Schubert's Sonatina Op. 137, No. 1's Allegro molto movement, originally for violin and piano, has been arranged for strings, making it more accessible.
Composer Franz Schubert was a skilled violinist who wrote over 12 string quartets by age 19. His first three violin sonatas, including Sonata No. 1 in D major, D 384, were later published as Sonatinas in 1836. The charming piece of music is relatively easy to perform.
Schubert's "März 1816" sonata has an intimate atmosphere, perfect for a small ensemble. It features three movements: Allegro molto, Andante, and Allegro vivace. The Allegro molto is a lively and fast-paced movement, followed by a slower, more contemplative Andante. The piece concludes with a rousing Allegro vivace.
Imagine yourself sitting in a concert hall filled with the sound of a lively Allegro molto from Schubert's Sonatina Op. 137, No. 1. This delightful piece of music was originally composed for violin and piano and has been arranged for a medium-level string orchestra, making it accessible to a broader audience.
Schubert, a prodigious composer and a skilled violinist had already composed over a dozen string quartets at the young age of 19. He then began to write violin sonatas, and in 1816, he composed his first three violin sonatas, including Sonata No. 1 in D major, D 384. These sonatas were later published as Sonatinas in 1836 (Op. posth. 137) after the composer's death. The Sonatina No. 1 in D major, D 384, is a charming piece of music that requires relatively little virtuoso bravura from its performers.
The intimate atmosphere of this piece is perfectly suited for a small ensemble. Schubert wrote "März 1816" (March 1816) on the autograph score of this sonata, which has three movements: Allegro molto, Andante, and Allegro vivace. The Allegro molto is a fast-paced, lively movement that will get your toes tapping and your heart racing. The Andante is a slower, more contemplative movement that provides a peaceful interlude before the final Allegro vivace, which brings the piece to a rousing conclusion.
Overall, Schubert's Sonatina Op. 137, No. 1 is a delightful piece of music that showcases the composer's talent for creating beautiful melodies and his ability to write music that is both accessible and engaging.
This arrangement of a popular spiritual is perfect for younger players. The melody is shared, making it easy for even the least experienced to participate. Clashing notes represent the train's whistle, while easily managed syncopated notes add spice and energy.
For String Orchestra Grade 1
This piece for lower intermediate string orchestra features familiar sea shanties. All orchestra sections share the melody, making it dynamic and effective for nautical music lovers.
For String Orchestra Grade 2
Vivaldi wrote many concertos for different instruments, including one for mandolin and strings. The composition's formal structure remains unaltered, but some intricate figurations have been tweaked. The music creates a dialogue between the orchestra's sections as they share the melody. The Baroque string crossings and harmonic progressions make the piece enjoyable to play.
For String Orchestra Grade 3
This is a shorter version of a musical piece for string orchestra, based on a longer version for massed strings. The piece is inspired by Samuel Coleridge's poem "The Rime of the Ancient Mariner", which tells the story of a ship at sea that experiences misfortune after an albatross is killed. The work expresses feelings of loss and grace. The faster section of the piece depicts the ship being tossed around by the rough ocean.
For String Orchestra Level 4
A thrilling adventure with spies, detectives, and super sleuths trying to stop world domination. The catchy tune and unique harmonies will delight students. The piece features pizzicato, harmonics, and string crossing. Structured in rondo form, each section of the orchestra makes an appearance.
For String Orchestra Grade 2.5
The Iching, a series of texts created by Emperor Zhou in the 9th century BC China, helps interpret thoughts and dreams. Its orchestral representation features an energetic section that paints a vibrant life in ancient China and concludes with thrilling cascades of repeated sixteenth notes.
Mazas, a renowned composer, is known for his effective etudes and chamber ensemble works. This duet for two violins, dating back to the early 19th century, showcases the late Classical and early Romantic styles. The music is characterized by sharp rhythms and lyrical melodies, making it an excellent choice for a String Orchestra at level 3.5.
Boxed:
Sticky Header:
Sticky Add To Cart
Sticky Footer:
Font:
