This piece gradually expands harmony from a unison note, highlighting interesting texture. Younger musicians learn dissonance through gentle tonal clashes, while elementary players explore different bow speeds and lengths. It's a great introduction to the power of a string orchestra.
As the notes of this piece are played, harmony gradually expands from a single note, creating an interesting texture that captivates the listener. The gentle tonal clashes provide an opportunity for younger musicians to familiarize themselves with the concept of dissonance. Moreover, the constantly changing dynamics allow elementary players to experiment with different bow speeds and lengths, further enhancing their musical abilities. This piece serves as a perfect introduction to the sustaining and enveloping power of a string orchestra, as it showcases the beauty of each individual instrument and the harmonious blend they create as an ensemble.
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
Genghis Khan, a feared warrior, and his soldiers ride through Mongolia into China. The piece's driving rhythms and accented chords create an atmosphere of strength and awe in battle. A gentler middle section uses the pentatonic scale, perhaps as Khan rests. The work concludes with a surge of energy as he moves towards his next battle.
Heavenly Lake in Tianshan Mountain, Xinjiang, China, has a myth about a goddess who overcame a demon. The playable piece features pentatonic melodies, lush harmonies, bracing rhythms, and intricate textures.
The French court of the 17th and 18th centuries was renowned for its grandeur and beauty, envied by all composers in Europe. These three works embody that spirit.
La Tempesta di Mare is the overture to Salieri's opera, Cesare in Farmacusa. It narrates the journey of the young Julius Caesar as he sails through a treacherous storm to Farmacusa, near Sicily. The plot is filled with pirates, gypsy lovers, and, of course, Roman gods, providing much entertainment for audiences of that time.
David Maddick compiled “Chinwagging” from the most popular tunes in “Thirty Concert Pieces” by Everything String. The piece teaches fundamental string techniques to young ensemble members, such as legato bowing, string crossing, re-taking, and right/left-hand pizzicato. It’s an enjoyable and solid introduction to foundational concepts.
