

Celtic Dreams for String Orchestra by Anne Svendsen
This gorgeous piece in D minor is not a jig or a reel, but a very flowing original melody that evokes images of the sea. First violins must play in 3rd and 4th position while lower strings play the wide-spread broken chords which give this work its rolling, wave-like feel.
Handel, Chaconne in G for Violin and Viola. Editio Musica Budapest.
The Wild West and contemporary US composers inspired this piece. It has an idiomatic cowboy feel, with lively lines and a pleasing middle section. The outer sections have a dynamic ensemble energy, and there are opportunities for bowing techniques and position work.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
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