Schubert's Sonatina Op. 137, No. 1's Allegro molto movement, originally for violin and piano, has been arranged for strings, making it more accessible.
Composer Franz Schubert was a skilled violinist who wrote over 12 string quartets by age 19. His first three violin sonatas, including Sonata No. 1 in D major, D 384, were later published as Sonatinas in 1836. The charming piece of music is relatively easy to perform.
Schubert's "März 1816" sonata has an intimate atmosphere, perfect for a small ensemble. It features three movements: Allegro molto, Andante, and Allegro vivace. The Allegro molto is a lively and fast-paced movement, followed by a slower, more contemplative Andante. The piece concludes with a rousing Allegro vivace.
Imagine yourself sitting in a concert hall filled with the sound of a lively Allegro molto from Schubert's Sonatina Op. 137, No. 1. This delightful piece of music was originally composed for violin and piano and has been arranged for a medium-level string orchestra, making it accessible to a broader audience.
Schubert, a prodigious composer and a skilled violinist had already composed over a dozen string quartets at the young age of 19. He then began to write violin sonatas, and in 1816, he composed his first three violin sonatas, including Sonata No. 1 in D major, D 384. These sonatas were later published as Sonatinas in 1836 (Op. posth. 137) after the composer's death. The Sonatina No. 1 in D major, D 384, is a charming piece of music that requires relatively little virtuoso bravura from its performers.
The intimate atmosphere of this piece is perfectly suited for a small ensemble. Schubert wrote "März 1816" (March 1816) on the autograph score of this sonata, which has three movements: Allegro molto, Andante, and Allegro vivace. The Allegro molto is a fast-paced, lively movement that will get your toes tapping and your heart racing. The Andante is a slower, more contemplative movement that provides a peaceful interlude before the final Allegro vivace, which brings the piece to a rousing conclusion.
Overall, Schubert's Sonatina Op. 137, No. 1 is a delightful piece of music that showcases the composer's talent for creating beautiful melodies and his ability to write music that is both accessible and engaging.
Feel the rush with this piece! The music's edgy rhythms and meter changes create a sense of urgency and desperation, like a frantic pursuit. A lyrical middle section offers a moment of respite before the thrilling journey resumes.
Handel's famous works, "Largo" and "Hallelujah Chorus," are presented together. "Largo" explores Baroque arioso sonorities, while the Hallelujah Chorus is the most renowned chorus ever written. All parts have been adapted to retain the original antiphonal effect between the chorus and orchestra.
1. Largo
2. Halleluja Chorus
For Grade 3.5 String Orchestra
This is an excellent intro to Early Music. Arbeau's second piece was later used in "Capriol Suite" by Peter Warlock. To add authenticity, improvise and add bass drum or tambour parts.
1. Bransle
2. Pavan
3. Ballo Furlano
For String Orchestra Grade 1.5
Ideal for a festival orchestra with players at different levels, this piece is based on the medieval melody "L'Homme Arme", depicting a sword-wielding warrior. The middle section features a violin solo as a lullaby reflecting the armed man's war experiences. The final section celebrates the armed man walking in the light of peace and liberty with the South African song "Simbayama".
For 4 string orchestras and untuned percussion - Grade 3.5, 2, 1.5 & 1
As you journey through a tropical rainforest, you can experience wonderment and awe reflected in these three miniatures. Each piece offers a different mood and tone colour for players to explore. The techniques used in these miniatures, including pizzicato, sustained notes, double quavers, and left-hand pizzicato, are easy to tackle, even for young musicians with limited experience.
1. Leaping Frogs
2. Creeping Vines
3. Fun at the Falls
For String Orchestra Grade 1
Pleyel, Haydn's student, had exceptional musical talent. The Duet Opus 8 no. 2 is a delightful and accessible piece highlighting different parts of the ensemble, showcasing diverse musical techniques like spiccato quavers, slurred string crossings, and martel crotchets. It's a great starting point for those who want to appreciate Classical music.
This piece of music is intended for a string orchestra with a difficulty level of grade 3.
Enjoy your food, move your body to the beat, and have fun! This amazing set of seven compositions even features a piece by Henry VIII. Intermediate musicians will appreciate the diverse range of musical styles from different regions of the Renaissance era. The homophonic writing style is ideal for developing precise intonation and consistent bowing techniques.
For String Orchestra Level 2
This suite of three contrasting movements is perfect for young string players. It includes fun techniques like tremolo, pizzicato, harmonics, tapping, and even screaming. Bumps in the Dark is thrilling, Far Away Dreams is gentle and thoughtful, and Shooting Stars is exciting. The suite encourages active listening within the ensemble.
Listen to #1 – Bumps in the Dark
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