Schubert's Sonatina Op. 137, No. 1's Allegro molto movement, originally for violin and piano, has been arranged for strings, making it more accessible.
Composer Franz Schubert was a skilled violinist who wrote over 12 string quartets by age 19. His first three violin sonatas, including Sonata No. 1 in D major, D 384, were later published as Sonatinas in 1836. The charming piece of music is relatively easy to perform.
Schubert's "März 1816" sonata has an intimate atmosphere, perfect for a small ensemble. It features three movements: Allegro molto, Andante, and Allegro vivace. The Allegro molto is a lively and fast-paced movement, followed by a slower, more contemplative Andante. The piece concludes with a rousing Allegro vivace.
Imagine yourself sitting in a concert hall filled with the sound of a lively Allegro molto from Schubert's Sonatina Op. 137, No. 1. This delightful piece of music was originally composed for violin and piano and has been arranged for a medium-level string orchestra, making it accessible to a broader audience.
Schubert, a prodigious composer and a skilled violinist had already composed over a dozen string quartets at the young age of 19. He then began to write violin sonatas, and in 1816, he composed his first three violin sonatas, including Sonata No. 1 in D major, D 384. These sonatas were later published as Sonatinas in 1836 (Op. posth. 137) after the composer's death. The Sonatina No. 1 in D major, D 384, is a charming piece of music that requires relatively little virtuoso bravura from its performers.
The intimate atmosphere of this piece is perfectly suited for a small ensemble. Schubert wrote "März 1816" (March 1816) on the autograph score of this sonata, which has three movements: Allegro molto, Andante, and Allegro vivace. The Allegro molto is a fast-paced, lively movement that will get your toes tapping and your heart racing. The Andante is a slower, more contemplative movement that provides a peaceful interlude before the final Allegro vivace, which brings the piece to a rousing conclusion.
Overall, Schubert's Sonatina Op. 137, No. 1 is a delightful piece of music that showcases the composer's talent for creating beautiful melodies and his ability to write music that is both accessible and engaging.
A musical arrangement for strings, percussion, and voice with four memorable Australian folk tunes that are easy to sing along to. The vocal part can be sung by a soloist or choir, and the lyrics are included. The piece can also be played as an instrumental work.
For Full Orchestra and Voice Grade 3
Lords of the Loch is a festival piece for string orchestra, quartet, and optional string ensemble. It's inspired by Finlaggan, a Scottish loch with islands once ruled by lords known for producing and exporting harps.
For String Orchestra(s) Grades 1, 3.5 & 4
Daniel Steibelt (1765-1823) composed elegant pieces that embody the Classical period's poise and vivacity. His piece includes an Andante section with beautiful melodies and an Allegro con brio section that presents a fun challenge for students. The E minor middle section highlights the first violins' talent and is perfect for String Orchestra Grade 2.
1. Andante
2. Allegro con brio
The Iching, a series of texts created by Emperor Zhou in the 9th century BC China, helps interpret thoughts and dreams. Its orchestral representation features an energetic section that paints a vibrant life in ancient China and concludes with thrilling cascades of repeated sixteenth notes.
Evaristo Felice Dall'Abaco and Antonio Vivaldi lived during the same era. Dall'Abaco's piece features an opening Prelude and a Ciaconna that includes variations on a fixed bass. This Baroque piece introduces players to various musical textures.
For String Orchestra Grade 3
Greensleeves is an old English melody. This is a beautiful arrangement of the 1690 version, providing each orchestra section a chance to showcase their skills. It's a great way to appreciate the early Baroque style.
For String Orchestra Grade 3
The Wars of the Roses was a conflict between Lancaster and York from 1455 to 1487. Composer Walter Frye wrote music during this time, including "Alas, Alas, Alas is my Chief Song," which inspired this Fantasia. The piece depicts the storms of battle and blends antiquity with contemporary style.
Fantasia on a Theme by Walter Frye (d. 1474)
for String Orchestra (Grade 3) by Stephen Chin
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