly Urtext edition by G. Henle Verlag, presents the final three sonatas of Bach’s visionary cycle in which violin and keyboard function as true equals; these works represent the most mature and expansive realization of Bach’s chamber-music thinking, unfolding as rich musical conversations where contrapuntal clarity, expressive balance, and architectural strength are shared between both instruments, offering performers a deeply satisfying blend of intellectual rigor and expressive warmth.
Key features:
Bach Violin Concerto in A minor BWV 1041 by Johann Sebastian Bach, published by G. Henle Verlag, is a refined and expressive Baroque concerto that rewards clarity, balance, and musical depth.
Key features
• Inward, dramatically concentrated concerto
• Urtext clarity supporting personal interpretation
• Develops Baroque articulation and rhythmic precision
• A cornerstone of serious Bach concerto repertoire
Bach Violin Concerto in E major BWV 1042 by Johann Sebastian Bach, edited by Andrew Manze and published by Bärenreiter, is a vibrant and elegant Baroque concerto that combines brilliance, rhythmic energy, and refined lyricism.
Key features
• Radiant, joy-filled concerto with strong rhythmic drive
• Encourages stylistic clarity and dance-like articulation
• Balances brilliance with elegance and poise
• A cornerstone of expressive Bach concerto repertoire
Johann Sebastian Bach, Violin Concerto in A Minor BWV 1041. Arranged by Martin Schelhaas. Edited by Dietrich Kilian. Published by Baerenreiter.
Discover the timeless allure of J.S. Bach’s Violin Concerto in A Minor, BWV 1041—a masterwork of the Baroque era composed during Bach’s renowned Köthen period (1717–1723). Opening with an Allegro moderato that brims with lively energy and interplay between solo violin and orchestra, the concerto continues with a lyrical Andante. It culminates in an Allegro assai, bursting with technical brilliance and rhythmic vitality. Celebrated for its expressive melodies, inventiveness, and lasting appeal, this concerto is an essential addition to any concert program or personal collection—immerse yourself in one of classical music’s most cherished works.
A collection of 10 pieces, ranging between Bach, Barber, Beethoven, Dvorak, Franck, Mozart, Previn, Tchaikovsky and John Williams.
Bach Concerto No. 1 in A minor BWV 1041 for Violin and Piano by Johann Sebastian Bach is a powerful and inward Baroque concerto that rewards clarity, balance, and expressive depth.
Key features
• Dramatically concentrated and expressive
• Develops Baroque articulation and rhythmic precision
• Combines lyrical depth with energetic finale writing
• Essential repertoire for serious violinists
Ave Maria by Charles Gounod, based on music by Johann Sebastian Bach, and published by Schott Music, is a timeless sacred classic that highlights the violin’s singing voice and expressive purity.
Key features
• Lyrical, vocal-inspired violin writing
• Calm, prayerful, and emotionally resonant
• Ideal for sacred and ceremonial performances
• A universally loved and deeply moving classic
Bach Six Sonatas and Partitas for Solo Violin BWV 1001–1006 by Johann Sebastian Bach, published by Edition Peters, is a trusted Urtext edition of Bach’s complete solo violin cycle, offering a clear and authoritative text for serious study and performance.
Key features
• Six Sonatas and Partitas, BWV 1001–1006
• Solo violin
• Edition Peters Urtext
• Unmarked, source-critical text
• Essential Baroque solo violin repertoire
Bach: Brandenburg Concerto No. 3 in G major BWV 1048 – Violin I Part by Johann Sebastian Bach, published by Breitkopf & Härtel, offers a demanding and exhilarating leadership role within one of Bach’s most energetic and groundbreaking orchestral works.
Key features
• A lead violin role within a fully democratic string texture
• Central to rhythmic drive and ensemble cohesion
• Requires clarity, stamina, and stylistic authority
• Essential repertoire for advanced Baroque orchestral playing
