

Schubert's Sonatina Op. 137, No. 1's Allegro molto movement, originally for violin and piano, has been arranged for strings, making it more accessible.
Composer Franz Schubert was a skilled violinist who wrote over 12 string quartets by age 19. His first three violin sonatas, including Sonata No. 1 in D major, D 384, were later published as Sonatinas in 1836. The charming piece of music is relatively easy to perform.
Schubert's "März 1816" sonata has an intimate atmosphere, perfect for a small ensemble. It features three movements: Allegro molto, Andante, and Allegro vivace. The Allegro molto is a lively and fast-paced movement, followed by a slower, more contemplative Andante. The piece concludes with a rousing Allegro vivace.
Imagine yourself sitting in a concert hall filled with the sound of a lively Allegro molto from Schubert's Sonatina Op. 137, No. 1. This delightful piece of music was originally composed for violin and piano and has been arranged for a medium-level string orchestra, making it accessible to a broader audience.
Schubert, a prodigious composer and a skilled violinist had already composed over a dozen string quartets at the young age of 19. He then began to write violin sonatas, and in 1816, he composed his first three violin sonatas, including Sonata No. 1 in D major, D 384. These sonatas were later published as Sonatinas in 1836 (Op. posth. 137) after the composer's death. The Sonatina No. 1 in D major, D 384, is a charming piece of music that requires relatively little virtuoso bravura from its performers.
The intimate atmosphere of this piece is perfectly suited for a small ensemble. Schubert wrote "März 1816" (March 1816) on the autograph score of this sonata, which has three movements: Allegro molto, Andante, and Allegro vivace. The Allegro molto is a fast-paced, lively movement that will get your toes tapping and your heart racing. The Andante is a slower, more contemplative movement that provides a peaceful interlude before the final Allegro vivace, which brings the piece to a rousing conclusion.
Overall, Schubert's Sonatina Op. 137, No. 1 is a delightful piece of music that showcases the composer's talent for creating beautiful melodies and his ability to write music that is both accessible and engaging.
This piece for lower intermediate string orchestra features familiar sea shanties. All orchestra sections share the melody, making it dynamic and effective for nautical music lovers.
For String Orchestra Grade 2
This piece is filled with poignant melodies and a haunting main theme that returns towards the end. The rhythmic drive, varied modes, and string crossings make it enjoyable for players. The exquisite sonorities and spellbinding action will dazzle the audience and leave them wanting to dance.
For String Orchestra Grade 3.5
The legend of Excalibur is an exciting tale that captivates young minds. King Arthur's sword, Excalibur, emerges from the waters, followed by a sword dance. The mysterious theme reappears before a thrilling finale. Written for advanced and elementary players, it's a fantastic piece for a string festival or an advanced orchestra.
For String Orchestra Grade 3 & 1.5 (advanced and optional elementary strings)
The Swans of Lir is an Irish legend about young children turned into swans by dark forces. The melody and accompaniments in "The Lake" reflect their helplessness, while "The Rejoicing" celebrates their eventual transformation back into children. The piece is scored for strings, recorders and percussion and is perfect for large concerts or festivals.
Albeniz's piece was originally written for piano, showcasing Spanish passion and brilliance. It alludes to a legend from Asturias, with Moroccan influences. The use of string techniques adds intensity to this haunting work.
It's graded at level 3.5 for string orchestra.
Port Fairy and the Twelve Apostles are two of Australia's most scenic places. The Gentle Boats at Port Fairy plays Irish music, while Storm over the Twelve Apostles depicts the fury of Mother Nature on the stone formations by the southern coast.