
Finale From Symphony No. 12 (FJH)
Composer Joseph Haydn
Arranger Carrie Lane Gruselle
Publisher FJH Music Company
Series FJH Developing Strings
Stock Code ST6476
Experience the high seas with this programmatic work for full orchestra complete with mystery, adventure, sword battles and buried treasure. A multitude of effects add to the drama and intensity, including the unique sound of glissando cello harmonics simulating the sound of seagulls on a desert island. This arrangement includes optional parts for your concert band members as well (not playable by concert band alone) to give you added performance flexibility and possibly combine your two groups. (5:15)
Composer Joseph Haydn
Arranger Carrie Lane Gruselle
Publisher FJH Music Company
Series FJH Developing Strings
Stock Code ST6476
Feature every section of your orchestra in this swashbuckling piece! Three distinct "pirate" themes are given to the violins, violas, and cellos/basses to allow all players a chance to shine. All seafaring melodies stay in first position with minimal low-two finger patterns and lots of doubling for a big, full sound. Each section takes an adventurous turn into new tonalities before joining forces at the end for a triumphant finale! (Grade 1.5, Dur 2:40)
Swashbucklers Saga by Chris Thomas (Grade 2.5) FJH
This brilliant march in grand concert style works beautifully for strings! A powerful melodic line combines with strong rhythms and moving harmonic shifts as the piece unfolds. After a wonderful exchange of the opening themes, the piece moves into an energetic coda with a riveting ending. A perfect performance piece at concert or festival as well as an ideal change of pace for any program! (2:00)
This cleverly titled work includes three famous themes from The Planets. The swooping and fluttering sounds of Mercury, the Winged Messenger give way to the mystical tone clusters and serenity of Venus, the Bringer of Peace. The arrangement closes with the iconic militant ostinato and extreme dissonance of Mars, the Bringer of War. An exceptional arrangement. (4:30)